The State Within: Episode Six (Series Finale)
(S01E06) I was almost spot-on with my predictions for this week's finale in last week's episode review of The State Within, but I'm happy to say I wasn't entirely correct.And, now that the full conspiracy has laid all ts cards on the table, and I can start to fully understand the ins-and-outs of the whole sorry affair, I can take a more honest view of the series.
From the start, this joint-venture between the BBC and BBC America seemed ambitious, not alone for attempting to make a US-centric drama with a British hat on, but for tackling issues like global terrorism, shoddy politics and corrupt business practices in the United States.
I can't say it entirely succeeded, but it was a promising enough mini-series, filled with a few moments of political intrigue and enough complexity to maintain a decent level of interest. And it set the scene for potentially more like it, with a few provisos which might come in handy for future reference.
So, what happened then?
Well, Sir Mark Brydon pretty much saved the day, with the help of his right-hand man Nicholas Brocklehurst (who really was a good guy after all).
Fortunately, for both of them, Jane Lavery had made copies of the tapes she discovered which implicated Secretary Warner in the civilian airline bombing and the execution of Luke Gardner on death row.
Lavery also survived her spectacular car crash at the end of last week's episode, and a Defence Intelligence Agency cover-up of the whole mess began, starting with the 'accidental' death of the hit-man Vinnie Swain (who turned out to have been a war-buddy of Secretary Warner's dead son).
And yes, Charles MacIntyre, the defence contractor pulling the levers in the background, got his comeuppance too when he went face-to-face with Brocklehurst in a pretty feeble fight sequence near the end.
Oh, and the culprit behind the conspiracy was revealed -- but I'm not going to spoil it by telling you who it was (it wasn't who you might think it was).
The big question as the seconds ticked out concerned Secretary Warner's involvement in the whole operation to destabilize the government in Tyrgyztan -- was she complicit, or merely taking advantage of the subterfuge going on around her?
It seemed neither, and both -- and the viewer was left with the final thread of the plot hanging in mid-air as Sir Mark demanded an end to the US/UK war-mongering in Central Asia, or he would release the evidence which would bring down both the American and British governments.
Was he bluffing?
Well, we'll never know.
One thing we do know is this; if shows like this are to succeed in the USA (and beyond), they need to do two things: firstly, the producers need to be more ambitious in their sense of drama -- viewers don't really want hacked-out James Bond-esque plots peppered with pseudo-political undertones any more, they want real, edgy thrillers with bleak options and dire outcomes. They want verisimilitude -- not a sugar-coated vision of the real world with its heroes and villains.
And secondly, they really need to use proper American actors instead of a catalogue of B-list Brits affecting wonky mid-western twangs and cliched Texan drawls in an attempt to convince us that the interior scenes were all filmed just south of the Potomac.
But on the whole, they need to do stuff like this more often.
TV is just too plain boring without it.

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