The pre-season brouhaha cited the lack of adult supervision as a big problem. Alas, for me, it was all of the adult intervention which became the biggest issue I had with the show. It wasn't the kids -- they were overall a fantastic bunch!
Well, they're kids, so it's hard to say. But one thing is for sure, they'll be steered by the invisible adults in the background all the way to the decision. For me, that's been the nagging flaw of the show -- the amount of adult intervention. But the most enjoyable aspect of the show is getting to know the children themselves.
Why must fun always have consequences? Or, at least choosing fun over a more serious option? It doesn't always play that way in adulthood. Sometimes you can have fun without regret. Yeah, seriously.
But I'll never be a Dance Master, no matter how much fun it might be. There is something called reality which comes to mind.
Ah, but did it stay at 37 children this week? Or did we lose another due to homesickness? Was there a brouhaha? More killed chickens? Hmmm ... now that I mentioned the killed chickens, I wonder why it was so important to kill the two and then none since. Maybe because of the power of suggestion in the journal, eh? Uh-oh. I should have put the spoiler after the jump. Too late -- no chickens died tonight. Oops.
(S01E03) Let's see ... no animals were killed in the filming of tonight's episode of Kid Nation. A few outhouses might have received considerable damage, a lot of pizzas were wasted, and they made ten-year-old Taylor cry. Oh, I think she deserved some sort of comeuppance, but I still felt sorry for her when it came. I suppose she's going to have to deal with it, eh?
(S07E24) "You were the one thing I thought I done right." -Ernie Dell
That's it, huh? It's weird, but I suppose it is possible to enjoy something that you don't like. It's too bad that this is what we waited all season for, but the resolution of the Miniature Killer story was far less imaginative than I hoped it would be. The identity of our killer ended up being just about as standard as it could get and nothing creative even seemed to be attempted. Very un-CSI like if you ask me.
Natalie Davis, i.e. The Miniature Killer, was indeed one of Ernie Dell's foster kids who just happened to be out of her mind. The "great" twist? She blamed Grissom for her foster father's suicide. Foolish I know, but there wasn't much else to go on I guess. I hate to say it, but I have to complain.
(S02E22) I need to pay more attention to the opening credits, because I had no idea Kelsey Grammer directed this episode. You can see a video of Grammer talking about it here.
First of all, I loved how Chris' dad thinks everything can be fixed with duct tape. Who knew Julius and Red Green had something in common?
This episode had me, and then it lost me. When Chris decides to final exact revenge on Caruso, I was all set up. This was going to be yet another great episode of a series that never relies to heavily on sitcom conventions for its humor, but by the end, that's exactly what the episode had done. I'm sure a bunch of cats being turned loose in a school might work on a lesser show, but it's an idea that seems way too "sitcom-y" for a show like Chris. Also, isn't the show supposed to be based, at least somewhat, on Chris Rock's real childhood? What school did he attend that would allow him the ample time he needed to set up such an elaborate prank?
(S07E23) "So now you're building your own?!?" -Catherine
A fan favorite returns. This was only Melinda Clarke's fourth appearance as Lady Heather on CSI, and I'm fascinated with how much they've developed her character in that short time frame. It just proves that good writing can go a long way, especially when the notion of "less is more" is kept in mind.
The episode started off quite unexpectedly, as we were reintroduced to Heather in a situation that didn't exactly jive with her own beliefs. She's a dominatrix, so why has she put herself in a submissive role? Recall what she told her late daughter Zoey in her very first appearance? Something like, give your body and heart to a man but never your power? Well now Heather is ignoring her own advice. Sounds like a good premise for an episode to me.
(S07E22) Another one-shot episode and a crazy one at that. Fortunately we got some little hints as to what may be in store for everyone as the season winds down.
The main case as I said was a bit crazy. Believers of some kooky reptilian race were behind the conspiracy and murder of a Las Vegas black-jack dealer who they apparently thought was some kind of hostile lizard queen. Hmm... there's a sentence you don't find yourself typing out every day.
(S07E21) I've gotta be honest. I loved this episode, but it was frustrating. Give me more Miniature Killer! As enjoyable as these one shot episodes can be, I'm sick of being teased. Especially when those "Go To MiniatureKiller.com" lower-screen graphics keep popping up every ten seconds. At least we got some verification that Grissom and Sara are still going strong.
So the episode focused on a washed up boxer that had been living at a brothel on the outskirts of Vegas and guess what? He's dead. The question pressing Doc Robbins? What killed him?
(S07E20) I've got to be honest. After the previews for this episode, I was psyched. What a cool idea to finally feature all the lab techs in an episode. Not so much. This ended up just being a fancy way to roll out a clip show as a refresher to anyone who wanted to brush up on the history of the Miniature Killer. With no actual story, the episode was packed with scenes from the previous Miniature Killer murders. So while everyone else got wrapped up in other nondescript cases, Hodges and the rest of the techs weaved us a narrative we've already heard.
(S07E19) That was a pretty enjoyable episode. Pulling a move that CSI hasn't used in some time, the episode began with what seemed like two completely unrelated cases, but by the end of the episode, they were completely intertwined.
Adding to the episode was the return of Method Man, reprising his season six guest starring role as club and rap mogul Drops. The guy is a good actor. I don't care what anyone says. He brings this likability to any character he plays and Drops is no exception. He's a thug, but the whole time I still found myself rooting for him to find a way out.
However, the best part of the episode was definitely the closure Greg got from the Demetrius James case. Greg finally stood up for himself. It's about time.
(S07E18) Well this wasn't the best episode of CSI, but it still had its high points. I know it's a lot to ask to have every episode tie together and not stand alone, but I was really hoping for some more stuff on The Miniature Killer.
What we did get was a look at Sara how this job is affecting her. We've always known that she was the most emotional member of the Vegas team, but it really came through on this case. I suppose holding the hand of someone who's about to die will do that to you. However, as I said, despite the mediocrity of the episode as a whole, there were a few really good high points.
(S02E15) I never skipped school when I was young, mostly because I was a good kid, but also because I attended school in a small town and it was likely that if I skipped, someone would notice.
In this episode, Chris and Greg skip school to see Ghostbusters, which is understandable since that movie was a huge phenomenon when it came out. We all had the shirts and the Ghostbusters Trapper Keepers and that ubiquitous theme song running through our heads incessantly. I think some teachers would actually yell at us if didn't skip school to go see it: "why the hell are you kids in class? Get out right now and go see Ghostbusters, it's one of the defining movies of this decade, damn it!"
(S07E16) I'm glad I got back into this show (I'm going to start reviewing it weekly in place of Numb3rs) because it's good again. After the great four episode story arc with Keppler, Grissom is back on track hunting down his latest arch-nemesis -- The Miniature Replica Killer.
They thought they had him with the death of Ernie Dell, but no. The CSI writers have crafted quite the story here, possibly one of the best multi-episode arcs this show has seen yet.
Grissom finally got around to opening the large cardboard box that was delivered to his office right before he left on sabbatical. We knew what was inside of it though since we got a sneak peek right before he left. It's another replica. The only problem? The murder hadn't occurred... yet.
TV Squad Hot Topics
Most Popular Articles
From Our Partners
- 'American Crime' Review: ABC's New Gritty Drama Tackles Race and Social Class
- Best 'Suits' Quotes from Season 4 Finale
- 'American Idol' Predictions: Which 4 Girls are Going Home?
- [Video] 'The Bachelor' Season 19 Finale Preview: Chris Soules Struggles with His Final Decision
- 'Pretty Little Liars' Episode 5.24 Photos: The End of Alison's Trial Brings a Surprise Witness
- More From BuddyTV
- Banshee Penultimate Season 3 Sneak Peek: Job's Cover Blown!
- Nashville Recap: Happily Never After
- Post Mortem: Suits Boss on Donna's Surprise Move, Harvey's 'Emotional Block' and Mike and Rachel's [Spoiler]
- The 100 Recap: 'It Can't Be Over'
- Empire Post Mortem: Trai Byers on That Explosive Elevator Scene, Bipolar Stigma and Rhonda's 'Betrayal'
- More From TVLine
- Benji Madden Sends Love Messages to Cameron 'Bae' Diaz on Instagram
- Neil Patrick Harris Unlikely to Host the Oscars Again
- Bruce Willis to Make Broadway Debut in Adaptation of Stephen King's ‘Misery'
- Kim Kardashian Confession: 'I Have the Hairiest Forehead You Could Ever Imagine'
- That Time Chris Pratt Rescued Jeremy Sisto's Kids
- More From ET