'True' Crimes: How 'True Blood' Lost Its Bite
I'm still watching 'True Blood,' and I'll grimly hang on until the Sept. 12 season finale of the HBO show, but what happened to this once-fun drama? What used to be a romp has turned into a forced march. 'True Blood' is supposed to be our slightly loony summer escape; if the show has a theme, it's this: "Crazy stuff happens in the woods around Bon Temps!" But this season, the show has often been short on the things that made it so addictive in the past.
There have been a few bright spots: Denis O'Hare as Vampire King Russell has been a delight, some of the werewolf moments were memorable, scenes involving Eric are usually good and Lafayette and Jesus' courtship has had its share of sweet moments. But much of the show has been as messy as the remains of a recently staked vamp, and nothing in season 3 has even begun to approach the pathos and impact of season 2's Godric arc.
Let me make it clear that I don't care if 'True Blood' creator Alan Ball is diverging or remaining true to the novels by Charlaine Harris on which the television show is based. All I need 'True Blood' to do is supply a coherent and enjoyable television narrative about people who are at least moderately interesting in some way. Much of the middle of the season, however, has simply been tedious.
Here's are six reasons why:
There are way too many characters. 'True Blood' already had a lot of characters, but in season 3, it introduced several thousand more. Well, OK, not thousands, but the cast list sometimes reads like the Screen Actors Guild membership roster. There's little chance to get to know new people or spend quality time with existing Bon Temps residents when the show is trying to service so many characters, and it's clear that the overpopulation of 'True Blood' has reached the point of diminishing returns.
The plots are all over the map. Last season packed a whole lot of crazy into every episode, but the stories began unifying around Marianne by the season's midpoint. In this diffuse and overly busy season, storylines are picked up and dropped so rapidly that it's hard to get invested in anything. Hoyt (Jim Parrack) and Jessica (Deborah Ann Woll) are two of my favorite characters, but they've been shoved into the margins to give other stories -- some of which are downright pointless -- screen time. And it looks like we have to add 'True Blood' to the list of shows that have criminally underused Alfre Woodard, who, all to briefly, played Lafayette's mother. All in all, as season 3's Bon Tempocalypse approaches, many characters are off in their own storylines and hardly ever interact anymore. It's frustrating.
If everyone is special, then no one is special. The show "teased" us for several episodes by making us wonder what was up with Crystal (Lindsay Pulsipher). Well, why would we wonder when it was perfectly obvious that, like everyone else on the show, she had a special power or ability? 'True Blood' is starting to the mistakes that 'Heroes' made -- overstuffing the show with tons of "special" people and not doing the kind of character development that would make us care about those people or their abilities (Alcide was an exception -- who doesn't love Alcide? But he's gone now.). Besides, there's precious little of 'True Blood' that is grounded in everyday reality anymore. When's the last time Sookie (Anna Paquin) waited on someone at Merlotte's?Where's the funny? It makes sense that Jason Stackhouse (Ryan Kwanten) would experience emotional fallout from killing Eggs, but he's been so morose for so long that I very much miss his hilarious one-liners. I'm not looking for a laugh riot, but the show as a whole has delivered less cheeky, subversive humor. I know I'm not going to get 'Masterpiece Theater' here, is it so wrong to want the occasional laugh instead? Bill (Stephen Moyer) can actually be hilariously deadpan at times, the show should take more advantage of that.
Characters who have been hit with the stupid stick too many times. I nominate Tara Thornton's entire season 3 arc as the Dumbest Storyline of the Year. So she was dominated by a weird and powerful being last year, and then this year -- well, more or less the same thing happened. The repetitive Tara (Rutina Wesley) and Franklin (an overly hammy James Frain) melodrama was incredibly overwrought and annoying, and it reduced a once-sparky character to victim status -- again. And that's not the only time that characters have done in dumb things for dumb reasons in order to keep certain story lines lurching forward.
Plot turns that make little sense. Sam Merlotte (Sam Trammell) is a killer and a mean drunk? What? I'm not categorically against shows making hard left turns with characters, but they have to be carefully set up and earned. With Sam, we got a whole lot of his annoying family for half a season, and then suddenly we find out that he's got an eeeevil side. Well, great, there was one person in Bon Temps who appeared to be sane and good. Now, not so much.
Will I give up on 'True Blood'? No, I'll likely return for more next season. But if season 4 is anything like season 3, I'll cut my losses early if it appears that the world of Sookie Stackhouse is still so overstuffed and underdeveloped.
[Follow @moryan on Twitter]

60 Comments