(S03E11) Autumn in New York, why does it feel so inviting... That's a great song, and I thought of it while watching the opening of this episode, with the Draper kids all excited about Halloween. And there was also that chill in the air between Don and Betty. Actually, the icy glare was all Betts. She was off to see her brother about selling their father's home, but what was really on Betty's mind was the contents of Don's desk drawer. More on that and gypsy and the hobo, after the jump. By the way, this was a great Mad Men episode.

If Don were ten years older and this was 1972 instead of 1962, we'd be saying that Don Draper is going through a mid-life crisis. After spending last week contemplating a new future with the jet set, or at least getting the offer of a hobo-existence without the worries of finances or fidelity, Don was compelled to look back before making a choice. That phone call at the end of The Jet Set was to the real Mrs. Draper.

Back home, meanwhile, Betty is again faced with having to grow up. Between her father's decline, Don's disappearance and her rebukes of Arthur and Glenn, Betts has been forced to be more than she's been in the past. Sally's latest stunt shouldn't be a shock considering that she's snuck a drink earlier this season and clearly idolizes everything her father does.

Sally blames Betty for Don's absence, and Betty realizes that pain she's been feeling is just as acute for her child and she does something human about it -- she gives Sally the boots to cushion the blow of the truth that Daddy may not be coming back.