I loves myself some Twilight Zone, but when I watch repeats of the classic series I can't help but notice that the dialogue in Rod Serling's scripts was somewhat overwrought. I sometimes have trouble watching certain episodes and not imagining Serling hunched over his typewriter, giggling to himself at how clever he's being. That's not necessarily a criticism -- if anything, it's that mix of segments that made you roll your eyes and ones that truly gripped you that kept the series interesting and still makes it stand out even today.

(S01E04) "Checkmate" is probably my favorite single episode of The Prisoner. It's a very tight story about how Number 6 thinks he has gained the upper hand on his captors in the Village but ends up being double-crossed by those he thought he could trust.

The chess game using humans as pieces with instructions being shouted out by "the masters" carries with it quite a few allegories, doesn't it? I guess that if you don't have the power, you're just a pawn in their game. (Listen to Bob Dylan's song for that.)

Number 6 still is planning his escape from the Village, and he is on the prowl searching for others to join him. After being persuaded to function as a pawn in the giant chess game, he makes contact with the Queen who, in response to his questions, attempts to steer him to concentrate on the game. Afterwards, they both discuss escape, but he doesn't seem to trust her.

Later on we see the Rook being "treated" at the hospital and he and Number 6 make plans for their escape. The Rook is an electronics expert, so he would be a a natural ally for Number 6. However, as one might have suspected, the Queen is hypnotized to fall in love with Number 6 and is given a locket that also serves as a tracking device.