(S34E23) Wow. Way to go, Will Ferrell. Maybe they should just bring back Saturday Night Live alumni for season finales from now on, because this episode was spectacular. Ferrell brought back some old favorites and a slew of famous faces, from the familiar to the inexplicable, including Amy Poehler, Tom Hanks, Anne Hathaway and Artie Lange. Here are some video highlights from the evening (Hulu vids are US only. Sorry, kids... you can also watch these videos at NBC's website).

(S34E04) This season so far has been more than a little iffy, but Anne Hathaway managed to make things slightly less painful. Even though the writing still wasn't quite spot-on, Hathaway's enthusiasm brought a light to the show that made even the most irritating sketches a bit more bearable. Honestly, I had my doubts about her hosting abilities, mainly because her good girl giddiness clashes heavily with my black-hearted bitchiness, but I didn't mind her. I'm sure she could even easily make the jump from "pretty good" to "absolutely spectacular," given the right material. Also, she managed to read the cue cards without looking like a complete idiot, which most other hosts have somehow turned into a massive ordeal lately. Mmm, literacy plus natural reading: a combination so deliciously rare, the writers don't even know what to do with it.

The folks at our sister site Cinematical are working hard to give you news and reviews of the best -- and worst -- the silver screen has to offer. Here are some of their latest musings on the latest blockbusters, indies, and everything in between:

• Disney puts out a creepy internal memo about Beverly Hills Chihuahua, which includes the word "doggy-rific."
• There's talk about a remake of Angel Heart. Here's hoping that they bring back the surgically-enhanced Mickey Rourke; it'll make the movie even weirder than the original.
• Here are seven horror remakes that don't suck.
• Four funny movie-related images from The Simpsons. Boba Fett freezing the family in carbonite is the best of the four.
• An audio interview with Anne Hathaway. What's she more embarrassed about, her jailbird ex or Get Smart?
• Blind people protest the movie Blindness. Go figure.

I went to see Get Smart the other day. Judging by the box office numbers, I wasn't alone. Of course, I was curious about how one of my favorite TV shows from the '60s would be translated to the big screen. Would it be an inventive retelling in the tradition of The Fugitive, Maverick and The Addam's Family, or would it make me want to weep in horror like the dreadful I Spy, Bewitched, The Wild, Wild West and The Avengers? (And that's only the tip of the awful iceberg).

Would you believe it if I told you Get Smart falls somewhere in between? I could use the line many other reviewers have copped; you know, "The new Get Smart missed it by that much." Yes, well, it's true. Get Smart is not great on the big screen. It's okay. Nothing too shameful, but neither is it that inspired or wickedly built on the premise of the original situation comedy.
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Fresh off his Supporting Actor Oscar win for Little Miss Sunshine, Alan Arkin has been cast in the new movie version of Get Smart, which Adam first mentioned last fall. Arkin has been signed to play the Chief of CONTROL, the spy agency for which Maxwell Smart and Agent 99 work. The Chief was played by Edward Platt in the classic TV version of the show, and having the grouchy Arkin play the role of Max's exasperated boss seems like a good fit.

Hollywood has yet again dipped into the Pot of Unoriginal Ideas with the Ladle of Mediocrity, so hold out your bowls like poor Dickensian orphans, America for a steaming pile of Get Smart, the movie.

Perhaps with Steve Carell cast in the role originally made famous by the late Don Adams, this movie might be worth seeing, but when is the incessant retooling of old TV shows into feature films going to stop? Has the entertainment system become so masturbatory that it can't even look beyond itself anymore for fresh, new ideas?

At any rate, it was reported recently that Anne Hathaway has also been added to the cast in the role of Agent 99. Peter Segal (Tommy Boy, 50 First Dates) is directing the film, which begins shooting in March.