Three top A&E reality series, Dog the Bounty Hunter, Gene Simmons Family Jewels and Driving Force will kick off new seasons in April.

The second season of Gene Simmons Family Jewels kicks off April 1 with two back-to-back episodes starting at 9:00 p.m. In "Gene's Big Mouth," Gene meets his newly-adopted infant son for the first time. In the second episode, "Face Off," Gene and his wife Shannon both undergo cosmetic surgery at the same time.

To the wonderfully talented executives at NBC:

You can move ER to another night, you can hire Star Jones to anchor the NBC Nightly News (take that, ABC), you can even cover every open schedule spot with an episode of Deal or No Deal; however, there is one thing that I'm asking... no, pleading... no, demanding you not to do. Do NOT split up My Name is Earl and The Office!

For once in God knows how long you have two shows on Thursday night that are a near-perfect match for each other. One leads very smoothly into another. I can't remember when there was a pair of win-win shows together on Must-See-TV. This may fall on deaf ears; networks are notorious for moving successful shows to other nights to boost ratings. However, if you split Earl and The Office, you risk losing a strong viewer base for whatever may allegedly replace ER that evening.

So, when you present your upfronts on Monday, please make sure you don't split up these two gems on your schedule. If you want to move them, go ahead. But, move them together.

While it's no small feat to create an animated series kids will love, or one adults will love, it's especially amazing when someone is able to create something that both kids and adults can get a kick out of. SpongeBob SquarePants is a perfect example, and so is pretty much everything Craig McCracken has had a hand in, from Dexter's Laboratory (which he didn't create, but did work on) to The Powerpuff Girls to Foster's Home for Imaginary Friends, which, by the way, will kick of its fifth season later this month (April 28 at 7 p.m. EST on Cartoon Network to be exact). I've praised Foster's plenty of times already, but I'll say again that if you like cartoons and haven't checked this one out yet, you should. The unique creatures and design of the show give it a kind of "storybook" feel, and there's plenty of subtle jokes for adults and slightly older kids. I loved the episode when a sculpture of Grandma Foster is broken, causing Bloo to point out in one scene that "a bust this big needs ample support." What makes McCracken's work so admirable is that he's able to combine elements that are both jokey and heartwarming. The result is a show both myself and my three-year-old niece can enjoy. As "simplistic" as the show may seem, that's actually quite an accomplishment.

It was announced this morning that Lost executive producers/co-showrunners Damon Lindelof and Carlton Cuse have both agreed to terms and plan to stay on with the show through the third season.

Both producers have a lot invested in the program. Lindelof co-wrote the two-hour pilot episode with J.J. Abrams and Cuse joined the team shortly thereafter. I would assume both EPs have had added responsibility as of late, since Abrams has been off making and promoting Mission: Impossible III.

This is good news though. I'd like this show to go on for at least two more seasons, but I still worry about all the unanswered questions. They've dug quite the hole and I just hope that everything will be answered satisfactorily.

[via The Hollywood Reporter]