(S02E12) "That's the thing about spies. You never know who they are." -- Michael

Michael Westen with money troubles? Boy, now you really know how bad the economy is when a burned super spy has to dig up a job to keep himself in Armani suits. Actually, I thought it was a refreshing change of pace that Michael actively pursued an assignment rather than just wait for somebody to come along -- to Sam or Madeline or Fiona -- who needs help that seemingly only Michael can provide.

What was weird is that for much of the episode, the case was much less important than the subtext between Fiona and Michael. This is an interesting development and so different from other classic TV pairings. Watching Fiona and Michael you don't wonder if they'll ever do it, because they've done it. No, you wonder what the heck does it mean and how do they deal with the emotions stirred up by Fiona's near death and Michael's reaction to possibly losing her?

(S01E05) It was the best of In Plain Sight, it was the less than best of In Plain Sight. For starters, the only carry-over from the previous episode was Marshall's arm in a sling. Hey, what about his nearly dying and Mary's emotional breakdown in the waiting room? The lack of follow-through was stunning.

Granted, this show isn't a serial, but I did expect at least a moment between Mary and Marshall that would connect back beyond her quip in the art gallery. It was too glib. Would it have killed them to have a moment? I can imagine a fight in the writer's room over this point and keeping it light and unemotional won.
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