'Being Human' Arrives on These Shores with Fangs, Claws and Problems Intact
Syfy's remake of the cult British show 'Being Human' was always going to be a tricky endeavor.Fans of the original series, which airs on BBC America, are likely to turn up their noses at a revamp of the U.K. show, which chronicles the lives of twentysomething roommates who happen to be a ghost, a werewolf and a vampire.
Truth be told, the British 'Being Human' had some flaws that I thought a remake might successfully address. In an ideal world, a U.S. 'Being Human' would attract new fans unaware of the original show by deftly exploring its themes of identity and self-doubt and jettisoning what didn't work about the UK drama.
Unfortunately the new version of 'Being Human' (9PM ET Monday, Syfy) is more repetitive, clunky and melodramatic than the previous one. In a pop-culture universe saturated with vampire fare, 'Being Human' is unlikely to dislodge 'True Blood' or 'The Vampire Diaries' in the hearts and minds of TV viewers who enjoy bloodsucker tales.
The frustrating thing about both versions of 'Being Human' is that they have solid premises: What would it be like if, during your angst-ridden twenties, a radical new way of life was forced on you? How would you define yourself when you're unable to share your true self with most people? Despite your self-loathing and doubts, should you even try to, well, be human? These are great questions to explore, given that they jibe perfectly with the confusion and experimentation many people go through in their early adulthood.
Unfortunately the new 'Being Human' doesn't explore any of these themes with much subtlety. The characters -- Sally the ghost, Josh the werewolf and Aidan the vampire -- repeatedly bemoan their fate and resist their current conditions, but they do little else of interest. It's frankly hard to work up much sympathy for these whiny, gloomy people, especially when they're telling us in on-the-nose voiceovers exactly how we're supposed to view their lonely situations.
The show's angst-ridden tone might be more palatable if 'Being Human' had a energetic plots, but the new version of the show, which features the expected emo musical interludes, has a rather sludgy pace. To be fair, given that I've seen a fair amount of the British original, I knew where a number of these stories were going, so that could account for the lack of tension -- but only up to a point. The problem don't necessarily stem from the unexceptional plots but from the bland people moving through them.
What made the British version of the show a cult success was the warmth of the actors who played the three central roles, a wry wit and a willingness to embrace the mundane yet amusing consequences of three otherworldly beings sharing a flat (Who deals with the landlord? Who washes the dishes?). The U.S. show's cast is serviceable, and Sam Huntington is especially sympathetic as Josh, but there's no real chemistry among the leads, and sticking them in obvious, slow-moving plots doesn't do them any favors.The creakiest parts of the show are, once again, the villains of the piece. Mark Pellegrino is a fascinating actor, as he proved on his stints on 'Supernatural' and 'Lost,' but there's only so much he can do with the role of vampire baddie Bishop, who pops up occasionally to give Aidan (Sam Witwer) rather rote "return to the Dark Side or else" pep talks. It doesn't help matters that Pellegrino appears to be wearing a very unfortunate blonde wig.
I can't for the life of me figure out why the distracting wig was necessary. And that just about sums up the problems with this version of 'Being Human' -- at times it's too devoted to the original, but when the new show does make changes, those alterations aren't necessarily for the better.
There are some human moments in 'Being Human' that work, such as a sequence in which Sally (Meaghan Rath) meets another ghost -- a refreshingly flippant metalhead who helps her embrace her condition. In another episode, Josh prepares a home-cooked meal for his roomies, and for once, the show doesn't repeatedly hit the viewer over the head with an obvious fact -- i.e., ghosts and vampires don't have much use for roasted meats. The roommates just talked and hung out and didn't complain (much) about their weird lives. They did what the premise has always promised -- they found a common humanity thanks to the fact that they all have weird lives.
These moments make me wonder if this version of the series is going through some major growing pains as it attempts to find an original and fresh way to tell this story. If so, 'Being Human' will need to evolve more quickly if it wants to remain undead.
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