Review: Dollhouse - Epitaph Two (series finale)
(S02E13) What words can be used to describe Joss Whedon's latest complete series on television? "Weird" is one. "Rushed" is another.Granted, the show only had slightly more than a full season's worth of episodes to establish itself (26 in all), but Dollhouse never really felt like something Joss really cogitated on and imagined from the bottom of his soul and thought through every detail. The series felt more like a favor he was doing for Eliza Dushku to prevent her from being typecast as a tough chick, with some clever bits thrown in.
Overall, the series wasn't as good as his previous attempts, but still much better than 99% of the other crap on television. Major spoilers follow after the jump.
Had the series continued, would there have been an Epitaph Three, Four and Five? It was the most clever piece of the series. It's hard to believe that the concept only came from a need to film an emergency 13th episode on the cheap.
The big shock of the episode was Paul's death. He lasted so long just to be wiped out from a lucky bullet? Joss and company are good at tricks like that, and it did drive home the theme that nobody is dead so long as they are remembered (plus a little piece of Paul will live forever in Echo's mind).
The lack of opening and closing credits was very cool and I wish more shows would adopt such a habit. Was the same thing done with Epitaph One? I don't recall.
What happened to Whiskey from Epitaph One? Perhaps Alpha did. We'll never know. Obviously Alpha became a good guy within 10 years. It beats being the Joker knock-off that he was. When I saw that the deceased Summer Glau (by that I mean her character, not the actress) was a guest-star, I was hoping for a Firefly mini-reunion. Oh well.
The "future slang" was kind of funny, with terms like "butchers" and "dumb shows". Also technology related terms like "power down a sec" and "log off". Alpha had the best line in the episode: "It spoke to the schizophrenic in me. Both of them."
Anthony/Victor's role in the show ended up being a tribute to Mad Max. How on Earth was Priya able to raise a kid in that environment? Still, it was probably better than raising him in (insert really bad city here).
The biggest problem of the ending was that apparently Topher suddenly had the capability of curing everyone (along with acting like a sacrificial savior). That conflicts with what we're told before about imprinting. The original personality of anybody that is wiped, unless it's copied to a hard drive (or flash drive in the case of ten years later. It's surprising they didn't use solid-state drives in the first place), is gone. It seemed like a rushed Hollywood ending and was awkward in conjunction with the apocalyptic tone of the series.
Sorry Joss. There was some really good stuff there towards the end but this one wasn't a winner. That being said, I'm still looking forward to the next one.
[Watch clips and episodes of Dollhouse at SlashControl.]

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