If you've ever wondered what 'Castle' star Nathan Fillion does on his days off, wonder no more. He apparently makes movies in secret with his erstwhile 'Firefly' boss, Joss Whedon.

According to 'The Wrap,' Whedon adapted, cast and filmed a new indie version of William Shakespeare's 'Much Ado About Nothing' this summer without anyone finding out until after it was finished.

A website went up Sunday night announcing that principal photography has been completed on the guerrilla filmmaking project, which is lightheartedly described as "A Film by Joss Whedon Based on a Play."

The cast is a veritable smorgasbord of Whedon faves: As well as Fillion there's Amy Acker and Alexis Denisof from 'Angel' and 'Dollhouse,' and Sean Maher ('Firefly'). Although it could all be an elaborate hoax, we're already loving the idea of Acker and Denisof re-teaming to tackle the roles of reluctant lovers Beatrice and Benedick.

(S01E03) "Did the hooker just punch you in the face?" – Winston

No runaway trains or upside down planes this week. Instead, Chance crashed the Russian Embassy and teamed up with a sexy FBI agent to catch his friend's killer.

This was a great episode. It had all the elements of a taut big screen thriller, plus some excellent action and a few welcome quirky character moments. I've only seen three episodes, but I'm already hooked on Human Target. I'm ready to follow Chance to the end of the season and beyond. Here's hoping that Fox (killer of all things that make me happy) has similar plans.

It looks like Human Target is set on delivering plenty of stand-alone episodes with only hints at a greater story arc. I'm a big fan of shows that offer complicated arcs that stretch out over several seasons, but that's clearly not what's happening here.

When I first started exploring this project, there were a few shows that I knew were going to be important to hit. This is the first of those. Firefly was Joss Whedon's sci-fi western series. The show mustered disappointing ratings in its short eleven-episode run on FOX.

Since then it's gone on to near mythic cult status. There was such an outcry of support from its loyalists, the Browncoats, over its cancellation that the producers made a feature film sequel. That movie, Serenity, answered a lot of questions about the future fate of the cast. Unfortunately, like the television series, it couldn't find quite enough people to show up and tune in to warrant a sequel. Nevertheless, the few morsels of Firefly we did get are enough to prove that this is one of the most innovative and enjoyable series ever to hit the airwaves.

I'm almost to the end of Firefly, my Jane After Dark readers' choice for this week. I really love this series, from the quirky characters to the general theme of a band of renegades burgling their way through the universe.

But even though it's set 500 years in the future, Firefly isn't your typical sci-fi space series that includes all manner of aliens and weird creatures. They're on a spaceship, and yet they rob trains. How cool is that?! It's like Alias Smith and Jones meets Babylon 5.

As with the other Whedon shows I've watched – Buffy the Vampire Slayer and Angel – the stories are fun and deep and fanciful (yes, I said fanciful), but it's the characters and their interactions that make the shows.