As one of the few hits that's currently keeping HBO afloat, Entourage is still only a modest success - it's recent fifth season premiere hit a three-year low. Despite the lackluster ratings, HBO still gave the greenlight to a sixth season much earlier than expected... because, well, they don't have much else going on right now.

That being said, I'm a huge fan of the show and have been since it began. Yes, I'm one of the few that actually tuned in for the mostly ignored eight episode freshman season. I honestly don't see HBO pulling the plug without a true series finale at this stage in the series, but weirder things have happened and I want season six to roar back. So if you watch the show, great - glad to know you weren't part of that "three-year low" I mentioned. But if you used to watch Entourage, or never have, then this will be good for ya - the only six episodes you need to watch to know just what the heck is going on in the world of Vincent Chase.

(S03E12) "Screw you Mahone." - Lincoln

Is it just me, or was it relatively easy to break out of Sona? When compared to Fox River, it was cake! No tattoos required -- just dig a hole and run. And before you say, "but what about all those guards with guns," look at it this way: they're what made it easy! And Michael used it to his advantage. He gave them something to occupy their time (allowing Lechero, T-Bag, and Bellick to go first and get caught) and then he, Whistler, Mahone, and McGrady pretty much just walked through the hole in the fence. So, with that in mind... remind me again why The Company had to use Michael to get to Whistler?

(S03E12 / S03E13) "Hold on. Nobody's gonna get whacked off today!" - Dee

Every sitcom does it and it was only a matter of time until It's Always Sunny in Philadelphia hopped on the "hour long episode" bandwagon. Sometimes it's a finale or a premiere, but in this case it was FX taking advantage of the first day of November sweeps. Often it works and sometimes it doesn't. As much as I love this show (and the same goes for The Office and the four hour-longs its season started with), I just can't endorse more double-length installments like this. The uneven balance between the good and the bad is just far too obvious. At times during this episode, I felt like I was watching a bunch of mediocre deleted scenes that I'd normally expect to see as a bonus on a DVD set.

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(S03E12) Good start for 2007 here. This is the type of Numb3rs episode I'm talking about when I say this show could easily carry its weight on another weekday night. Edgy topic, great guest casting, and a tense story. It was all there.

It was great to see Deadwood's W. Earl Brown (aka Dan Dority) too. Once again, the cast of Deadwood strikes on a CBS drama. This is maybe the fourth time I think? Beyond that, Joshua Malina reprised his role as U.S. attorney Howard Meeks and Teri Polo guested as another investigator. Nice little West Wing reunion right there. This show is really pulling in some recognizable faces lately, huh? Not too shabby.

(S03E12) Despite what (I think) most considered a lackluster season, this was a pretty decent finale. It was tense, loaded with one-liners, and it's the first time Entourage ended with a genuine cliff-hanger. The first two seasons, we left Vince as he went off to make his next film. Now... we don't know what he's going to do next.

(S03E12) Maybe I sit alone with this belief, but I was royally disappointed with this finale. This entire season has been building up to this episode. It was supposed to be a magnificent explosion with guns a blazing as Bullock and Swearengen delivered Deadwood from the clutches of Hearst and his Pinkerton pistoleros. There was none of that. For the most part it was calm. It's clear that this finale was written with a full-length fourth season in mind and I only hope now that the remaining four hours of this wonderful series can do it the justice it deserves.

(S03E12) I get too emotional when I watch this show. It's just like the end of last season. The final few episodes are tear-jerkers and I'm a sucker for that stuff. That being said, I suppose that's giving the show some well deserved credit. If it can make you cry and and actually feel something, then the writers and actors must be doing something right.