One of the rules of casting for this show must be that every male character must be able to look good without a shirt. Both Oliver and Zod did just that in this episode. Zod looked good for a soldier that has been in battle and taken shrapnel while leading his army of American Apparel models. Krypton must have a great H.M.O.
Who else predicted the ending other than me? More on that after the jump.
Here's hoping the writers think of something good and it doesn't become one of those 30-second final confrontations with the season's Big Bad in order to save on the special effects budget (so much for 'Doomsday').
When one thinks about it, the 'Star Wars' references make sense. It was the success of the first 'Star Wars' movie that led to Hollywood's interest in science fiction and fantasy that led to the first 'Superman' movie. Irony of ironies.
Spoilers after the jump...
Although it used an old television and sci fi concept, this particular story served a dual purpose: it let the viewer know what happened to Lois between the 8th and 9th seasons and also let us know the stakes of a potential Zod victory (although we probably could have figured that one out on our own).
Of course, the Wonder Twins were just gravy for the actual purpose of the episode: to further the legend of the Blur and heighten the Lois/Clark relationship. Like her predecessor in the 1990's Lois & Clark series, Lois is a smart cookie but really blind when it comes to secret identities. Speaking of cell phones, her ringtone for the Blur was very cute indeed.
Tonight we got a lot of backstory and explanation about some of the stranger aspects of the Smallville universe. Why is Earth such a magnet for Kryptonians, dead or otherwise? Because Krypton has been observing Earth for a long, long time and designated the planet as a bolt-hole. We also learned more about that Kryptonian artifact that has been a mystery in Smallville for a few seasons now.
All this and no Lois, too.
Obviously, the creators of Smallville wanted to create an unseen twist to the myth while at the same time giving a giant middle finger to the comic book geeks who are concerned that the show isn't following established continuity.
I'll give them points on the twist of having the elder Henry James Olsen not be the same James Bartholomew Olsen that later joins the Daily Planet (was the bowtie on the younger enough of a hint?). As much as I hate to admit this, it makes more sense for that because in the comics it is pretty well established that Clark and Jimmy have a far greater age difference than Clark and Henry James.
(S07E07) Okay, this was the first time I ever watched Smallville and had my jaw drop. Seriously. Why? Well, I'm glad you asked. Let's examine the facts: Lana and Clark are deep into dating mode. Plus, she's been staying at the Kent farm with him ever since she's returned from the dead. However, they've apparently not be able to um ... consummate that relationship because of Clark's superpowers. I guess if he gets amorous with someone, he might accidentally hurt them. Not to mention burn the place down, which he used to do when he'd get turned on.
While it's not clear how they've been getting around this, they sure didn't have to worry about it on this episode. Clark gets struck by lightning while close to some kryptonite, and his powers get transferred to someone else. Yes, again. However, this time he gets to keep his powers, and Lana is the beneficiary of the souped-up abilities. How do they celebrate this event? By knocking boots. Literally. They have such powerful sex that it causes seismic waves across Smallville. In fact, they practically destroy the Kent farm in the process. Holy cow.
Since this is a TV blog, we don't really talk much about movies. We leave that to our sister blog Cinematical. But sometimes a movie comes along that has something to do with television, and Hollywoodland is one of those movies. It's about the death of TV Superman George Reeves. He was shot in his bedroom during a party in June of 1959. The official cause of death was listed as suicide (upset over the lack of roles offered because he was typecast), but many think he was murdered.
Box Office Prophets has a nice interview with Hollywoodland screenwriter Paul Bernbaum, where he discusses the writing process for the film, how the final script differs from his version, Ben Affleck (he plays Reeves in the film), and the politics of getting a writing credit in Hollywood. It's also very cool to not only find out that Bernbaum started out as a scriptwriter on one of my favorite TV shows, Riptide, in the 80s, but that he'd like to work on a film about Philo Farnsworth, the inventor of television, which I talked about the other day.
[via Lee Goldberg]
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