darrellhammond

I liked it. I laughed. Sure. I also laughed last week, but I can't quite remember what was so funny. These specials are pretty forgettable, bleeding into my Saturday Night Live memory and then dropping into the recesses of my mind. Again, I understand the need to jump on the debate coverage as soon as possible, but I honestly could have held on until Saturday. Or maybe they were worried that everyone would be sick of Joe the Plumber by then. Well... too late.

Well, that was a little strange... and maybe a little unnecessary. All right, it was definitely unnecessary. I wasn't quite sure how they were going to work out these Thursday election specials, because even though they called it "Weekend Update Thursday", I didn't believe they were just going to show a twenty-some minute long "Weekend Update" segment. As it turned out, the special consisted of one cold open and the rest was "Weekend Update." This is where I got super-confused. Half of these jokes had absolutely nothing to do with the election, leaving me to wonder if there is anyone out there that could not have waited until Saturday night to hear the relevant jokes. I don't think anyone's going to forget the election or the economic crisis any time soon, let alone by Saturday.

(S34E04) This season so far has been more than a little iffy, but Anne Hathaway managed to make things slightly less painful. Even though the writing still wasn't quite spot-on, Hathaway's enthusiasm brought a light to the show that made even the most irritating sketches a bit more bearable. Honestly, I had my doubts about her hosting abilities, mainly because her good girl giddiness clashes heavily with my black-hearted bitchiness, but I didn't mind her. I'm sure she could even easily make the jump from "pretty good" to "absolutely spectacular," given the right material. Also, she managed to read the cue cards without looking like a complete idiot, which most other hosts have somehow turned into a massive ordeal lately. Mmm, literacy plus natural reading: a combination so deliciously rare, the writers don't even know what to do with it.

(S34E01) Well, well, Saturday Night Live is back for another season and we couldn't be more excited. Actually, we probably could be more excited, but we're still tuning in and that's what matters.

Personally, I believe they took a risk in inviting an athlete to open the season with a bang, as I often find their performances super-awkward and damn near unwatchable, but there are folks that go totally nuts when sports people host. Plus, Michael Phelps was definitely the sweetheart of the summer and it was a smart move to grab him before he retired to his giant fish tank in Baltimore. His performance was still pretty awkward, but at least they didn't give him a lot of crazy characters to struggle through.

(S33E12) To ensure a strong season finale, Saturday Night Live made a very smart choice to go with Steve Carell. He is an incredible comedic performer and his first hosting stint went pretty well, so I wasn't surprised to see him pull it off again this time around. Actually, this picture is from the first time Carell hosted. Is it weird that I've had it sitting on my desktop since then? Yes, probably. Anyway, the material was better than some of the other episodes', with a few spectacular highlights, including the hilarious digital short.

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(S33E11) I honestly was not worried about Shia LaBeouf delivering a less than stellar performance, as his first stint on Saturday Night Live showed that he works well with the cast and is naturally very goofy. With a funny guy like this, one can only pray that the writers use him as much as possible and work super-hard to give him embarrassingly crazy sketches. Unfortunately, that wasn't the case. Again. The writing was okay, but it did not do LaBeouf justice. Also, there seemed to be a strange flow to the episode, as the energy of sketches would start dying halfway through and eventually end on a really weird line. Let's hope the writers aren't already losing steam. They still have a season finale!

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(S33E10) Considering the fact that Ashton Kutcher has hosted the show two times previous to this, I expected a lot more sketches that would let him cut loose and go crazy. We already know that he can be a decent host, and I felt like they didn't use him to his full potential. I also fully understand that I'm simultaneously talking about the importance of range and Ashton Kutcher of That 70s Show and Punk'd.

That said, this episode was mediocre, but at least it was consistently chuckle-worthy. There were only one or two sketches that were a bit painful to get through.

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Slate magazine is running an article regarding how weak most of what passes as political satire on television is. They quote heavily from Russell L. Peterson's new book Strange Bedfellows: How Late Night Comedy Turns Democracy into a Joke and also take some time to body-slam CNN's new comedy show, Not Just Another Cable News Show (Wait. What? CNN has a new comedy show on it? I thought that was the thing Wolf Blitzer hosted every day. Are you telling me that's not a comedy?)

Peterson's book, at first blush, seems to be another overly-alarmist, semi-academic attack on pop-culture -- Darrell Hammond is destroying democracy? Really? -- that I usually just ignore. Well, maybe it's the Tylenol PM I took to ease the pain of being in Utica tonight, but after reading Slate's discussion of it, I started to come around to Peterson's way of thinking...

(S33E09) The weird thing about Christopher Walken's legendary Saturday Night Live performances is that they all suck. Seriously, think about it. His delivery is jaunty and weird, and when he's not awkwardly staring into the middle distance, he's just glaring directly at the cue cards. All these elements combined should throw him in the realm of the crappiest hosts.

... And yet he consistently pulls it off and makes even the worst sketches absolutely brilliant. How is that? Walken is just inherently awesome, I suppose. It's really the only logical explanation. This episode in particular was very poorly written; I'm sure most of the sketches look absolutely pathetic transcribed on paper. However, Walken's aforementioned jaunty awesomeness made it one of the best episodes of the season. He's done it again, folks. I expect a second "SNL: Best of Christopher Walken" DVD is in the works.

It wasn't April 1st so it couldn't be April Fool's Day. It was March 1st. Still, there she was, presidential candidate Hillary Clinton saying those famous words, "Live from New York, It's Saturday Night Live."

In an unannounced and potentially savvy political move, Senator Hillary Clinton, appeared on the NBC late night comedy and showed that she can laugh at herself. This surprise appearance, coupled with her agreeing to be on Monday's Daily Show with Jon Stewart, can only help her in Tuesday's primaries in Texas, Ohio, Rhode Island and Vermont. It's pretty much desperation time for the Clinton candidacy and if Hillary wants to make it to the Denver convention with a chance to beat Barack Obama, she must win Texas and Ohio -- the big states -- decisively.

In today's Washington Post, Saturday Night Live kingpin Lorne Michaels defended his choice of Fred Armisen to play Barack Obama, starting with last week's episode. After the much-publicized search for an Obama impersonator (or Fauxbama, as some are calling it), Michaels decided on Armisen, who is of white and Asian origin. Armisen, who's talented enough to do excellent imitations of people ranging from Prince to Iranian leader Mahmoud Ahmadinejad, did a credible job playing Obama, a man who is somewhat hard to pin down, imitation-wise.

But some critics, including the Chicago Tribune's Maureen Ryan, have very bluntly wondered why an African-American didn't play Obama. "They couldn't find an African-American performer who was funny enough to play the junior senator from Illinois? They couldn't find one in New York? Not anywhere in the country? Really?" wrote Ryan on her Tribune blog.

(S33E04) From Brian Williams' guest spots and cameos on The Daily Show, I already knew he was a surprisingly funny guy. He has an incredibly dry delivery and that level of newsman integrity paired with any remotely dirty joke is absolutely hilarious. That said, I still was not sure how he would deal with a live show. After all, even the funniest of comedians or most polished of actors can fall flat on their face when pressured with the threat of no edits, no do-overs.

I am very happy to report that Mr. Brian Williams did a spectacular job. I wouldn't be surprised if he ends up joining the ranks of hosting gods Alec Baldwin and Steve Martin some day. His performance was crisp and professional, and I'm sure people that only know him from his news program were caught completely off guard. Too bad the writing this week was below average.

(S33E02) "A Message From K-Fed": I suppose it would have been tough to avoid covering the news about Britney Spears losing custody of her children to K-Fed, but was it really worthy of a cold open? The sketch managed to make me crack a smile, but I didn't even come close to laughing, which is disappointing because K-Fed is already inherently hilarious.

"Monologue": Seth Rogen shared the Saturday Night Live monologue that he's supposedly always dreamed of doing, complete with Bill Hader as Steven Segal. It was cute but, again, didn't get huge laughs. I could tell that Rogen wasn't going to be one of those guests who lose all sense of comedic timing and rhythm on live TV, though. Honestly, I would have been crushed if that was the case. Oh, and speaking of Rogen and Hader, I totally expected more of them working together. I was pretty disappointed by Superbad (sorry, Michael Cera, I still love you), but Rogen and Hader were great as a team, with or without McLovin.

(S33E01) "All-But-Certain-To-Be Next President" (Cold Open): This was a funny piece, but it didn't pack the punch I would have expected for a season premiere open. Oh! Hi, Darrell Hammond. Still here, huh? No, it's not a problem, man. It's just that you've been crashing here for a while and, well, you haven't really been doing much to contribute. And we've kind of been wondering when you'd be moving out -- Yeah, I guess your Bill Clinton voice is still pretty funny and I guess it'll come in handy some time in the near future. Okay, I suppose it's okay if you stay for a little while longer. Just try not to creep out the younger folks, okay?

With the announcer not cutting in until about halfway through the cast, it must have sucked to have such a slip-up this early in the episode. Was that even Don Pardo doing the voices for the cast intro? At first, it sounded like someone doing an impression of him.

Darrell Hammond, the longest-running cast member ever on Saturday Night Live, is finally getting his own highlights episode. The Best of Darrell Hammond will air on Saturday, November 4th, ahead of Tuesday's primary elections. SNL will honor Hammond's years of political impressions, he is perhaps best known for his impressions of Dick Cheney, Bill Clinton, and Al Gore ("lock box"). Hammond has been on SNL for an amazing eleven years. He is the first cast member to get a retrospective while still working on the show.

Besides politics, the retrospective will also include sketches where Hammond impersonates Regis Philbin, Arnold Schwarzenegger, Chris Matthews and a kick-ass Sean Connery on Celebrity Jeopardy! I'd love to see the one where he plays Richard Dreyfus auditioning for the role of C-3PO on Star Wars. It's uncanny!