(S05E06) "We're not going to Guam, are we?" - Lapidus

Whether you've been prepared for it or not, Lost is becoming a very different show. I'm not bringing that up as a negative. I'm not bringing it up as a positive either. This is just the natural progression of what has become the most densely written sci-fi drama ever. Eventually, we were going to reach a point that just seemed utterly ridiculous even by Lost's standards.

Let me put it this way - for as far-fetched a show as Lost is (that isn't a bad thing), I've never really felt like I had to suspend my disbelief to buy into it. With this episode, I did.

(S05E05) "Um... he's Korean. I'm from Encino." - Miles

The beautiful thing about Lost is that there's never two bad episodes in a row. That's not to say that "The Little Prince" wasn't good, but it certainly wasn't what we've come to expect. It was just too slow. Not the case this week - "This Place is Death" roared back and didn't let up once during its 60 minutes of perfection.

After last week's revelation that Jin was indeed still alive (Was anyone actually surprised by this?), the attention immediately shifted from him to the people who rescued him - Danielle Rousseau's research team. Fans (myself included) were furious when Danielle was killed so nonchalantly last season, mainly because we still had so many questions about her backstory and history on the island. Wish granted.

(S05E04) "I have to make them come back... even if it kills me." - Locke

And so begins the quest of Jeremy Bentham. That's been one of the real treats this season - seeing the Oceanic Six in the present while having their plot juxtaposed against the real-time (well... as "real-time" as real-time can get when you're time traveling) plight of those still on the island three years ago. The fact that we only saw Locke lay the foundation for his plan involving the Orchid to get everyone back was still mesmerizing. I love knowing what happens to him but not knowing the circumstances of his "suicide" and how he ended up in that coffin at Hoffs Drawler. Despite the lack of any more development on Locke's plan beyond what we got, this episode was still phenomenal - mainly because two people we've all been missing finally showed up again.

(S05E03) "Because... he's one of my people." - Locke

I really need to get in the habit of taping my mouth shut while watching Lost because my jaw is always on the floor by the end of every episode. Time-traveling has added an entirely new dimension (literally) to the story-telling techniques of this show and the first three hours of this season have been some of Lost's best. The flash-backs always lacked a certain amount of tension because they already happened. On the flip side of the same coin, the same can be said about the flash-forwards because you know they're going to happen. But time-traveling has created this new ripple where nothing has permanence anymore, whether it happened, is happening, or will happen. This is mesmerizing stuff to watch unfold because everything becomes new the second Faraday, Locke, and Co. make a new jump. They may not be altering the ultimate outcome, but they are altering the moment.

(S05E02) "There's no calling my father off." - Penny

Everybody lies. Some people enjoy the thrill of getting away with it ... and then there's Hurley. While this wasn't a traditional flash-back/flash-forward episode with one character as the focus (hard to say if those will ever be feasible again), this was pretty much a Hurley-centric hour anyway.

As the plot progresses this season, it's going to be interesting to see who becomes important (and who becomes irrelevant) to the ultimate endgame. That being said, we learned one pretty important fact in this episode:

Without Hugo in the mix, "then God help us all."

(S05E01) "You're gonna have to die, John." - Richard Alpert

Time travel! The future is now! later! here! gone! beginning! ending! OK, I give up. Lost is back and the future is... well, we don't know what the future is. Or the past. Or the present. All we know is what they were, because now they're just one big time travelin' mess.

As with seasons past of Lost, the fifth chapter of TV's favorite mindf*ck opens by presenting an entirely new storytelling technique - one that demands equal parts patience, attention, and imagination. More than anything, it's a test for true fans because the casual Lost viewer (do they exist?) probably had a hard time moving from A to Z (worst metaphor ever - I know) in tonight's season premiere. That being said, this whole hour gave me my own bloody nose.

The ultimate guide to one of TV's biggest, most mysterious dramas.

Whether you've been counting the minutes until 'Lost' returns or can't remember what exactly happened in the season 4 finale, you need us.

Our handy 'Lost' A-to-Z Guide will get you back up to speed, rehash some of the show's biggest defining moments and give you 26 reasons (from A to Z!) why you won't want to miss this season.

And believe us, you won't want to miss this season ...

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This week we have: Lost, Lost and... Lost! (SPOILERS FOLLOW!)

As amazing as Lost is, I still hate it for one tiny reason - every time a new season begins, I get terrified that I won't "get it." If that happened, it would completely deflate my enjoyment of the show. While Lost has had its fair share of WTF episodes, most of them are decipherable after repeat viewings; season five's first two installments definitely fall into that category. It's like playing the sequel of your favorite video game - for the most part, the controls and game-play are the same, but there are enough changes that it still takes you a few hours to get a handle on it.

... Eleven babes worth watchin'

Oh sure, there may be 12 shows a stinkin', but there's still reason to tune in. See just like advertisers, show-runners and TV executives know that sex sells. And hot chicks sell. And hot chicks selling their sexuality sell like hotcakes ... or chicks ... I never can get that right. But just being hot and sexy isn't enough. To really sell it, they need to be as close to naked as legally allowed on the airwaves. We're talking "Oops, sorry to barge in on you standing there in your underwear bending over the bed pulling on your fishnet stockings. Nice rack."

Sometimes near-nudity, and even nudity, legitimately serves the plot. Let's face it, Anna Paquin had to bang that vampire on True Blood so she was going to have to get naked. It's a necessity. But Yvonne Strahovski on Chuck? Does she have to be in her underwear that often to protect the Intersect? Was it required by Simon Elder that Karen Darling be in her underwear in order to talk to him? Of course not. But it's hot and that's the way we like it. Hell, they made Catalina a stripper on My Name is Earl.

Ah, Season Four. You were so good to us, even though you were slightly shorted by that pesky writers strike. Lost wasn't as impacted as a lot of other shows because the creators had already gotten the okay to do three shorter seasons before any of this happened. Sure they lost a little bit of time, but not enough to have really impacted the show.

And Season Four gave us such pivotal moments. The introduction of the freighties, including some really good and interesting characters. The return of Michael. The identities of the Oceanic Six. An in-depth examination of what happened to them after the island in more flash forwards. The man in the cabin. Ben moves the island. And the identity of the man in the casket. So much happened in fourteen short episodes, but still that's not enough. To fill out the set, we've got two full discs of extras.

When the Lost season 4 poster was released last season, I took a few minutes to analyze it with you and try to extract clues and spoilers from it. The biggest clues we found in that poster was the skyline of a city reflecting on the water and the number 6, also in the water. Both foreshadowed the Oceanic 6 getting off the island.

It's time to resume our investigation, this time, with the season 5 official poster (see right, bigger version after the jump) which I've found at DocArzt's Lost Blog.

Finally! The fifth season of ABC's Lost gets a premiere date. Various sources confirm that the hit series will return with a three-hour event on Wednesday, January 21 from 8 to 11 p.m. and that the series will settle in the Wednesday at 9 p.m. slot starting the following week (aka Private Practice's timeslot).

As we've been used to in the past, the event will begin with an hour-long recap covering the previous seasons with an emphasis on the latest events. Then, the first two new episodes, titled "Because You Left" and "The Lie," will air.

So J.J. Abrams says that there might be a Lost big screen movie in the future. This is a terrible idea.

You know what that would mean? It would mean that the ending we've been promised - after the sixth season - really won't be the complete ending. We'll get a lot of answers but not all of them. They'll save that for the movie that we'll have to pay $10 to see. At least the X-Files movie came in the middle of the series run, and the sequel was a stand-alone story, so you didn't feel you were getting ripped off or teased. A stand-alone Lost movie wouldn't make much sense.

We mentioned that Matthew Fox (along with Evangeline Lilly) was in negotiations for a higher salary. Well, it looks like he got it. Fox will now be earning about $225,000 per episode of Lost, as opposed to the approximately $150,000 per episode he was making before.

I guess Jack Shepard will be with us through the rest of the season (and likely the rest of the series). If the character were more disposable, it's likely he would have gone the way of other now-dead Lost characters such as Charlie.