CapitalismALoveStory

The folks at our sister site Cinematical are working hard to give you news and reviews of the best -- and worst -- the silver screen has to offer. Here are some of their musings on the latest blockbusters, indies, and everything in between:

• I've recently become obsessed with Video On Demand, both through Netflix and through my cable company, so I'm excited that its future is being discussed at Fantastic Fest. I want more available now, please!
• "Why TV is (sometimes) better than the movies:" Whaaaa? I mean, I totally agree, but this isn't something I expected to see on Cinematical.
• OMG I want to see Zombieland so badly. It's like someone snuck into my brain and said, "Hey Kona, I want to make a movie exactly for you." I'm planning on seeing it this weekend, and I can only hope that it won't let me down. You can read Cinematical's Zombieland review here.
• Everything I've heard about Mo'Nique's performance in Precious is that she is AMAZING. So the idea that she should be denied an Oscar nomination because she is reportedly skipping press events for the film is asinine. If she deserves it, she deserves it-- whether or not she wants to play the game.
• I understand why Michael Moore is inviting jobless and homeless folks to a screening of his new film, Capitalism: A Love Story, but do they really need to sit in a theater for two hours and relive how the government and Wall Street screwed them?

The late night talk show process hasn't been refined in any major way since the early days of The Tonight Show with Johnny Carson. Well there is Carson Daly's show, but I don't count that as a late night talk show ... or a show, for that matter.

You've got your monologue, your one or two comedy bits or sketches and banter with the band and the sidekick, throw in two or three guests, end with a musical performance and you're done. It's comedy by the numbers that works as long as the comedy is funny.

So it's refreshing to see Jay Leno and company retooling the format of the bit, even if the result still screams of the old show. It's also nice to see a show that knows and plays on Leno's strengths and weaknesses as a comedian and a talk show host with the skills of an NFL offensive coordinator, even if it sometimes feels as though that offensive coordinator works for the Detroit Lions.