(S04E19) Volume Five came to a climactic end, and as with past volumes, it was both exciting and a little bit of a letdown. But also in keeping with tradition, it left the door open for exciting possibilities in Volume Six, teased at the end of the episode, despite a fifth season not being a certainty at this point.

I suspect, though, that NBC will in fact bring the show back, despite it's lackluster ratings performance. A reboot, of sorts, to the franchise could revitalize it in the same way 'Chuck' has seen ratings improve this season. Properly handled, 'Heroes' is a show that could go several seasons. "Properly handled" is the key to that phrase, and it has been mismanaged for too long.

(S04E10) For some reason, while I was watching this episode I got to thinking: "What if this had been the second season of Heroes." Would it perhaps still be a top-rated show; one that NBC could rest its laurels and future on instead of Jay Leno? As with that first season, I feel that sense of wonder about what's going on, and things are really coming together.

That said, there is some sloppy thinking on the parts of both Tracy and Hiro this week. But there's also the continuing consolidation of power by Samuel, and finally an explanation of both why he's doing this and what Mohinder's been up to.

I'm going to admit to being wrong now. For weeks I've been saying that I haven't missed Suresh at all; that I would be just as happy if he never showed up. But his return and appearance (and even explanation for his absence) were handled so well, that I liked him all over again.

(S04E07) We'll have to wait until next week to see Hiro try to save Charlie. This week, we stayed with Noah and Jeremy, checked back in on Claire and Gretchen, and saw how Matt was faring with his unwanted head-guest. And things didn't really go well for any of them.

The series is really finding a nice stride, for those of us left to enjoy it. I'm racking my brain trying to think of ways to inject a sense of excitement into the show to lure some of its wayward former viewers back. Who could they cast for an arc on Heroes that people would have to tune in to see. Summer Glau? Jennifer Aniston? Bill Cosby (he has the power of slow dancing)?

They're keeping things pretty simple now, not stretching us beyond three storylines per episode, and the sense of excitement and wonder really is back in a way I've not seen since the first season. I'll not go so far as to say this is the Heroes of old, but it's a helluva lot better than the Heroes of lately.

(S04E04) What are you doing with your life? Are you happy with what you do every day, 40 or more hours a week? If not, then you're not truly living your life, you're living someone else's. Only when you realize that this life is a gift and it's so much shorter than any of us can possibly realize, can you truly start to live for yourself. Take a risk. Do what you want. Do what makes you happy.

That's pretty heady stuff, but it was apparently on the Heroes writers' minds tonight, because that's exactly what this episode was about. And it turned out pretty well. There were moments of true growth for several of our characters, some good and some probably not so good.

(S03E25) In my early look at this finale, I laid a pretty broad hint as to the major twist at the end of this volume, and I was impressed with some of the deductive abilities of our readers. And the fact that one of you got it exactly right. Now that we've all seen the final cut of the closing chapter of the "Fugitives" volume of Heroes, we can really look back at it and see how we think things have gone.

What was needed was to wipe the slate clean, resolve as many of the dangling plot threads as possible, and establish a tabula rasa for "Volume Five." Or as much of one as we can this far into a series. After all, these last two volumes have left some pretty sour tastes in many mouths. The set up for interesting things to come next year was definitely well done. I'm more interested in what's going to happen in "Redemption" than I was excited about what happened in this finale.

(S03E15) The second chapter of the newest volume of Heroes wasn't quite as strong as the first one, but it kept things moving in a positive direction. I guess the writers were wanting to keep the fugitive heroes as weak in power base as possible, based on the casualty we experienced in this episode. In a way, I can say I knew it was coming, but was hopeful that it wouldn't. While I agree that the cast had gotten a little sprawling and out of control at times thorughout the series progression, I never thought this character was a problem.

(S03E14) Now that's more like it! Yes, we're only one hour into this fourth volume ("Fugitives") of Heroes, but already we're looking at a vastly improved product. We're no longer fragmented trying to keep track of a million different seemingly unrelated storylines. Everything's connected, there's a very common and familiar enemy that needs to be dealt with, and it's a natural progression from where we've come.

Nathan's progression to the point we see him tonight has been handled pretty well. From the beginning, he was always portrayed as kind of a dick who felt pretty differently than Peter about abilities and those with them. Now we see just how strongly he feels. The addition of Zejlko Ivanek (Damages) as the man in charge of the hunter squads is a great casting choice. Already he brings an intensity to the role that's much appreciated. It's early to say, but this reminded me so much of the tone and atmosphere of the first season that I think we can declare Heroes back.

The folks at our sister site Cinematical are working hard to give you news and reviews of the best -- and worst -- the silver screen has to offer. Here are some of their latest musings on the latest blockbusters, indies, and everything in between:

• I don't have anything against Ali Larter as an actress, but I really hate her character(s) on Heroes,. It doesn't look like I'll like her character in Obsessed much more.
  
• Sure, there's 24 hours of A Christmas Story, but how about a fireside viewing of L.A. Confidential instead? Cinematical Seven takes a look at unconventional holiday movies.
• I really wanted the mysterious new Will Smith movie, Seven Pounds, to be good. Unfortunately, it does not look like I'll be getting my wish. Read Cinematical's review here.
• Want to be a part of the filming of Funny People, Judd Apatow's next movie? Cinematical tells you how to live the dream.
• Have you ever wondered what Star Wars would look like as a silent film? No? Well, some guy did. Check out a fan-made Star Wars silent movie.
  

(S03E13) Man, they did it again. Set up a potentially solid climactic final chapter to a "Volume" and then just kind of fizzled out. Sylar's antics bordered a bit on the ridiculous, and I don't at all buy Nathan's character path over the past three seasons as plausible. I was pleased with the continuation and ultimate resolution of Hiro's story as it involved also Ando, Matt and Daphne. As it turns out, while these are by no means the central figures in the plots for this Volume, their story was the best.

Maybe it's because there was a minimum of whining (Peter) or pouting (Claire), and quite frankly there's only so much of that crap you can take. With the end of "Volume Three" tonight, as we've done in the past, we got a sneak peek at "Volume Four: Fugitives." And as has been the case in the past, the few minutes we got on a preview of the next volume was much more compelling than the finale of this current volume. Just like real comic books, you usually get a great build up in these big stories, ultimately leading to disappointment.

... Eleven babes worth watchin'

Oh sure, there may be 12 shows a stinkin', but there's still reason to tune in. See just like advertisers, show-runners and TV executives know that sex sells. And hot chicks sell. And hot chicks selling their sexuality sell like hotcakes ... or chicks ... I never can get that right. But just being hot and sexy isn't enough. To really sell it, they need to be as close to naked as legally allowed on the airwaves. We're talking "Oops, sorry to barge in on you standing there in your underwear bending over the bed pulling on your fishnet stockings. Nice rack."

Sometimes near-nudity, and even nudity, legitimately serves the plot. Let's face it, Anna Paquin had to bang that vampire on True Blood so she was going to have to get naked. It's a necessity. But Yvonne Strahovski on Chuck? Does she have to be in her underwear that often to protect the Intersect? Was it required by Simon Elder that Karen Darling be in her underwear in order to talk to him? Of course not. But it's hot and that's the way we like it. Hell, they made Catalina a stripper on My Name is Earl.

(S03E11) Well, that was a whole lot of hullabaloo about nothing. I know, I know can't spoil anything before the jump. Can I say that I'm really enjoying Hiro these last couple of episodes? Maybe all he needed was to be a 10-year old boy. In fact, I wasn't too terribly annoyed by anyone in this episode ... except for Mohinder. Come on, dude. Let it go. Do you really think she's still going to be interested after everything that went down?

You just know that Seth Green and Breckin Meyer were just geeking out about getting a role on this show. In fact, we need more Heroes sketches on Robot Chicken. Now there's no excuses. As for the rest, the eclipse came and went and all those huge promises about what a big freaking deal this would turn out to be were for naught. Their powers disappeared when the eclipse came. What happened when it left?

(S03E10) We've reached the climax of this volume of Heroes. With the coming of the eclipse the first time, abilities manifested in our plethora of characters, or at least some of them. Or at least it was a catalyst of some importance. Now Claire is apparently a catalyst of some importance. Because the writers aren't sure how to make her anything other than kind of annoying, but she's the "hot chick" so they have to keep her. But that's another issue. It's time for another eclipse, and this time what havoc will it wreak?

Maybe it can make Peter whine less. Or Claire be less useless of a character. Or Matt more important of a character. Or Mohinder go back to normal or just die already. Things were definitely turned sideways this episode, and I think it was in a good way. I know all they naysayers will keep saying nay, many of them doing so without even watching the episodes (which makes their opinions irrelevant), but things are getting on track. Now if they can just avoid a disappointing conclusion to this volume, I'll be thrilled powerless.

(S03E09) It's a shame that nobody's watching this show anymore, because tonight was all about setting the stage for the battle to come. With "Volume 4" coming either in December or early next year, we should be moving fast and furious to the big confrontation between Team Pinehearst and Team Primatech. By the end of this episode, all of our major players appear to have chosen sides. The stage is set, after only nine episodes, to get to the meat of this volume.

Remember when we were told that there was going to be an examination of the generations of Heroes, and possibly struggles between them. It looks like the Writers Strike swept all of that off the table. Hell, the only people left from the "first" generation are Angela and Arthur Petrelli, and now they appear to be on opposing sides. It took awhile to get to this point, what with wasting all that time on Mohinder and Maya early on this season, but it looks like we're finally getting to the good stuff. Creator Tim Kring took pen to paper, or more likely fingers to keyboard, to write this pivotal episode. Is there anybody left watching to appreciate his efforts?

(S03E07) Have you noticed how quickly an episode of Heroes goes by? It's not a bad thing, but it just goes to show you how much they pack into each episode. It helps that they're juggling forty to fifty storylines at any given time. It's one of those things where when you're looking at writing up a review of the show there's just so much that happens. Again, I liked this episode but there weren't any major developments as far as the bigger events.

We did have another de-powering as well as another death. Kristen Bell returned to the show as the troubled Elle, and Claire's mom again showed us what her power was by holding her palm up and having fire dance on it. Hey lady, we're sooo over it! Does Peter get his powers back? Does Sylar really just need a hug? Did Hayden Panattiere finally get any acting lessons so she can show more than "earnest" on her face?