Television fans, look out: Oscar-winning actors are taking over! And not just for a special cameo or a three-episode guest star stint, either. Movie stars are coming to TV in a big way ... as series regulars.

Why? Well, for a few reasons. Portraying a character on a weekly basis can present a new challenge to these veteran silver screen stars, but let's not forget that young Hollywood actors in tween-targeted films are dominating the box office. These Oscar-winning actors aren't giving up films, but their star power and names alone are big enough to attract an audience to a TV show.

Many Oscar-winners and nominees have left their mark on both screens -- just look at Sally Field. She's won an Oscar for 'Norma Rae' and Emmys for 'Sybil,' 'ER' and 'Brothers & Sisters.'

Maybe the Oscars of these latest stars got lonely on the mantle and the next logical thought would be: Why not add an Emmy sister?

Check out the list of actors who are coming to TV -- including Sissy Spacek and Dustin Hoffman -- after the jump.

In 1965, Dustin Hoffman played Buddy in an episode of CBS's legal drama 'The Defenders.' It didn't cause much of a ripple. He was still an unknown, struggling actor when he landed the role of Benjamin in 'The Graduate,' a role bigger names had all turned down including Charles Grodin, Robert Redford and Warren Beatty. The point is that unlike many young actors, television did not launch the career of two-time Oscar winner Dustin Hoffman.

But Dustin is giving TV another shot. Dustin Hoffman will star in 'Luck,' David Milch's new series for HBO. Michael Mann has also signed up to direct the pilot, and Dennis Farina and John Ortiz have been cast as well. That's a boat-load of talent and a good indication that HBO is high on the project. Presumably, Hoffman, Milch, Mann and company don't come cheap. Milch's previous work for HBO includes 'Deadwood' and 'John in Cincinatti.'

Apparently, David Milch (pictured) and Michael Mann are feeling a little lucky.

According to the Live Feed, HBO has given a pilot order to 'Luck,' a new drama series about the world of horse racing and gambling. Milch, who has already written two series for HBO (the critically-acclaimed 'Deadwood' and the, uh, not-so-critically-acclaimed 'John From Cincinnati') will write the pilot, with Mann on tap to direct.

Prior to his success with HBO, Milch also served as executive producer on the 2008 'Last of the Ninth' cop drama pilot. In addition, Milch has won a combined four Emmy awards, including wins for his work on the hit series 'NYPD Blue' and 'Hill Street Blues.'

First it was Deadwood, then it was John From Cincinnati. Now, it seems, David Milch has decided to get back to his cop roots with Last of the Ninth.

Last of the Ninth is a cop drama that focuses on the rampant corruption of the NYPD in the 1970's

Deadwood fans have been treated like yo-yos for the past several months. Some days we hear that the movies are a go and some days we hear that the movies are a no.

Take this as one of the "no" days.

And it comes from a pretty good source, Ian McShane himself. He's interviewed by Ryan Stewart over at our sister blog Cinematical, where he reveals that a good friend of his called him last week and told him that the movies weren't going to happen and that the production company is tearing down the sets. He also says that even if the movies were going to be made in the next year, he wouldn't be able to do them because he's too busy with his film schedule.

OK, it seems to be "David Milch Day" here at TV Squad, with petitions and spoofs and all that. Now comes word about the new show that Milch is doing with HBO (they certainly aren't wasting any time, eh?).

The new Milch show isn't Deadwood (sorry fans), it's a cop show, centering on a Vietnam veteran who returns to the United States and joins the New York City police force in the 1970s. This is actually a show that Milch and HBO have been working on even before Deadwood or John From Cincinnati, but now they have the time to work on it.

No word yet on whether this cop will levitate or not, but considering it's Milch and gritty 70's cops and HBO, expect a lot of swearing.

I don't think anyone will be too surprised by the following news. One day after the finale of John from Cincinnati aired on HBO the pay-cable network decided to pull the plug on the quirky surfer drama co-created by David Milch.

Unlike Milch's other creation for HBO, the critical and fan favorite Deadwood, John never clicked with viewers, despite a strong cast that featured Bruce Greenwood and Rebecca De Mornay. If you doubt me take a look at some of the comments made by your fellow TV Squad readers on the show. While many of them were fascinated by the concept, and gave Milch the benefit of the doubt, they also expressed confusion and boredom about the show.

(S01E10) We got three great things in what I suspect was the last episode of John from Cincinnati ever:

1. Dylan
2. The Zip is back.
3. Wuuuuuuuuuuuuuuuuuuuu!

Seriously though, to the three of us left watching this show, WTF?

(S01E09) Damn it. With Zippy out of the picture, I've got no one to talk to about this week's episode. Teddy? Bad Ass Teddy? Do either of you have any insight you want to share, or are you too busy getting ready for the annual Teddy Bear Picnic? If you're looking for a caterer, look no further than your own backyard. Ramon can grill up a slaughterhouse's worth of fatback in under an hour.

(S01E08) Zippy, Zippy, Zippy, can we talk? I'm hoping you can telepathically help me out here. You're the great "cruise director" after all. We've got two episodes left, and we're heading towards something big. Shaun is going to be "gone," Barry (and his buddy Teddy) are building a theater while David Milch yells mean things at them over "The Tennessee Waltz," Bill and Freddie have teamed up and John has gone all cosmic internet stalker with the help of a trance-like Cass. Help a sister out, Zip. What the hell is going on here?

(S01E06) Wow. Wow. Wow. That's it. That's the review. Wow. I think my brain blew a fuse. Last week's interminable bridge episode was totally worth it for this. The pay-off. Love it, or hate it. This is the show to be watching right now.

Remember all of that talk about a series of Deadwood two-hour movies that was mentioned after the HBO series ended in 2006? Well, it was all a figment of your imagination. In fact, television and HBO are part of your imagination as well. It's just my plan to lull you into a false sense of security while I try to take over the world! Mwha-hahahahahahahahahaha!

Ahem . . . sorry.

In all seriousness it looks like any chance of Deadwood returning to the pay-cable network in any form are pretty much, er, dead. That's according to network executive Michael Lombardo, who spoke to reporters during TCA this past week. Lombardo said that bringing Deadwood back is a doable but daunting task. First, he would need to have show creator David Milch recharge his batteries after completing the first season of John From Cincinnati. Then, Milch would need to pull the cast together again.

(S01E05) What was going on in this episode? I don't know Butchie instead. Is Zippy your personal Lord and Savior? I don't know Butchie instead. Would you keep watching this show if you weren't reviewing it? I don't know Butchie instead.

(S01E04) "Want to leave a message... on my face?" Classic. I'm officially forming the Steady Freddy fan club. I could use a lot less mega-whiny Mitch Yost and a lot more Freddy.

(S01E03) Let that be a lesson to you, young padawans. If you're going to get pierced downtown or any other place the sun don't shine outside of Saint-Tropez, it could come back to haunt you given any major religious experiences... or bonings.