Jughead

(S05E03) "Because... he's one of my people." - Locke

I really need to get in the habit of taping my mouth shut while watching Lost because my jaw is always on the floor by the end of every episode. Time-traveling has added an entirely new dimension (literally) to the story-telling techniques of this show and the first three hours of this season have been some of Lost's best. The flash-backs always lacked a certain amount of tension because they already happened. On the flip side of the same coin, the same can be said about the flash-forwards because you know they're going to happen. But time-traveling has created this new ripple where nothing has permanence anymore, whether it happened, is happening, or will happen. This is mesmerizing stuff to watch unfold because everything becomes new the second Faraday, Locke, and Co. make a new jump. They may not be altering the ultimate outcome, but they are altering the moment.

(S01E01) "I think Jughead's a real hoot." - Wendy Watson

From the beginning, I can tell this show is going to be pretty campy. That always tends to make me nervous. There are very few shows that can do camp and still be truly entertaining. I consider Batman to be one of those shows, although I know there are many who disagree. The corny looking mutant, the cheap special effects, the conversation about dating; all these things point straight towards camptown, but it's only the first three minutes.

Generally, I am not a fan of shows with quickly spoken dialog. It reminds me of how great Bruce and Cybill did it on Moonlighting. However, when it's done right, it not only sets a tone for the show but also gives the characters more freedom to have fun with the script. In the case of Middleman, I think it really works. Matt Keeslar and Natalie Morales have a nice rapport and their serious tone is a nice juxtaposition to the outrageous situations. One more point for the show.