It's a shame, though, that Foley isn't moving to a new show full-time, because we think he deserves another chance.
That got us thinking: What are some other TV stars in need of a comeback?
We took a look at some of the best canceled shows from last season ('Privileged!' 'Pushing Daisies!') and selected six stars we'd love to see land on new series. Check out our picks below.
Were you hoping to find out if David was able to reconnect with his family or why William Cross' son had a high heeled shoe in his room? Tune in two months from now to find out.
NBC's Kings has been moved to the middle of June after just four episodes, the last of which was moved from Sunday to Saturday just as Macaulay Culkin made an intriguing special appearance.
This just spells even more gloom and doom for the show that has suffered from low ratings and a juggled time slot since it hit the air. A two-month hiatus is the television equivalent of the "I just want to be friends" dump.
(S01E04) - "What's the point of having power if you don't use it?"
The inevitable has slowly become reality. NBC has shuffled Kings off to a Saturday time slot, affectionately known in TV watcher circles as the "death slot." Kings has now been left in that barren viewer-less void of TV's unwanted to rot in the hot sun of the shunned. Does anyone else smell bacon burning?
It's a shame really. Last Saturday's episode was able to give the series a good kick in the ass, even after the last episode felt like an action packed opus setting itself up for a shark jumper.
"Judgment Day" has turned Kings from a simple game of "Candy Land" where the good make it to the land of sugary goodness and the evil end up stuck in the Chocolate Swamp to a complex mesh of chess where the pieces are allowed to move each other.
(S01E04) - Lives are more important than livelihood.
A major political leader's daughter has been kidnapped by militant insurgents and only one government insider can save her. Throw in a pair of electric nipple clamps hooked up to a car battery and a ticking clock, and it sounds like you've got an episode of 24.
This, however, was last night's Kings. Episode four takes a seemingly innocent decision to give Port of Prosperity to rival Gath and almost turns the whole affair into the white hot embers of a growing civil war within Shiloh.
King Silas' decision to give Gath the Port of Prosperity returns to bite him in the ass when its residents don't like their leader's use of eminent domain. So Silas puts our hero David Shepherd back in the spotlight to quell the growing insurgency and test his loyalty.
(S01E03) - "We make amends Silas; the pure, the unblemished for our sins."
Last week's episode seemed to have blown Kings' war wad early and left us with nothing worthwhile to look forward to other than a long nap.
Episode three, however, pumps the series full of B-12, beta blockers and a spoonful of blood thinner and gives it the energy and vigor it needs to be a pleasure machine once again.
"First Night" gets Kings back to makin' bacon by bringing back old enemies and giving them the ammunition to launch their own attacks. It also creates new ones who have the hate production capabilities of a mutated Darth Vader spliced with Paris Hilton and a dash of Dick Cheney.
(S01E02) - "You're just one boy. What good can you do here against all that?"
Kings is a show about a lot of things: love, money, greed, power, guys in suits that cost more than one year of college tuition. Mostly it's about action and consequences. So if the show's premiere episode was about war as a consequence, then naturally the next episode should be about its root cause: politics.
We finally get a taste of the aristocracy from the inside in the second episode. All the scheming and conniving that makes the greatest primetime soap operas and dramas like The Shield and The West Wing so great to watch. The fun comes from figuring how people like Vic Mackey and President Bartlet are going to get themselves out one bear trap without chewing their own foot off and choking on the marrow.
In Kings' case, however, the plot seems to have found its way out of one bear trap and inadvertently stepped right into another.
If only critics' words could directly affect the world in which we live simply by committing ink to paper. Just think of the possibilities. Barack Obama would reopen Guantanamo Bay long enough to try Rob Schneider as a war criminal. Family Guy would have only lasted one episode instead of longer than most fossil remains. Deadwood would return to the air as a Saturday morning cartoon show called The $*&#ing Amalgamated Adventures of That Unnecessarily Profane #*$&ing #(#(*sucker Al #*($ing Swearengen.
More importantly, Kings would have done a hell of a lot better in its time slot.
(S01E01) - "We give up what we want when we want power."
The two-part premiere of NBC's new political morality drama Kings kicks off in ways you would expect.
It's not just a political soap opera. It's a war epic. It's a family drama. It's a historical fantasy, even though such a thing sounds completely improbable. At times, it's even a comedy. All of these genres get their chance to shine in the show's first episode, "Goliath," and not all of them work, but they make for an interesting mix of television conventions.
In Kings (which Danny previewed earlier today), the Biblical-themed soap that premieres on NBC on Sunday, March 15, Baker finds himself in as equally reprehensible role: he plays William Cross, the head of a huge conglomerate that holds the purse strings behind the power of King Silas Benjamin of Gilboa (Ian McShane). The complicating factor is that he's also the brother of Silas' wife, Rose (Susanna Thompson).
I spoke to the 49-year old character actor about the show, how he thinks his character has a little bit of Dick (Cheney) in him, how he can play a child molester (fans of the 1998 movie Happiness will know what I'm talking about) and how much he loved working on the doomed sitcom The Pitts.
My television has missed Ian McShane since Deadwood went buh-bye. His cunning and devious but seemingly moralistic portrayal of Al Swearengen made for a great complex character who could be a villian or an angel, depending on the situation and how evil you are.
He's born to play gruff badasses with gravely voices and icy cold stares that could land a bruise without him lifting a finger. That complex character has returned in McShane's new utopian morality drama Kings, much more toned down, of course.
After all, this is NBC, network television. They have enough money troubles without having the FCC breathing down their neck.
A few weeks ago, I was invited, along with a number of writers from websites and blogs (including our friends at AOL TV), to screen the two-hour premiere of NBC's new Blblical-themed fantasy soap, Kings. The show, which premieres on Sunday, March 15, has gotten a lot of hype since the Peacock network introduced it last summer. That hype was mostly due to its star, Ian McShane. Everyone knew that the former Deadwood star would bring a stern intensity to the show; heck, his orneriness during the summer TCA session for the show alone made people look forward to his performance.
Alas, the bloggers wouldn't get a chance to question McShane during the post-screening Q&A; they did get a chance to speak to creator Michael Green and co-stars Susanna Thompson, Allison Miller, Dylan Baker, and Eamonn Walker. Some choice quotes and video of the session are after the jump.
I'm going to start with some bullet points, then update later on with details.
McShane, who was a memorable, dirty-mouthed proprietor of a seedy saloon on HBO's Deadwood, will be King Silas on Kings. The Universal project is said to be set in modern times, although its based on a story from the Old Testament, King David (remember Richard Gere in the movie of the same name?)
You know, it's been so long since I've seen the last episode of Deadwood that I'll have to go back and watch it again to prepare for the two movies that will end the western saga. I think the last scene showed Gerald McRaney on his way out of town, probably heading to Jericho, Kansas.
But there's no rush. According to this story at the Chicago Tribune, not only are the two movies not going to air until 2008 at the earliest, but (according to cast member W. Earl Brown), the stars of the show haven't even signed contracts to appear in the TV flicks. But creator David Milch said a couple of months that he is "committed" to finishing the movies.
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