Both shows are ensemble dramas, but 'Lost' is very subtle in its science fiction and/or fantasy elements, usually downplaying them in favor of the characters. 'V' has spaceships and lizard-people and the sci-fi is pretty tough to ignore. Even on TV Squad, 'Lost' is categorized as a drama while 'V' is science fiction or fantasy. While the science fiction genre has sometimes gotten a loyal viewership by the mainstream (if such a concept exists), it's usually because they don't realize they're watching science fiction.
So what do you think? Will fans of 'Lost' likely continue on to 'V', or is ABC making a mistake? Sound off in the comments.
The fictional university meant to teach Lost fans on the "fringe" science and other elements of J.J. Abrams' show can begin classes anew as the series approaches its final season.
It's no joke and no mere marketing gimmick as the "university" brings in legitimate scientists, psychologists, language experts and other experts to discuss the themes and science of Lost.
The current course catalog includes: PHI 201: I'M RIGHT, YOU'RE WRONG: THE US VS. THEM MENTALITY -- "This course examines the complex relationship between Right vs. Wrong, Us vs. Them, and Good vs. Evil, and applies it to both Lost and the real world."
Doctor Who: The Complete Specials features what proved to be a mixed bag of special episodes that became a sort of de facto fifth mini-season for Tennant. While you're not going to find a bad piece of television anywhere on this disc (or anywhere in Doctor Who's 21st century rebirth), last year's programs got weaker as they marched toward Tennant's regeneration.
The line-up includes The Next Doctor, Planet of the Dead, The Waters of Mars and The End of Time, Parts One and Two. The first two stand alone, but the last three create a sort of trilogy documenting the 10th Doctor's final days.
But, the city's local newspaper insists the best show in production in Canada's Pacific Southwest isn't on broadcast TV. It's a web series called Riese. The Steampunk-themed action series is set in another time in the kingdom of Eleysia. The title character (Christine Chatelain) battles through the countryside with a wolf avenging the death of her family.
She's fighting off a crazed, fundamentalist religious group -- the Sect. So, you can set your watch by how long the tunnel-vision crew over at Big Hollywood jumps on Riese as some sort of attack on traditional religion. (It's not.)
I tore the plastic off of the package with a bit of trepidation. Not everything you loved as a kid holds up to your scrutiny, or even your tastes, when you watch it all grown up. Which is why I'm sure some people cringed when they heard about the remake.
Would it stink? Would it be just as good as I remembered it? Should I have left well enough alone and saved my fifteen bucks?
After all, CBS Paramount has done very, very well with that original Star Trek episode. It's regarded as -- and is -- the all-time best show in the entire original ST canon. Ironically, Ellison never liked what Roddenberry and company had done with his script.
Announced by David Gerrold, Tribble inventor (not a title you hear every day) and writer of the fan-favorite "The Trouble with Tribbles," the Star Trek Comic-Con booth is offering a limited number of Tribbles for fans to steal away with into the San Diego night.
Fans are then asked to take creative photographs with their Tribbles and to post them at CBS-BDLive.com.
IDW Publishing, also the home for Star Trek, G.I. Joe, The Transformers and Angel comics, isn't the first American company to publish Who . Marvel was the home of Fourth Doctor Tom Baker's two-dimenstional adventures in the 1970s.
But those Marvel titles were written by Brits (including Alan Moore) for Brits. In a testament to Who's rebirth and international popularity, IDW's titles will be printed in the U.S. for an eager American audience -- while additional Who comics run in the U.K.
And when I say Sci Fi, I mean the network, not necessarily the content. I'm sure we could easily open up that oldie, but goodie, about what is science fiction and why certain things are ending up on the channel. We'll save that for another time though, as right now we should talk about JAG, with swords. Elliott (JAG) is set to star in Mirabilis. The four-hour mini tells the story of four knights who must come together to save their land, the titular town.
Elliott plays John, a knight seeking vengeance after his family was killed. He'll be joined by Natassia Malthe (DOA: Dead Or Alive. Yes, I watched it) as another of the knights, Perfidia. Perfidia is also John's love interest. The script is by Sam Egan (Jeremiah) and is being produced by Reunion Pictures. If you are wondering about the quality of production, I'll add that RHI Entertainment is involved and they are responsible for such Sci Fi treats as The Lost Empire. To be fair though, they also had a hand in Tin Man, so it could go either way. I'll watch it, but then I'm kind of the Mikey of bad sci fi. I'll watch anything, even SS Doomtrooper. It had Corin Nemec!
(S04E08) After two weeks of waiting, and through several other shows having their season finales, we're back for more frakking BSG, baby. And speaking of season finales, after watching Lost last night with all of its flashbacks and flash-forwards, it almost seemed as though we may be seeing a bit of flashbackery next week to explain what happened to Roslin and the others aboard the hijacked Base Star.
In case you're wondering what the title means, it's a latin legal term, of course.
Now, before you go assuming we're limiting this to purely science fiction shows, step back for a moment and consider some non-scifi shows that might be fit for such an award. Lost, though with its scifi elements, is considered a drama series, though it's shown some impressive effects this season. Pushing Daisies is another. How about House or the ill-fated Moonlight?
Take your pick amongst the sci-fi and supernatural shows we cover, and I'm sure any one of them could be a great fit for this category: Battlestar Galactica, Eureka, Stargate. What shows would you like to see nominated and what specific aspects of those shows are the most impressive examples of making the "unreal" look real?
(S04E04) I went on earlier today about how a lot of us were cut short in the early viewing of tonight's episode, which made me think perhaps something "big" happens later that they didn't want revealed early. With the exception of one "maybe big" moment, I can scratch that theory.
I wouldn't exactly call this a throw-away episode, though with what we saw in the past three episodes it did drag is places.
Okay, maybe that's not the best way to put it. According to White, he has been a hardcore Who fan for most of his life, going as far as spending years and years building a K-9, cyberman and Tardis in addition to collecting figurines. After a lot of troubles with bipolar disorder and alcoholism in his adult years, he found God and ceased his self-destructive ways. Despite claiming that his fandom was the only thing holding him together in his rough times, White is now dumping his Who love and toys, calling it a symbol of the "greatest lie that Satan ever told." He'll be selling his entire collection of goodies, worth an estimated £7000, in magazines and on eBay.
(S02E15) The few people who commented last week seemed to think that episode was pretty disappointing. Man, I hate to think what you thought this week.
It's not that this episode was a stinker, mind you. We did have some advancement with Kyle's and Jessie's powers, which of course could lead to some pretty cool future episodes. But tonight I felt like I was watching more of an after-school special, which is weird unless you're attending night school.
Rather than have you sit through what basically would amount to a more detailed version of the Early Look post I did about Razor last month, I wanted to at least make sure you all had a forum of sorts to discuss the movie. I will, however, mention a few points worth mentioning again ...
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