EDITION: U.S.
Kathleen Turner, 31 Years Since Body Heat
- More than three decades before playing an uptight Catholic mother in The Perfect Family (out in select theaters today), Kathleen Turner was eating the 1980s film world a...
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'Gossip Girl' Recap: Top 5 OMG Moments
- Note: The following contains spoilers if you have not seen Season 5, Episode 11 of The CW's "Gossip Girl," entitled, "The End of the Affair." "Gossip Girl" can usually b...
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Senna: Director Asif Kapadia Explores The Man Vs. The Myth
- Director Asif Kapadia. Portrait by Leslie Hassler. Documentaries are like Shakespeare and musical theater. 98% of the time they feel like an un-ending math class, but t...
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There Be Dragons Review, and Interview With Wes Bentley
- Christian films, or faith-based films, with the exception of Passion of the Christ, share a characteristic I don't like. They aren't cinematic. Fireproof looks like it...
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Mighty Movie Podcast: All Power to the Pilgrim: Jessica Hausner on Lourdes
- Sometimes it feels as if 2010 so far can be summed up as an ongoing quest to avoid discussing Avatar. (Okay, you want my one-word review? Meh.) Fortunately, a number of ...
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Anne Hathaway Quit Catholicism For Her Gay Brother
- Anne Hathaway's family left the Catholic Church because of its intolerance of homosexuality. Anne grew up wanting to become a nun but shunned Catholicism when she learne...
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Angels and Demons and Death Threats - Oh My!
- I was late submitting this blog, in defense of Ron Howard and Angels and Demons, because of a death threat. A friend of mine is fond of asking, every time this happen...
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Angels & Demons: It's A Thriller, Not A Crusade
- William Donohue of the Catholic League is on a mission. Whether it is a "mission from God," as the Blues Brothers would say, only God knows, but the goal of his mission...
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SHOW
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Called the most important media project in the history of the Catholic Church in America, this documentary -- four years in the making -- on faith and history features the Rev. Robert Barron visiting 50 locations in 16 countries, from the sacred lands of Israel and the beautiful shrines of Italy, France, and Spain, to the streets of Mexico, India and New York. ``I wanted to show the texture of Catholicism,'' Barron says. ``We have all this great, visible wealth in the church and I didn't want to reduce it to just words and ideas. Whenever we had an idea to present, we asked ourselves: `How can we show that idea?' And that's really what inspired the whole series.''

