Doctor Who: The Idiot's Lantern
by Martin Conaghan, posted May 30th 2006 5:52PM
(S02E07) Television, it's a curse on modern society, isn't it? Sure it is. It turns your brain to mush and makes you behave like a faceless robot.
Well, if you occupy an unassuming council street in London, circa 1953, it certainly does -- but thankfully, Doctor Who is on hand to unravel the mystery of the latest invention to sweep the land, just in time for the Coronation of Queen Elizabeth II.
Warning: spoilers after the jump.
I've said it before here on TV Squad, but my favorite episodes of Doctor Who are always the ones set in the past. This particular episode, The Idiot's Lantern, was written by Mark Gatiss (The League of Gentlemen), who also wrote the brilliantly scary season one episode The Unquiet Dead, and it too was set in the not-too-distant past.
If there's one complaint I have about this particular Doctor Who adventure, it's the repetitive nature of storylines ending with the Doctor saving the world for the umpteenth week in a row. The recent revival of the series under the guiding influence of Russell T. Davies has been largely down to the complex character development and the introduction of more engaging plotlines, but there seems to be an overwhelming desire on the part of the production team to repeatedly inject the show with happy-clappy endings, perhaps in order to give David Tennant's wide-eyed grin a regular airing.
Either way, it gets a bit tiring to watch the Doctor rescue the planet every week, and it would be nice to see a bit more edge to the show, in the same way the best American sci-fi shows like The X-Files have managed for the last 10 years.
Despite this minor complaint, The Idiot's Lantern was still an enjoyable romp, giving the producers the perfectly acceptable excuse of dressing the Doctor and Rose in garish 1950s clothing as they stop off to catch a performance of Elvis on the Ed Sullivan Show in New York. Of course, the TARDIS is a bit on the wonky side, and they land in London instead, right in the middle of the 1953 Coronation, and the presence of an alien creature (played fantastically by Maureen Lipman) called The Wire, who is possessing avid viewers of the latest invention, the television, and stealing their faces.
When Rose ends up falling victim to The Wire, the Doctor sets out on a mission to stop the malevolent creature before it steals the souls of 20million viewers across the country who will be glued to their new 'tele vision' sets, watching Princess Elizabeth earn her crown on Coronation Day.
As I mentioned earlier, the Doctor saves the day (as ever), with a little help from an improvised invention which he plugs in to the transmitters at Alexandra Palace in Muswell Hill; the Betamax video recorder. He then simply downloads The Wire from the outgoing signal and saves it on to the tape -- with the intention of recording over it at a later date.
Far more promising was the preview for next week's episode, The Impossible Planet, where Rose finds herself further away from home than ever before in the orbit of a Black Hole. Then something ancient begins to awake...