Believe it or not, the feel-good primetime hit 'Glee' is about to get even better ... and it's all thanks to Madonna.

The Golden Globe-winning series returns to Fox on April 13 with a tribute to the music icon, featuring the cast covering what's sure to be show-stopping renditions of some of Madge's greatest hits, including the '80s-defining 'Borderline,' an acoustic version of power-ballad 'Crazy for You' and the more recent '4 Minutes.' Even Sue Sylvester gets into the groove, coaching the Cheerios through an energetic performance of 'Express Yourself' and taking lead on 'Vogue.'

"It's big...huge," 'Glee' creator Ryan Murphy recently told Entertainment Weekly about the episode, which he's directing, yet he won't reveal whether or not Madonna will be making a cameo. What we do know is that the special episode will feature grander productions and at least 10 hits. We wouldn't expect anything less.

Madonna's decision to lend 'Glee' her entire catalog stems from the fact that she's a fan of the spunky song-and-dance show. Of course, the timing is also perfect for the master self-promoter, who is releasing a live DVD-CD of her Sticky & Sweet Tour on March 30, followed by the concert's April 2 TV premiere on VH1.

We're pretty sure that the 'Glee' and VH1 specials, as well as Madge's March guest stint on Jerry Seinfeld's new show, 'The Marriage Ref,' will eventually find a place in our ever-expanding compilation of Madonna's Memorable TV Moments.

(S01E01) A lot is riding on this little NBC pet project. Like one-third of their primetime lineup. But despite all their promises and promotions that this was a comedy show, vastly different than Jay Leno's work on The Tonight Show, I saw virtually the same exact show on a different set. That's not necessarily a bad thing if you're NBC. Leno was incredibly successful for a long time on that show. Just call it what it is.

The promise that it would stay topical was brought to fruition. In the opening monologue, just like those Tonight Show monologues of yore, he drops a joke right away about the situation last night at the Video Music Awards involving Kanye West and Taylor Swift. Conveniently, Kanye was a booked guest tonight, as well, so with a little shuffling, he wound up on the chair next to Leno to talk about it.

I'm one of the many people who laments the "channel drift" that has affected MTV. A network that started out as, well, "music television" has clearly become "anything but music television." There's even a graph now on GraphJam the depicts how The Real World caused the downfall of MTV. The graph shows how the airtime for music videos has decreased as The Real World grew in popularity. Perhaps it should also measure how the cast of The Real World became more attractive and subsequently less intelligent.

The graph posits that by 2010 music videos will be nonexistent on the channel. Also, interesting is the rise of what the graph calls simply "other crap" that coincides with the rise of shows like The Real World and Road Rules. I assume "other crap" refers to shows like The Hills, My Super Sweet Sixteen, and Made -- shows that have replaced music videos in primetime (and replaced music videos with their incessant reruns in daytime).

MTV has decided that after a ten-year absence from the west coast, the Video Music Awards will be held this year in Los Angeles. The ceremony will be held on Sunday September 7th at the Paramount Pictures lot in Hollywood.

What? No Kodak Theatre? No Nokia Theatre? So, why the choice to hold the ceremony at a Hollywood studio lot? Entertainment Weekly says, "Expect executive producer Jesse Ignjatovic to make use of many of Paramount's stages, rooftops, and camera-ready city streets for the star-studded show, which will only air once in its original incarnation."