Give thanks that Davies' Doctor Who finally regenerated
The Gallifreyan dust cleared by now on the final episode of the Russell T. Davies era of Doctor Who. And, after watching and digesting the final episodes of the David Tennant era, Davies couldn't move on fast enough for me.The two-part story, "The End of Time," was watched by 10 million in the UK -- flirting with a 50 ratings share. So, it's an undeniable success. It was also an undeniable mess of a story that proved unworthy of Tennant's swan song.
Davies forever deserves credit for taking the street credit his successful work on series like Queer as Folk gave him and investing it in one shot from the BBC to bring back the network's crown jewel, Doctor Who. And he deserves credit for increasing the nerdy guy-friendly show's popularity with women by introducing "Buffy-ized" romance and humor.
But, the hard truth is Davies isn't a gifted sci-fi genre writer. And it showed in "The End of Time."
What irked me so much about Tennant's final adventure as The Doctor? Davies did everything during his tenure as executive producer to weaken one of TV's greatest heroes -- to corrupt him and make him less of a heroic figure. Maybe he wanted to humanize The Doctor. Or maybe Davies is cursed by too much cynicism to allow for heroes.
But Davies really trashed The Doctor in these final tales. Why he would do that to a show he loved and wanted to bring back is beyond me. Yes, The Doctor fought back another alien invasion of Earth and bested The Master, but Davies sent The Doctor out crying like a petulant child. In what should've been Tennant's chance to finish up with nobility and heroism, he died whimpering under a layer of pretentious opera music.
Suffice to say, I doubt very much the talented writer and new executive producer Steven Moffat will let the new Doctor (Matt Smith) go out with such a lack of fanfare.

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