The latest television series to get its own comic book adaptation is HBO's 'True Blood,' according to IGN. The comic will be published by IDW Publishing and will involve input from show creator Alan Ball. The article does not indicate that Charlaine Harris, the creator of 'The Southern Vampire Mysteries' series from which 'True Blood' was created, would be involved.
'True Blood' is not the first television franchise to get a comic book adaptation. Far from it. The 'Buffy' Season 8 comic written by creator Joss Whedon is still one of the biggest sellers on the shelves.
IDW Publishing practically specializes in adapting television franchises with 'G.I.Joe,' 'Transformers,' 'Star Trek,' 'Doctor Who,' and 'Angel.' Some of those are movie adaptations of television shows that got expanded into comics, but you get the idea.
With its fantasy premise and gothic atmosphere, 'True Blood' should work well as a comic book. It's a good way to tell different and possibly bigger stories without worrying about such things as budget limitations.
[via Pop Candy]
We reported a few days ago that two 'Prison Break' alumnus had joined the cast: Marshall Allman as Sam's younger brother Tommy and Shannon Lucio as Bill's wife (in flashbacks). Now comes word of two more casting notes:
(S02E12) "You may be the strongest, oldest vampire in my queendom, but if I wanted, I could own your fangs as earrings." - The Vampire Queen to Eric
We've come to the end of season two of True Blood, and I'm glad to see the Maryann storyline end (this is no spoiler; Alan Ball talked about it in my interview with him; and yes, Michelle Forbes is a fantastic actress). On the other hand, I'm sad to see True Blood ending and will wait impatiently for season three to start.
But this finale brought an end to a few storylines and set things up nicely for new ones in season three. After the jump, the episode review and your comments. Don't click through if you haven't watched the episode yet!
With the season two finale right around the corner -- "Beyond Here Lies Nothin'" airs Sunday at 9 PM ET on HBO -- it's a great time to catch up with series creator Alan Ball (pictured, with Michelle Forbes, Rutina Wesley, and Deborah Ann Woll at the TCA awards in August). Read on for his thoughts on the future of Maryann, a Sookie/Bill pairing, and even a few spoilers on season three.
If you want to look at the full transcript of the wide-ranging interview, click here. The edited version starts after the jump. Oh, and read AOL TV's coverage of the show, as well.
(S02E11) "I am gonna kick that bitch's evil ass out of my gran's house, and then you are gonna shoot her." Sookie to Lafayette, about Maryann
Well, they didn't make us wait, and picked up with True Blood right where we left off last week, with Bill walking in on the vampire queen, played deliciously by Evan Rachel Wood. And ... is the vampire queen a lesbian? There were certainly some sexual overtones with her sucking blood out of the girl's leg, and then later saying, "I haven't enjoyed sex with men since the Eisenhower administration." Then again, she did ask Bill if he wanted to have sex, and he politely declined. He also declined her suggestion that he feed on the girl.
"What gives you the right to say no to the femoral blood of a good woman?" she asks. "You know what your problem is, William? You're a snob. Tiny, tiny souls. Or penises. Or both."
(S02E10) "Jesus and I agreed to see other people, but that doesn't mean we don't still talk from time to time." - Lafayette to Tara's mom, praying over a spellbound Tara
I'm as hooked on Eric as the next girl, but I must admit, I felt a little protective of Bill during that opening scene. Sookie comforting Eric and kissing his blood-tear-stained face over the loss of Godric was sweet, but emotional. If and when that day comes, I'm not sure who I'll be rooting for: Eric or Bill. It would definitely be a tough choice for Sookie.
HBO continues to churn out some great shows, and True Blood is no exception. Season one will be available on DVD May 12, 2009, with season two premiering that month, as well. I'm not sure how I'll hold out until then!
The vampire thriller earned a Golden Globe nod today for Outstanding Drama Series, and creator Alan Ball (who also helmed Six Feet Under), dropped a few hints about what fans might expect in season two.
His comments contain a few spoilers, so I'll put them after the jump, in case you haven't finished watching season one yet.
Want more proof of the popularity of blood suckers? HBO execs are saying their freshman vampire series True Blood, also based on a series of novels, is developing an audience faster than The Sopranos, aka one of the most financially successful cable series in the history of TV. Michael Lombardo, HBO's chief of West Coast operations, says that The Sopranos' viewership numbers grew slowly. The big ratings jump didn't come until season two. But True Blood has fared better, with a 66 percent jump in Sunday night viewership since its premiere in September.
(S01E01) True Blood is definitely a show after my own heart. I love any high concept drama that lays out the entire idea in the first five minutes.
In case you didn't get it, here's the short version. Synthetic blood is now available for vampires to buy, therefore they no longer need to kill to survive. So, as a society, they decide to live out in the open and are met with the kind of fear and skepticism that you'd expect.
Another hangar-like room, room 6CDEF (obviously four rooms put together) was what housed the rest of my evening's panels. First up: HBO's True Blood. What's so odd about this is how, immediately following, Showtime has Dexter. Go figure.
Many people arrived early, enjoying the new characters of Street Fighter IV in the panel before True Blood. The line getting in over an hour before was insane, looping around multiple long corridors and seemingly never stopping to gain length. How they're able to get everyone in without people standing is a mystery.
Here are some key highlights from the panel discussion. More details to come later.
HBO's True Blood, starring Anna Paquin and Stephen Moyer, is set to premiere on Sept. 7 at 9 p.m. Here's the newly released poster for it. Makes you want to dig into a jar of strawberry jam, doesn't it?
Based on Charlaine Harris' Southern Vampire novel series, the show follows the world of vampires set in small-town Louisiana. They're able to co-exist with humans by drinking a Japanese-manufactured synthetic blood. (Well, what fun is that?!)
If I was asked to say just one thing about Six Feet Under, it's that they don't shirk from anything. The Fisher family is complex and messy, but the writers and actors put it all out there, whether it's gay sex, drugs, mental illness, or, of course, death.
That last one is a good thing for me, because I go to a lot of funerals. In the past few years, I've lost two aunts, a dad, a father-in-law, a grandma, a sister-in-law, two cousins, and at least two dozen friends. I've written scores of obituaries and played my violin for dozens of funerals. I'm on a first-name basis with most of the funeral directors in town. And you know what? It's OK! Six Feet Under has helped me to see that. Read on for five ways the show helps me cope with death.
As I learned from watching the behind-the-scenes featurette on the season one DVD set, when a show is created, the opening pictures are usually done first and the music added later. That wasn't the case with Six Feet Under, mainly because creator Alan Ball had no idea what he wanted to do with the pictures. So he had composer Thomas Newman -- whom he worked with on American Beauty -- score the music first.
The show, written by Josh Miller and Mark Fortin, will star Rodriguez's fiancee, Rose McGowan. She'll play one of five women central to the show. It's rumored to have a 70s exploitation feel, and there's talk of mud wrestling. Alan Ball's Bad Girls most likely takes HBO out of the equation, but I'd certainly prefer Showtime over any of the normal networks, just for the freedom it would provide. The linked article mentions NBC and FX as receiving the spec script. Should it end up at either of those, it will be interesting to see how what looks to be an envelope pushing show plays out under the tighter restrictions.
[Thanks to J for the tip.]
HBO and Alan Ball have teamed up once again to develop an American version of Bad Girls. The show is familiar territory for HBO which aired the critically acclaimed prison drama Oz for six seasons.
The British drama about the staff and inmates of a women's prison recently ended production after eight seasons on ITV.
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