Heroes: Into Asylum
(S03E21) Melancholy, thy name is Heroes. After an action-packed and exciting chapter last outing, we switched gears, and cast members, for a much mellower sojourn this week. I liked the early days when we got to spend shorter bits of time with the entire extended cast. I'm not sure if it's a budget thing, but these episodes that focus on only a third to half of the sprawling cast just leave me feeling kind of half-fulfilled. It also reveals, sometimes glaringly so, which storylines are a bit duller than others.You'd think that a Petrelli-focused episode would be full of tidbits and information and secrets. Angela is a walking secret, after all. But despite focusing on Nathan, Peter and Angela, we didn't get any of that. We did, however, get promises of secrets revealed next week. But that's next week. This week was whining about regrets and trying to make amends with loved ones. Oh, and Sylar picking up another nifty new ability and Danko getting in bed with the devil.
We knew already that Danko was willing to go to very dark places to get what he wanted. Also, as Sylar indicated, he really wants the same thing Sylar does: for all those with abilities to die. When he set Matt up to kill tons of innocents in Washington, he pretty much established himself as a villain. In the comic book world he'd be one of those villains without powers, like Two-Face or Lex Luthor. So I guess you could say we now have a super-villain team-up.
Do you think Zachary Quinto realizes that the writers just wrote in a way to get rid of him if he tries to hold out for more money come his next contract renegotiation. Shrewd move on the eve of his Spock-tacular turn on the forthcoming Star Trek film. "What's that, you want more money? Hmmm, looks like Sylar's just going to keep looking like other people from now on." "D'oh!"
I can't say I really saw the point of all that time we spent with Peter and Angela, or even Nathan and Claire's rather pointless excursion south of the border. I know it was all about bonding time for these estranged family members, but we really didn't get anything out of it except for cliches. Peter and Angela were caught, but it was by HRG so he said "All clear" and they were saved. Gee, never seen that. Nathan and Claire needed money so he challenged a bunch of young kids to a drinking contest, failed and Claire had to step in and save the day. Yep, that's a new one.
I caught Bryan Fuller's name as consulting producer, but maybe his handprint didn't sink as deep into the storytelling on this one. Or maybe the Petrellis wouldn't have had to carry forty minutes out of the hour if we'd have gotten at least some face time for Hiro, Ando, Mohinder or Matt. Hell, HRG only had a couple of cameos himself.
As I said, I'm not sure if this was a budget thing, because I'm not sure if they save money by not having every cast member in each episode (though I'd imagine they do), but it's not the type of show we originally fell in love with. Heroes was a big show that always had a lot going on at the same time. We got tasty morsels with almost everybody every week. and every plot creeped forward with each passing hour.
Not so anymore, it would seem, and that's why we have weaker outings, like this one, and stronger ones like last week. If they want to try and lure people back into the show, that majesty and "hugeness" of the story that we had in the first season needs to be restored. A new viewer tuning in just tonight wouldn't have even known about half the cast members or half the storylines going on.
| I prefer focusing on just a few stories per week | |
|---|---|
| I want to see everyone every week | |
| They just need to trim the cast and this won't be a problem |

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