(S03E07) How did the cousins become the cold, unfeeling mutants we've perceived them to be? It started with a dunk in the beer bucket. Uncle's lesson may have been about family, but what sunk in to the youthful psychopaths was how to kill someone in one minute. A minute would turn out to be their undoing ...

(S02E12) Walter White, be careful what you wish for. That's the thought that occurred to me watching this penultimate episode of season two. Is it possible that Walt might actually make it through this bizarre journey to the dark side and actually come out the other side in one piece? For a time, it sure seemed possible.

For starters, there's Holly. Sky finally has the baby and she's perfect. The scenes of domestic bliss at the White's contrasted with the wreckage at Jesse's bungalow. Vince Gilligan may make Walter's perfection of crystal meth seem like a noble achievement -- the best ever cooked in New Mexico -- but seeing how Jane and Jesse's lives have deteriorated in just a few weeks of shooting heroin seemed like the ultimate anti-drug message. They were as gross as the meth couple with the ATM machine that Jesse found so disgusting.

(S02E08) I'm starting to wonder if Walter and Jesse have turned into the Abbott and Costello of Albuquerque or the New Mexican Laurel and Hardy or maybe some other bumbling duo that have been attempting to do something so far beyond their ken that the fact that they made it this far is a bloody miracle. This show illustrated yet again how the unexpected situations continue to pile up around Team Heisenberg and by the skin of their teeth; they come out the other side.

Breaking Bad's creator Vince Gilligan should be winning more awards. He's just nabbed a Peabody, but there are Emmys in his future. Breaking Bad is that good. This level of writing, the complicated storytelling is amazing.

(S02E04) The one-eyed stuffed animal was still floating in the pool, but not for long. It was fished out and lined up with a whole bunch of other evidence bags. What this all adds up to will likely be something dreadful. Right now, the tension builds and you just wonder what it all means.

Breaking Bad is like a pressure cooker, and the reference to cooking is probably appropriate. Walter and Jesse are stuck in a pressure cooker of their own design and things are getting more and more intense. Something is ready to blow, but the when and the where and the how keep us coming back for more.

Former New Kid on the Block singer/actor Donnie Wahlberg is heading back to series television. Wahlberg will team with and director/producer Jon Avnet for a new TNT series called Morse Code. The title may change, but the set up is Donnie as a war hero who becomes an officer for the DEA (Drug Enforcement Administration). His beat is Boston, Donnie's hometown. The show is being scripted by Walon Green (Law & Order) and Avent will direct the pilot.

Wahlberg starred in the 2002 NBC drama, Boomtown, a highly touted series that never lived up to the network's expectations. That was the first time Donnie worked with Jon Avnet. More recently, in 2006, he was the star of Runaway for The CW. He received good notices for Spike's FX's The Kill Point in 2007, co-starring John Leguizamo.

(S01E01) "Tell me why you're doing this. Seriously."
"Why do you do it?"
"Money. Mainly."
"There you go."
"Nah, come on. Man, some straight like you, giant stick up his ass, all of a sudden at age, what, 60; he's just gonna break bad."
"I'm 50."

If your idea of a dashing leading man doesn't include a guy in his fifties wearing his Fruit of the Loom briefs and a lab smock, then you're not watching the right shows. Bryan Cranston is one of television's most under-appreciated actors. While Jane Kaczmerek was Emmy-nominated seven years in a row for her work on Malcolm in the Middle, and was constantly talked about, Cranston only picked up three nods. It looks like he might have another chance at Emmy gold as his performance in Breaking Bad is amazing.