It's pilot time again and this season the networks have decided to turn back the clock, specifically on old cop and crime shows, to save their sinking ratings.

For instance, NBC is bringing back the mystery series 'The Rockford Files' with Dermot Mulroney in the role that James Garner turned into a classic TV crime fighter. CBS has also ordered a remake of the procedural cop classic 'Hawaii Five-O' with Scott Caan and Jean Smart.

Normally, my gut reacts to a TV remake the same way a person who just washed his car reacts to a line of dark clouds (a lot of cursing and shaking of fists at God or some other celestial being). However, if done right, anything has the chance to be good... unless it's one of the following cop serials, which should never be touched by a TV producer ever again.

In my review of last night's Glee, I praised Amber Riley's voice, noting that it sounded like a combo of Jennifer Hudson and Rihanna when her character Mercedes sang about busting the windows out of Kurt's car. Commenter "czaravm" noted that after about 30 seconds, the computerized music kicked in, giving it a canned sound. I was pretty mesmerized by Riley's voice and the way she was workin' that body, so I didn't really notice it.

Does this sort of canned music bother you? Is it enough to make you stop watching Glee? Based on the comments on my review post, it sounds like some of you are disappointed with how the show is going.

If you had to guess, what's the most coveted, prime TV real estate currently available? In February, it was the post-Super Bowl slot, but now -- what could it be. How about the hour after the American Idol finale on May 19 on FOX. With that in mind, FOX has decided to give one of its most promising, albeit unusual, new products the hour.

Ryan Murphy's musical comedy series Glee is getting the post American Idol finale hour. And yes, it is a musical comedy TV series. After American Idol crowns its new winner on May 19, all those millions of viewers, the ones who stay on the network, will see a special preview of the show about a struggling high school glee club.

All right, let's get into this Cop Rock thing that the A.V. Club has just mentioned as one of the top "lamentably lost" television shows. Trust me folks, the show was not something to lament about. In fact, I'm sure there are people out there who wish the show would just be lost and buried deep into the ground.

I guess you could say that the concept of the show was unique. Created by Steven Bochco, who was known as the driving force behind the police drama Hill Street Blues, Cop Rock combined said police drama with musical theater. Each episode of the short-lived series, which ran on ABC from September to December of 1990, began with a music-video style credit sequence with theme music by Randy Newman. Then, throughout each week's program, characters would break out in song and dance during the middle of a scene. For example, a jury would sing out "He's Guilty" in Gospel format, or a lineup of Hispanic suspects would proclaim racial discrimination in a pithy little ditty.