The Prisoner -- An early look
The first thing I noticed about AMC's reboot of the classic Patrick McGoohan series The Prisoner was its style. The original is a very stylized piece of work, but as someone who didn't see it back in 1967-1968 when it first aired -- I'm not that old! -- I'm not sure if its visual presentation was wholly unique in itself, or more a reflection of the '60s style in general. Certainly the '60s have become infamous for some weird fashion and design choices.Some of that '60s nostalgia creeped into the architecture and dress of the Villagers this time around without overwhelming the tone, and I think it's a wonderful homage to the original. But I'm more impressed that this re-imagining manages to capture the same sense of paranoia and confusion that the first did, without simply retelling the same story in the same way. And it's those differences that are truly modernizing the story in a great way.
It's nothing short of an amazing "get" for AMC and the producers of this version of The Prisoner that they managed to get Ian McKellan for the role of Number 2. The man is an acting tour de force, dominating every scene he's in, and he does so here again. While in the original series, Number 2 was often overshadowed by McGoohan's Number 6, and even replaced a couple of times (to say the least), it's nice to see a Number 2 that's so commanding and powerful.
As the series begins, you can tell that this Number 2 is completely within his dominion as the lord of all within the Village. The Village itself is updated to a much more modern almost-metropolis, while still keeping some of those elements that made the original's sleepy seaside setting so charming. It feels less like a prison than the first one, which makes the psychological game much more complex.
The cast in the supporting roles are just astounding in keeping us distant enough as viewers that we can't really tell whose side they're on or what they're really about. Lennie James (Jericho) is back with another spot-on American accent as a cab driver we kind of want to trust, while Ruth Wilson's character just oozes with double-cross. Everyone is so spot-on, that you don't see extras and supporting cast members walking about, you see citizens of the Village.
What's exciting is that AMC has made a very bizarre and trippy series from 40 years ago (which is brilliant in its own right) into something fresh, exciting and completely accessible to modern audiences. It's still trippy and bizarre, but it's a lot of fun to get lost in the mystery of this world filled with numbered people and nary a name to be found.
Jim Caviezel is doing a very admirable job of stepping into the very large shoes of Patrick McGoohan as Number 6, and though he comes at the role differently, it's every bit as believable. I think the modifications to the story, the Village and even the methods of imprisonment are perfectly in keeping with our modern times.
And this mini-series is perfectly in keeping with AMC's strong run of quality drama with top-notch writing, acting, directing and set design. The Village is real and beautiful and peaceful and terrifying all at the same time, and that is a sign of a masterful production.
I'd sit here and say that I'm disappointed we're only getting six hours of The Prisoner, but I'm really not. A great story knows when it's been told, and it's far more satisfying to get more with less than to watch something drag on and on until you just don't get that excited about it anymore. I'm very excited about The Prisoner and I'll be excited about it later when I watch it again and again.
AMC's new six-hour take on The Prisoner launches with a two-hour premiere on Sunday November 15, 2009 at 8 PM ET/7 PM CT. The mini-series then continues Monday and Tuesday in those same time slots.

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