(S01E16) In our second-to-last episode, we get a few revelations about Sam and the reason behind his trip to 1973. Nothing conclusive, of course, but that's probably been saved for next week. Will Sam get back to 2009? Will he die? Will he get hit by another car and wake up in 1938? The mind boggles.

Sam is really adapting to his environment and becoming more brutal in his police work. Being stuck in a 1973 cop show is really rubbing off on him. On the plus side, even a bullet can't keep Michael Imperioli from delivering a great performance while in surgery. I think I'll miss you the most, Ray.

(S01E09) Finally, we get a continuation of the cliffhanger phone call ending from November! Mind you, it was kind of weird (notice that the song about the white room with black curtains played while Sam walked into a white room with black curtains). I wish they showed this episode first, as it was the better episode of the two and really showcased Michael Imperioli's talent as Detective Ray Karling.

Gene Hunt seems to be a big fan of 70's pop culture, as he keeps referring to it in his interview. Ray, on the other hand, keeps using the pseudo-profanity that Disney only permits. Ray also thinks of very colorful and amusing metaphors. It becomes cartoonish after a while. The episode also prodigiously used the slo-mo effect to the point where I thought they must have had to fill time.

(S01E01) Having been a fan of the original BBC version of this show, I was somewhat skeptical of the idea of an American remake. After watching the first episode, I was both elated, as it seems to translate well into an Americanized world (I practically predicted a shot of the Twin Towers before they appeared on screen), and concerned over some of the differences.

Let me start with the differences...