Despite a Promising Star, Will the 'Wonder Woman' Remake Be a Disaster?
This might be one of those good news, bad news situations.The good news is, Adrianne Palicki has been cast in the title role of NBC's 'Wonder Woman.' Palicki is best known for playing Tyra Collette on 'Friday Night Lights,' a role the actress approached with great skill and heart. If anyone deserves to get a leading role in a high-profile project, it's Palicki.
The probably bad news (and it's not really news, at this stage): 'Wonder Woman' is being reimagined by TV uber-producer David E. Kelley, and the things Kelley is doing to the 'Wonder Woman' franchise is filling many TV observers and Diana Prince fans with dread.
First of all, he's created three different personas for Palicki to play. She'll be the crime-fighting Wonder Woman, of course, but she'll also play W.W.'s alter ego, corporate executive Diana Themyscira, and Diana's assistant, Diana Prince.
Huh? That seems a little ornate, if not confusing. And it's disheartening to read that The Daily Beast's Jace Lacob called Kelley's 'Wonder Woman' pilot script "laughably bizarre." He also said the pilot was "outdated," "cloying" and full of "stilted dialogue" and "bizarre narrative conceits." Sure, the script might undergo some alterations before the pilot is shot, but various early reactions to the project aren't exactly promising.
Even before Kelley's script surfaced, TV Squad writer and Wonder Woman fan Chris Harnick voiced some very understandable fears about the NBC reboot.
As Chris noted, the idea of updating the iconic character is certainly an attractive one. Wonder Woman has had so many different identities over the years that a smart TV makeover could be just what the character needs. But it hasn't been easy to find the right tone and story for a 'Wonder Woman' remake. The quest has stymied many writers, including Joss Whedon, a guy who knows a thing or three about writing complex and heroic female characters.
Chris, who'd read a short description of Kelley's script, pointed out that "neither Wonder Woman nor Diana Prince would be a corporate executive. Having a secret identity was almost always an after-thought for W.W. In almost all of her incarnations, her mission has been to bring peace to the outside world."
Kelley's script doesn't appear to have much time for that kind of noble pursuit, and it's hard to see his idiosyncratic vision -- which is wordy, quirky and sometimes frustratingly glib -- melding gracefully with the framework of the superhero genre. There's a sincerity at the heart of the Wonder Woman legend, whatever campy elements crept into the '70s series of the same name. Certainly as a girl growing up in that era (I was nine when the first TV version debuted), I idolized Wonder Woman's integrity and strength as much as I coveted her golden bracelets and invisible jet.If anyone can make this odd hybrid work, it'll be Palicki. But will it be worth the effort? It seems unlikely.
Think back to NBC's 2007 remake of 'Bionic Woman,' which may serve as a cautionary tale. It's not that audience won't go for a female action hero -- I certainly think they will, if the project is done with smarts and style (just one example: The first couple seasons of 'Alias'). But are we going to get another 'Woman' remake that is hamstrung by NBC's odd decisions?
'Bionic Woman' seemed to reflect the ongoing chaos at NBC: There were too many cooks in the show's kitchen, as it were, and nobody could seem to decide who the lead character was from week to week. Four years later, the struggling network, which has a new exective team in place, has decided to make a big bet on a prominent showrunner. But Kelley isn't the right one.
It strikes me as strange that the network would want Kelley's take on this character. Why not hire one of the many TV writers in Hollywood who grew up reading graphic novels and watching various female heroines kick butt on the small screen? Why not recruit someone with a passion for this character and this genre, not a well-known producer who's had a lot of success with a series of legal shows? Furthermore, as critic Alan Sepinwall points out, Kelley's portrayal of female characters is problematic at best. It'd be especially painful to see Wonder Woman riddled with the kind of neurosis and insecurity that Kelley's female characters often display.
(Another wrongheaded NBC move with an iconic female character: The network is going ahead with a 'Prime Suspect' remake. I'm sure Maria Bello will make us all forget Helen Mirren's performance as London detective Jane Tennison. Sigh.)
It's worth noting that Kelley's characters, when they make a positive impression, excel at talking; they're simply not action-oriented. Of course, 'Wonder Woman' should have great dialogue, but is Kelley's brand of aggressive, showboating quirkiness right for this particular character? Based on what I know about the 'Wonder Woman' remake at this stage, I don't think so. He just doesn't seem like the right person for this project, and it'd be a shame if one more iconic female character got put through the wringer and quite possibly put back on the shelf, which is a definite possibility if the execution of this reboot is bungled.
If NBC likes the pilot and commissions a full series, my fingers are crossed that it'll be worthy of Wonder Woman's history -- and Palicki's talent. Full hearts and all that. But my clear eyes see danger ahead.
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