Over the course of the last decade, many successors to 'Smallville' have been mooted for the network (and its predecessor, The WB), from a rumored "young Batman" series to a failed 'Aquaman' pilot, the short-lived 'Birds of Prey' series and the more recent 'Raven,' which has seemingly stalled in development hell. Another iconic DC property, 'Wonder Woman,' just crashed and burned at NBC after the cheesetastic pilot stripped everything likable from the character, which further illustrates that name-recognition alone is not enough to sustain a show.
On the surface, 'Deadman' seems like a curious choice for a standalone series -- the character is little-known outside fan circles, and the storyline (murdered circus performer possesses others' bodies to bring his killers to justice, while helping those he inhabits to solve problems in their own lives) has already drawn inevitable comparisons to 'Quantum Leap'.
But a lack of brand awareness can sometimes be a blessing instead of a curse, allowing producers to forge their own path in shaping a character, rather than being married to fans' expectations as 'Smallville' was. In my mind, there are numerous other DC properties perfectly suited for a CW adaptation -- read on for my top five suggestions.
As reported by the BBC, the 'Sandman' and 'Stardust' author announced via Twitter that he "went to the Marge Simpson Studios," where he "recorded my part as 'Neil Gaiman', a British author."
Gaiman's character in the episode -- entitled 'The Book Job' -- would "probably be yellow", he continued. "Probably this is all I shall be remembered for," he joked.
To kick things off, Ackles took to the stage to present a sneak-peek of the first five minutes of his directorial debut, episode 604, entitled 'Weekend at Bobby's'. Needless to say, the crowd went wild. We'll have an overview of the five minute preview, as well as highlights from the panel, after the jump!
After the jump, we have roundtable footage of our interviews with Ackles, Padalecki, Misha Collins, Jim Beaver, creator Eric Kripke, executive producer Ben Edlund and new showrunner Sera Gamble. Needless to say, there are season six spoilers galore!
I can't imagine that 'Supernatural' wouldn't come back, especially if Kripke wants to do another season. It's a good show, it has a rabid following, it has already hit 100 episodes, and it's a show that The CW really needs in its lineup. Beyond 'Gossip Girl,' it really seems that people don't talk too much about most of the other shows on the network. 'Supernatural' has quality and buzz, and you don't want to lose too many of those type of shows.
We recently caught up with 'Supernatural's' most heavenly creatures, Misha Collins and Julie McNiven, to find out what we can expect from their angelic alter-egos next year. Fans of Collins' enigmatic Castiel shouldn't get too excited, though; heaven's latest dropout can't tell us too much about the first two episodes after hiatus -- he isn't in either of them!
Last Thursday's episode, "The Real Ghostbusters," reached almost unforeseen levels of meta-dom. To appreciate the intricate levels of meta in this episode, and the back and forth that's happening between the fans and the actors, creators and even prop people from the show, you need to have lived and breathed this sucker from episode one to right now.
But, as much as I love Kripke's ability to break down that fourth wall and, in the process, send a huge, heart-felt hug to fandom, it's time to take the story back to Sam and Dean.
This season is the last season for The CW's Supernatural. But it might not be the last season of The CW's Supernatural.
Creator Eric Kripke wants the show to continue, only not the same way it is now. He wants to get two new leads for the show and make it more of a light, music-oriented show, sort of High School Musical meets Rocky Horror Picture Show. OK, I made all of that up. But he does want to change the way the show is, so it can be renewed but be different, the way The X-Files and Buffy The Vampire Slayer changed their shows. He says that this upcoming season (season five in a long-planned five season arc) will "end with a bang."
After two lackluster promos for the coming season on The CW, Watch With Kristin over at E! Online recently posted a one minute sneak peek trailer for season five that looks good. Really good. Like, the-end-of-world-is-coming-so-brace-yourselves good. To spare spoiler-phobes, the full preview, plus my speculations, are after the jump.
Being a fan of a "cult" show is a mixed blessing. On the one hand, cult fans are a special breed that live and die with the show. Shows that manage to shore up a devoted (or rabid) fan base can expect to stick around for a decent amount of time. On the other hand, these fans are notoriously finicky and can turn on you in an instant.
I imagine that Supernatural creator Eric Kripke has to feel somewhat the same way. While it's the base that's kept him at the CW for the past four seasons, he must realize what a demanding, petulant and critical bunch we are. Supernatural fans haven't yet reached the Trekkie level, but they seem to have an endless stream of complaints. So, as we approach the season finale of Supernatural, I have to wonder, do fans have too much of a say in what's going on with the series?
It's not usual for a show in its fourth season to see a sudden ratings surge, but that's exactly what's happening to the CW's little known (and little watched) Supernatural. The horror-genre show has long been a cult favorite, struggling in its Thursday night 9 pm slot. This season, though, the show has seen an uptick in viewers, logging an average of 3.32 million eyeballs a week, well ahead of their season three numbers.
Even a devotee like myself can admit that the show's charms are an acquired taste, preferably to those with a forgiving palette. This season, though, has been good enough for me to think, wow you should really watch. And here are ten excellent reasons why you should watch:
(S03E12) There's no way that Kripke and the team over at Supernatural HQ could have foreseen the strike, only completing 12 episodes, and an extended break after episode 12. Had they been able to do that though, it's hard to imagine a better send off as we head into the break than what we saw in "Jus In Bello." The return of Henricksen and the introduction of Lilith made for a great mid (3/4) season intermission.
(S01E06) Since Reaper made its debut, there has been a nagging question. It's great and all, but how is it going to hold up over time? The random soul to catch each week is fun, and they have done a good job with that so far, but it's not enough to sustain the show over the long term. The writers made some good strides last week introducing the subplot with Pa Oliver and the contract. And then they took a step backwards this week by resetting the Sam and Andi relationship.
That's not to say that this was a bad episode by any stretch. There was a lot to like this week. As we move through the season though, the bigger picture story is going to become more and more important. We're better than a quarter of the way through the season now, so it's worth bringing up some of those questions. The characters are introduced and we have a good feel for all the major players. It's time to make with some revelations.
(S03E04) This week, Kripke and his pals brought us more of the same. Considering how season three is going, that is a very good thing. Once again we were treated to an interesting story that balanced very nicely with hints and reveals about the bigger picture season three plot. A little more Ruby, some welcome artillery, more questions about just who Sam is now, and the first cracks in Dean's manly outer shell.
(S03E01) Guess who just got back today? Them wild-eyed boys that had been away. Haven't changed... Well, wait a minute. Yes they have, and those changes are a big part of what makes season three of Supernatural so interesting. I think it's very smart what Kripke and his team have done.
The yellow-eyed demon had all the makings of your typical carrot and stick never ending serial plot device. They probably could have gone on for another few seasons with Sam and Dean never quite getting the job done. But in dispatching him, they managed to do a couple of things. First, they paid off a major plot line for viewers that had invested two years in the story. And more importantly, as we move into the third season, they did so in a way that opens up a plethora of new avenues for our story to travel. That is where we find ourselves as we delve into the third season.
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