In a statement, Warner Bros. confirmed news of a settlement. "Warner Bros. Television, Chuck Lorre and Charlie Sheen have resolved their dispute to the parties' mutual satisfaction. The pending lawsuit and arbitration will be dismissed as to all parties. The parties have agreed to maintain confidentiality over the terms of the settlement."
Last week, the L.A. Times reported that a settlement was likely to pay Sheen somewhere in the neighborhood of $25 million.
While Sheen is looking to clean up his many messes as he attempts to sell his 'Anger Management' pilot, the Season 9 premiere of 'Two and a Half Men,' which killed off Sheen's Charlie Harper character, drew massive ratings.
Hmm... interesting. If Charlie is well enough to move on to other things, then why isn't he well enough to complete his run on 'Two and a Half Men?' Yes, the mixed signals are as difficult to read as smoke signals.
On one hand, if Charlie Sheen is really so damaged by his personal issues -- domestic upheaval, overzealous partying, the pre-emptive entry into rehab, the sober coach on set to counsel him during his return -- how would he be ready to move on? And if he can't work anymore even with all the help he's getting from the network and the production company, not to mention cast and crew and producers, could he do better elsewhere?
Hollywood in-fighting is nothing new, and it's usually pretty interesting. The latest example is that the current producers behind 'Smallville' are suing both Warner Brothers and the CW. The accusation is that the company is "short-selling" the show to the network and thereby cutting the producers out of potential profit.
Money has always seemed a problem for the show. While 'Smallville' does not have the worst special effects in history (that award goes to classic 'Doctor Who'), it does sometimes appear to be made on a shoestring budget. In this recessionary environment, it should be no surprise that everybody is fighting like wolves for a bigger piece of the pie. More's the pity since the show has gotten better in the last two or three years.
The curious thing is the long-term effect. Will the producers for the tenth season now be replaced? Will this be the final nail in the coffin to make the show's tenth season its last? What do you think?
How many people actually remember this show? I certainly do, but even at my age I only remember it from reruns. This seems to me to be yet another example of Hollywood taking something for the nostalgia value and bringing it to today. I mean, here's the problem. Those who do remember the show are going to be irritated that there are different people in it and it's not done the same, and the people who don't remember the show don't care! What audience are they going for with this?
TV actor and comedian George Lopez has been tapped to provide the voice for the beloved Speedy Gonzales in a new big screen movie adaptation of the beloved Warner Brothers 'Looney Tunes' franchise.
Now I understand that big names bring big bucks to the box office, but this really the first time in my mind that a famous Looney Tunes character is being re-voiced by a star instead of a trained voice actor who can mimic the immortal voice of the late Mel Blanc. Voice actor Billy West, an outspoken critic of celebrity voice over characters, once described it in an earlier interview I did with him for Arriviste Press magazine as "most artless, bloodless, Godless idea I've ever heard."
I particularly like the painted image on the splash page of the app, which is reminiscent of spy movie posters of days gone by. The app itself allows the user to superimpose Chuck-related images onto the photos saved on their iPhone or iPod touch. For example, the user can appear in a Nerd Herd tag or a backstage pass for Jeffster (for the Jeffster groupies out there). Did I mention that it's free?
True, there is a tag on the bottom of each image that says to watch it on NBC, but that can be taken care of in Photoshop. If you own an iPhone or iPod touch and are a fan of Chuck, then this app is recommended.
This is how my sick mind works. I'm envisioning "Call of Duty: Sesame Street" in which our beloved muppet characters have been stricken with a zombie plague and must be destroyed by a military platoon. The Count, being already undead, remains unaffected.
Warner Brothers, which syndicates The Bonnie Hunt Show, announced its decision to take it off the air at the end of this season. Bonnie addressed her staff immediately. I'm sure Bonnie Hunt's agent is busy lining up new projects for her. She's too funny, too talented and too good to be out of work for long. I hope the employees on her show do as well.
Kelsey pulled the plug on Hank because it wasn't funny. That's according to an interview he did in which he claims that after the Thanksgiving episode, he returned to work and the show was just not getting any laughs. "Honestly, it just wasn't very funny ... We finished and I was like, 'Oh boy, there wasn't a laugh in the house on this one.' And I called the president of Warner Brothers ... and I said, 'Listen, when can we put a bullet in this thing?'"
The new idea is also "semi-scripted", which means it'll likely be heavily improvised much like most of the series and movies that Charles has been involved with. Warner Bros. TV is the company producing and they also do The Big Bang Theory, so they're in effect competing with themselves. This is a good thing because they win either way.
Actually, I wouldn't mind seeing this premise played out on an episode of The Big Bang Theory. Sheldon gets the idea and, using his sly coercive techniques, makes everybody else play along. Since he knows no other females, he coerces Penny (who is an aspiring actress anyway) to play the token female in the series. Quick! Call Chuck Lorre!
Well, Apple didn't take my suggestion to replace Microsoft as the new sponsor of Seth MacFarlane's comedy special. Sir Arthur Conan Doyle stepped up. Actually, it's Warner Bothers Pictures' Sherlock Holmes that'll sponsor the MacFarlane variety special.
Microsoft backed out of Family Guy Presents: Seth & Alex's Almost Live Comedy Show when they caught a run through of the program and objected to the humor. Goodness only knows what they thought they were getting with Seth, but it's all water under the bridge now.
Admittedly, I don't get the title "Echo" for this episode. Is it that Oliver is an echo of his former self? Is it that he's turning the path back to heroism? It certainly seems that way.
Since Clark has switched to the black outfit, I hope people (including Lois) stop calling him the "red-blue blur". Now he's just the Blur. Or maybe the Black Blur, but that could be construed as slightly racist.
The Masters of the Universe 1987 movie is still a guilty pleasure of mine (early Courtney Cox. Yum). Of course, the classic 1980's cartoon is where J. Michael Straczynski got his start before moving to bigger fish such as Babylon 5. The best big-screen adaptations usually happen when fans, or at least people who understand the source material, become filmmakers (the best examples are the Batman and Iron Man franchises). I didn't get the impression that this was happening with the He-Man movie.
Given the sheer volume of remakes that are happening, I wonder if this movie is even necessary. Do we even need another He-Man movie?
While it's easy to ask why another live action show is proceeding on the Cartoon Network, Unnatural History could be fun enough to delay your need for that explanation.
According to a network press release, we're dealing with an "action-packed blend of mystery and martial arts" here. Fortunately, there's no sign of Power Rangers masks or rubber monsters stalking Unnatural History.
Apparently, Warner Brothers set up a panel for just about every television show that have in development including Patricia Heaton's new ABC sitcom The Middle, making it the most "fish out of water" selection for a panel at the geek confab.
And so did the geeks in attendance. The panel only drew around 75 attendees and studio heads ordered Heaton not to introduce the panel because the crowd was too small.
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