According to the Hollywood Reporter, Sonnenfeld, the noted director behind such acclaimed projects as 'Pushing Daisies', will be returning to ABC to direct and executive produce the new comedy pilot 'Funny in Farsi.'
The series, which is based on the popular memoir of the same name by Firoozeh Dumas, follows the adventures of an Iranian-born immigrant who struggles to adapt to the culture of his new American home. The project was originally picked up by the network back in February but was put on hold when Sonnenfeld, who apparently was the only choice for director, had a scheduling conflict.
Well, call off your henchmen because one of the show's chief creators has something new and improved on his hands that you might like.
Barry Sonnenfeld, the executive producer of Pushing Daises, is shopping around a new supernatural show that doesn't sound as deep or detailed as Daises, but could be just as fun.
No, ABC is not even mentioning bringing Daisies back. They're not even committing to broadcasting the last few episodes. But Kristin Chenoweth thinks Pushing Daisies might be a movie. That's right, the show could/would/should be wrapped up as a movie in her estimation.
Joss Whedon fans, take note ... you may have competition from the fans of ABC's Pushing Daises. That's the way it seemed at their Comic-Con panel on Saturday afternoon. They were so loud and applauded so frequently that it made an audience of Whedon fans seem like a group of cloistered monks taking a vow of silence.
But, that really isn't surprising since the show (whose first season comes out on standard DVD and Blu-Ray on September 16th) has such a wealth of talent both on and off screen. The audience at the Pushing Daises panel had an opportunity to see all that talent in one place as the entire cast joined creator Bryan Fuller and executive producer Barry Sonnenfeld in answering questions about season two. The tantalizing morsels appear after the jump.
The comedy pilot is being directed by Barry Sonnenfeld, best known for features like Men in Black and Addams Family (I'll be kind and not harp on The Wild, Wild West), but on TV is one of the prime players behind ABC's Pushing Daisies (as well as Notes from the Underbelly which is the connection to Rachael). So, you see, Judy may have landed in a project that's bound for glory. Well, we'll see, but it does sound interesting.
(S01E06) Up until now, we've only seen Emerson as a gruff P.I. whose role was to throw a sprinkle of cynicism on the decidedly sprightly environment around the Pie Hole. But you knew that eventually we were going to either find out more about his past or see him get involved with one of the people he was investigating. Tonight we got the latter. And his dalliance did a nice job of throwing some needed darkness into what was an overly-sweet episode.
(S01E01) After weeks of massive advertising and marketing, Pushing Daisies has finally arrived! The result? You either love it or hate it. I've read a good number of reviews for this new ABC show over the summer and rare are the reviewers that are on the fence about this show. What seems to make them love it or hate it is the same thing: the format. If you enjoyed movies like Big Fish or Amélie, you should be inclined to liking Daisies. I fall in that category. Actually, tonight's airing marked the third time I watched the pilot of this fairytale-ish series. Every time, I'm entertained thanks to the colorful scenery, the chemistry between Ned and Charlotte, the narration style, the cutesy storylines, the procedural aspect, etc.
The comedy, about a couple expecting a baby and dodging crazy advice from friends and family, has been moved from Wednesdays at 9:30 pm to Thursdays at 10 pm after Grey's Anatomy. The move is in response to Idol's announcement this week that it will expand its results shows to one hour, starting April 11th. Now, Notes From the Underbelly will premiere with back-to-back episodes on April 12th instead of April 11th.
Giving a comedy the 10 pm time slot, even if its lead-in is Grey's Anatomy, is a terrible idea. From the promos, it does not look like a prime time show. Let's face it: ten o'clock is the hour for sex and violence. Underbelly looks like it belongs in the 8 o'clock hour (or not on television at all, if you ask Joel).
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