'Glee' Super Bowl Episode Recap
['Glee' - 'The Sue Sylvester Shuffle']Were you waiting for that annoying football game to be over so you could get your first dose of 'Glee' in two months? I'm sure that's what was running through many Gleeks minds as they watched the Packers, Steelers and a whole bunch of commercials while they pounded their way through some seven-layer dip.
What you thought of this episode likely depends on what kind of 'Glee' fan you are. If you're one of those who are entertained by the musical numbers and see silly plotting as just a part of what's pretty much a fantasy world to begin with, then you were probably delighted by tonight's Super Bowl spectacular.
But if you're like me, and still hold out hope that this show hasn't gone off the rails as far as plots and characters are concerned, tonight probably left you worried for the show's future. At the very least, it probably elicited so many eye-rolls that you'll wake up with sore peepers tomorrow.
Look, I know the post-Supe episode needed to be a spectacle. We had 'Thriller' in the mix and the writers somehow needed to figure out how to squeeze Katie Couric into the festivities. And it was admirable that the entire glee club-football team merger was mostly done to help Karofsky to get over his bullying tendencies by showing him that the Gleesters are a good group doing fun things, after all. But "leaps of faith" doesn't even come close to describing some of what we were asked to make in order to buy this story.
First, after barely seeing the football team in action, we have to believe that they've really gotten their act together under Coach Beiste and are on their way to the conference championship. The we have to believe that the football team-glee club tensions are so high that the the guys on the team are turning on each other. If that's the case, how did they get to the championship to begin with?The merger was OK; in fact, it was a great way to have the football team walk in their slushie victims' shoes for a week. But to then say to them that they'll need to do the halftime show, too? That was one step too far in the believability department. But then to make us swallow that the girls were going to join the football team after the guys quit? I pretty much threw up my hands at that point.
Sure, Lauren is big enough and skilled enough to be a pretty good lineman. But Rachel, Tina and Mercedes looked so tiny out there, ready to lay down just so the guys didn't have to forefit, it just made me wonder all the more on what planet McKinley High School was on. Maybe they showed Tina getting crushed after picking up and running with a fumble to show how silly this notion is. And it gave us a good "Mike Chang!" moment as he showed his concern. But, jeez, all I could do was cringe while watching it.
And why did we get into this convoluted situation? Because Sue wanted to shoot a Cheerio out of a cannon. Yep, that's the gist of Emmy and Golden Globe-winner Jane Lynch's entire plot on the episode. All of a sudden, Sue can't get excited about any routine the Cheerios do to get ready for regionals, so she decides to buy a huge carnival cannon and tries to persuade poor, sweet, dumb Brittany to get in. "I don't want to die yet... at least until 'One Tree Hill' gets canceled," Brit said.
At that point I made like Will Arnett on 'Arrested Development' and went: "Come ON!" Is Sue really that uncaring that she'll risk getting a Cherrio killed? Is Brittany that stupid to buy Sue's line about the cannon's wife with fibromyalgia and the his baby cannons at home?
And was the scene where Will once again was screaming "Sue, this time you've gone too far!" and Figgins actually telling Sue that she can't shoot someone out of a cannon without consent supposed to be a parody of all the other similar scenes we've seen in the past year and a half? It's the only way I can explain why the plot even exited: Brennan, Murphy and Falchuk wanted to make fun of all the other Sue plots that came before this one by having Sue completely lose it. I'd rather find out why Sue wasn't feeling anything anymore, as she told Couric in that "Loser of the year" interview.
I could criticize the Couric scene for seemingly being tacked on, by the way, but it did advance the plot a bit -- Sue's antics cost her regionals caused Figgins to give her entire budget to the glee club -- and it was also the funniest part of the episode, with Sue ranking in loserdom along with Dina Lohan, Sparky Lohan, Mel Gibson, the Dallas Cowboy and Brett Favre's cell phone.
This was an episode where I wished there was more music and less "plot," though, especially if the "plot" was going to be so ridiculous. Most of the musical numbers were fun to watch. Puck and Rachel did a more sincere job with "Need You Now" than Lady Antebellum does. The guys did a fun interpretation of The Zombies' classic 'She's Not There.' And even seeing the Dalton Warblers doing Destiny's Child's 'Bills, Bills, Bills' was an odd pleasure. By the way, didn't that numnber have a "Let's not forget about Kurt!" feeling to it?
The only number I had an issue with was the 'Thriller'/'Off With Your Head' mash-up. Sure, as Mercedes mentioned, 'Thriller' has been done to death. But why dilute a classic with a song that's not nearly as interesting or dynamic? You got the Jackson estate's permission to use the song... why not take advantage of it?
Let's get back to Karofsky. We know that deep down, he wants to be in the glee club. He's good at dancing. When she saw everyone do the halftime show, he smiled and ran in to join them. During the zombified second half (don't get me started on that winning play. Those "zombies" were about as scary as The Great Pumpkin). But are high school popularity pressures that bad that he right away wants to go back to the bullying and homophobia?
We all know that the softening of Karofsky is the way that Kurt can return from his Dalton exile. Not sure how many more episodes we can handle of this before this gets maddening.
So, not a good start to the season's second half. But I'm hoping that this is just a product of needing to match the hype of following the Super Bowl. If not, then the show is going to start losing fans who remember when it had a story to tell rather than just a bunch of musical numbers strung together with silliness.
'Glee' airs Tuesdays at 8PM ET on FOX.
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