What do you get when you put a bunch of Irish and Italian people in the same hospital waiting room? A big fight, that's what.

At least, that's what happened on 'Mercy' (Wed., 8PM ET on NBC) when the Fighting Irish got to live up to their name. Anyway, they were in the right place for all of those resulting cuts and scrapes. Kudos to Chloe for some kick-ass fire extinguisher skills.

Watch the video after the jump.

(S01E06) Let me start by saying, Whitey's uncle is not someone I'd like to know let alone do business with in real life.

In fact, I don't think I'd really want to know or do business with any of the shady characters on this show; well, with the exception of Jenny Reilly for obvious reasons.

I live in relatively sheltered Oklahoma. While sketchy people no doubt exist, I rarely found myself encountering them in day to day life. It makes me realize that I'd have a pretty difficult time trying to make it in a city where this stuff actually occurs on a regular basis.

(S01E02) Murder, sex, and gratuitous violence - the things I love most about television - and this episode had them all.

That being said, does anyone else think it was a mistake not to stick this series on a Showtime or at the very least FX? If this were the case, maybe the producers wouldn't have to do things like air special web episodes of the show so that material deemed too "edgy" doesn't get stuck on the cutting room floor.

There are a lot of initial discrepancies about NBC's The Black Donnellys from the moment you watch the show.
If you are a born and raised New Yorker, you might find it initially hard to relate to the creators insistence on piecing together different but real geographical areas and their claim that it's one fictional neighborhood, unlike other shows using a New York backdrop such as The Sopranos, Law and Order or even Sex and the City.

If you are Canadian, you might be even more confused by the creators choice of the title, which until recently has been a famous historical reference to one of the most gruesome murders in Canadian history.

Bobby Moresco and Paul Haggis, the Oscar winning team behind Crash and the creators of The Black Donnellys implore you to throw pre-conceived notions out the window when you watch the premiere Monday night and want to remind us that although the show is heavily based on their personal experiences growing up in New York City's Hell Kitchen, the story and places are indeed fictional and should feel timeless.

NBC is banking on gritty writer Paul Haggis for one of its new fall dramas, called The Black Donnellys. Haggis wrote the screenplays for Million Dollar Baby and Crash, and has also won two Emmys for his writing on Thirtysomething. The new series, created by Haggis and Bobby Moresco, is about four Irish brothers in New York's Hell's Kitchen and their lives in organized crime. It's one of those "they keep pullin' me back in" kind of things. The series will actually be shot in New York.

With The Sopranos concluding next year, NBC must be hoping that we'll still want our violent mobster fix.