I remember watching Boomtown for the first time. I remember where I was, and at what point in our lives it was on the air. Now, I watch a lot of television and have seen and forgotten more shows than most people would ever even want to be aware of. But Boomtown had that much of an impact on me.

Oh, I'm a sucker for a unique premise or take on familiar territory. I first tuned in to 24 because it took place in "real time," and I just had to see how that would work. I tuned into Boomtown because it promised me a look at crime from every possible perspective. How, I wondered, is that possible? And yet it brilliantly, beautifully and all too briefly was.

FX held panels for Archer and Sons of Anarchy on Friday morning, but by then press tour fatigue had set in, and the energy in the room was low for both. It was especially low for Archer, a Adult Swim-esque spy cartoon by the creator of Sealab 2021 that most of the critics hadn't yet seen. The panel seemed to be more content with answering with wise-ass remarks that made themselves laugh but the just served to make us tired masses annoyed.

Things perked up, though, when the network presented five of its show-runners to talk about what it's like to develop edgy dramas for basic cable. But since the theme of the week has invariably been "Leno at 10," the questions often came back to the fact that NBC with one fell swoop wiped out five hours of scripted drama per week. And the show-runners took every opportunity to bash the Peacock for it.

And it got ugly: "I feel they should take the American flag down in front of the building and just put up a white one," said Rescue Me's Peter Tolan, "because they've clearly given up."

One thing you have to say about the powers that be at Desperate Housewives, they're really great with casting. Great looking guys, beautiful women, quirky character actors; we've seen them all on Wisteria Lane and usually they leave a lasting impression.

The latest name to check in to Desperate Housewives is Neal McDonough. He'll be appearing in the new season and Hollywood Reporter is wondering how he'd do with Nicolette Sheridan's character, Edie Britt. Is that wondering or playing matchmaker? How do we know that Marc Cherry isn't setting him up as a mystery man from Bree's past? Cherry is nothing if not inventive, so good luck trying to anticipate his plotlines!

Former New Kid on the Block singer/actor Donnie Wahlberg is heading back to series television. Wahlberg will team with and director/producer Jon Avnet for a new TNT series called Morse Code. The title may change, but the set up is Donnie as a war hero who becomes an officer for the DEA (Drug Enforcement Administration). His beat is Boston, Donnie's hometown. The show is being scripted by Walon Green (Law & Order) and Avent will direct the pilot.

Wahlberg starred in the 2002 NBC drama, Boomtown, a highly touted series that never lived up to the network's expectations. That was the first time Donnie worked with Jon Avnet. More recently, in 2006, he was the star of Runaway for The CW. He received good notices for Spike's FX's The Kill Point in 2007, co-starring John Leguizamo.

(S01E03) I don't know that any of us can ever really understand the machinations that go into making the network schedule. After watching the first three episodes of Traveler though, I'm left scratching my head wondering just what it was that kept this one tucked away for so long. I'll give in where The Nine is concerned, because the pilot was very good. But how this one got passed over for Six Degrees, Men In Trees, and the collection of little sit-coms that couldn't is beyond me.