(S01E10) Sorry about the late review, folks. My systems were still acting a little wonky after that EMP blast on '24' the other week, but everything seems to be working A-OK now (yes, I am a robot, a TV lovin' robot). So let's take a few and talk about our favorite Death Retardant Specialist, Christopher Chance.

SuperChance flew to a remote Alaskan island to rescue a selfless doctor, played by the perfectly adequate Moon Bloodgood, from a team of corporate-financed baddies. But what started out as a simple find and flee job soon turned into a mission to unearth a deadly conspiracy. Follow me after the jump for spoilers.

(S03E10) The mission tonight was all about decisions. Decisions, decisions. Turned out there were choices made in the past, present and future that had a major effect on Chuck, Sarah and Casey, especially the latter. For more on that, and Robert Patrick's bad breath, read on after the jump.

(S03E08) It seems more and more like the spy job is less and less attractive for Chuck. Just when things were on the verge of getting really good for Chuck on the personal front, there were complications based on the past and the job and the choices he's been forced to make. If this is spy life, it's no wonder James Bond drinks so much. More on that and the chicken pepperoni after the jump.

(S03E07) This was the last 'Chuck' until after the Winter Olympics, so it was important that we made some progress with the intersect -- natch -- and also the Hannah and Sarah situations. Ever since she flew into Chuck Bartowski's life, Hannah has seemed too good to be true. Is she really? And what of Chuck and Sarah's on/off relationship? Fortunately, we got a good take on it all, as well as some edge-of-the-seat thrills. More after the jump.

(S02E22) If this was the series finale for Chuck, it was a really satisfying and appropriate wrap up. If, as I'm hoping, it was only the season finale, this was a really satisfying and appropriate set up for the next season of Chuck. Therefore, any way you slice it, Chuck hit a lot of high notes -- including Jeffster's pre-wedding serenade. The show was filled with action, had new information that was just a little bit stunning, and overall, it was terrific.

Have I mentioned how much I love Ellie and Awesome's wedding ? She looked amazing in her wedding gown and after the chapel situation turned into a scene reminiscent of You Only Live Twice with guys parachuting in through the roof (only in Bond it was a volcano), the outdoor, California nuptials were not only nicer, it gave Chuck a chance to give Ellie the wedding she really wanted.

(S02E20) Trust. Five little letters that represent so, so much. For Chuck, trust has been key to his agreeing to be the American government's good little intersect. He's gone along with all the dangerous assignments, put his life on the line, lied to his friends and family, and every step of the way, he's trusted that Casey and Sarah and the General are working for the country's best interest, and by extension, his best interest.

After convincing the General that the only way to keep Fulcrum from getting their own intersect, the one not in Chuck's head, was to steal back Orion before he succeeds in building another unit. The fact that Orion was also Steve Bartowski -- Chuck's primary objective, i.e. "get back dad" -- was evident. However, for appearances, he let the team believe that he believed saving the interset was the most important thing.

(S02E14) Twosomes were very much the theme in this episode, not just Chuck and Morgan, but Devon and Ellie, Jeff and Lester, Morgan and Anna, and -- naturally -- Chuck and Sarah as well as Chuck and Casey. There were scenes that dealt with all these pairs and their dynamics.

The case involved Anna's new boyfriend, car dealer extraordinaire Jason Wang, who caused Chuck's intersect to go off and he was involved with an Asian group of baddies called the Triad. To uncover what they were up to, the General -- whom I'm starting to really detest -- ordered Chuck to get close to Anna's boyfriend, which meant betraying Morgan.

You think the recession hasn't hit the TV industry yet? Here's some proof it has: the stars of How I Met Your Mother received pay raises...but not the kind of big money you've heard about in years gone by. The ensemble of five, Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris and Alyson Hannigan renegotiated with the producers (20th Century Fox TV) to boost their salaries to $90,000-$120,000 per episode. That's still a lot of money in today's economic strife, but compared to Two and a Half Men's Charlie Sheen's $825,000 per ep, it's downright modest.

(S04E13) Remember that movie The Chase? Okay, you probably don't, but believe me, it exists [link NSFW]. Anyway, Charlie Sheen takes Kristy Swanson hostage, and over the course of the movie some major league Stockholm Syndrome kicks in (like, really major league: they do it while he's leading the cops on a high speed chase). The lesson of the movie is obvious: if you kidnap the original Buffy the Vampire Slayer, she'll eventually fall in love with you.

I bring this up because I'm becoming scared that I might have lost perspective on The Office. I've sincerely loved every episode that has aired since its return from the break. Now, here's the question: is this because the writers spent the entire strike doing brain push-ups? Or is it because The Office is Charlie Sheen to my Kristy Swanson? My (glowing) review after the jump...