Ben Silverman has made some significant contributions to the Peacock Network, most notably with the smash cult hit The Office, a show that wouldn't have even had a second season if people like Silverman weren't willing to give it a chance to grow.
Overall, however, NBC is in the dumper. And this is from a network that used to dominate free TV in almost every single category, from comedies to dramas to the newly mutated drama-comedies or dramadies. These days, "comas" is a more appropriate term.
Guild members voted 78% in favor of the new agreement with the Alliance of Motion Picture & Television Producers (AMPTP), despite calls by hard-line union members who urged actors to vote "no" and force continued negotiations.
It's clear that two huge factors in the SAG approval were general labor strife fatigue and the struggling economy.
The SAG's latest tactical move against the money grubbing networks is to oust their own negotiators.
If this were a military theater, we would be calling this a case of "friendly fire."
Maybe the strike's not all bad. That's what some studio executives are saying in this Variety article. The winter TCA Tour has been canceled already and upfronts are now in jeopardy. And just as it took the lead in pulling out of the TCA, NBC has already said they will forgo the multimillion dollar extravaganza the upfronts had turned into.
But from the network's point of view these are good things, as they'd been wanting to cut some of these expenses for years. What does that mean? The TCA Tours may be done for good, ditto the upfront "events." And that may just be the start of changes in the television landscape we've come to know and love.
Our long, dark national nightmare ... continues. After four days of talks and media silence, the Alliance of Motion Picture and Television Producers (AMPTP) disclosed the latest offer presented by Hollywood studios to the striking writers. But the WGA (Writers Guild of America) quickly rejected this offer, according to Yahoo! News. The studios described their offer as a "new economic partnership" with writers, who refer to it instead as a "massive rollback."
They went on to disparage the offer point by point. As an example, the studio offered less than $250 for a year's reuse of an hour long show for Internet streaming, one of the biggest catalysts for the strike in the first place, as compared to $20,000 plus for a single network rerun airing.
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