The report talked about the backlash, specifically the negative comments internet commenters made about her voice and inexperience. Black seemed to take it in stride, joining Katy Perry for her video spoof, 'Last Friday Night,' and making a few videos lampooning her song for FunnyorDie.com. "All of it has been so amazing," she told 'Early.'
"Hitler in the front seat, Saddam in the back seat" and "It's Friday, Friday, fry in Hell on Friday!" replaced the nonsensical original lyrics, giving the song a new and as yet unheard coherence. It's as if the tune and music and vocal stylings of Rebecca Black were meant for a parody song.
Just a bit of the funny backstory: earlier this week, Colbert claimed that his "best friend for six months," Fallon, was going to match a $26,000 donation to DonorsChoose.org. Fallon said he promised no such thing, but in the spirit of saying your BFFSM will do something without consulting him first, he promised that Colbert would sing 'Friday' with the Roots if his audience could raise the $26,000 by Friday.
Well, they more than doubled that amount, and NBC Universal kicked in another 26 grand; more than $80,000 in contributions were made to this site, where educators solicit donations for school supplies and projects.
Fallon responded Monday to this by announcing that if he could raise that $26,000 from the public, then Colbert would be forced to appear on 'Late Night With Jimmy Fallon' and sing Rebecca Black's viral sensation 'Friday' with The Roots.
"What the f**k?" Colbert said on Tuesday's 'The Colbert Report' (Weeknights, 11:30PM ET on Comedy Central), after playing the clip of Fallon saying that $26,000 buys the public a singing Colbert.
Sure, her success has come on the heels of a ditty many are considering the worst song ever written. But as they say in show business, there's no such thing as bad publicity.
When Leno asked her if she'd seen some of the online parodies of her song, she said, "I think they can either be really hilarious and make me laugh like 'til I cry, but others are really lame."
Black and her song have been repeatedly bashed on the Internet over the past week, with jabs taken at the teen's singing ability and the song's simplistic lyrical content. Example: "Kickin' in the front seat / Sittin' in the back seat / Gotta make my mind up / Which seat can I take?"
"The song, they criticize it for being inane and stupid with the lyrics. [But], I sort of like it," said Kotb.
Hey, that's what I was advocating. It just makes sense. Eastwick is playing out the string. It's not coming back. ABC has decided to burn off the remaining episodes, but it can do that anywhere on the schedule... even on Friday nights.
But Ugly Betty deserves a chance to come back to the glory days when it was competitive in the ratings. Notice I didn't say it was a Nielsen winner; it never really was. But it was in there trying and it was an award-winning show so that made it all right. It was a trade-off for ABC.
Oh, wait, one network had new shows, ABC. But the ratings for a new Ugly Betty at 9 p.m. were dismal. Ugly Betty came in dead last with just a 0.9/3, only 3.39 million viewers for that timeslot.
A few weeks ago, I thought -- hoped -- things were looking up for Ugly Betty. It looked like the show was going to get a timeslot switch to Eastwick's Wednesday at 10 p.m. Alas, ABC has done nothing. Eastwick is not picked up for the season and it's still losing in that spot -- it had a 1.2/4 and just 3.89 million viewers this past week. That said, why isn't ABC giving Betty some love with a time change?
This is a bit of a relief to me because it sends a signal to Fox that another season of either show (both of which I enjoy) would be a good idea. If anything, this information is further proof that the current ratings system is obsolete and should be replace by something else (damned if I know what, though. The trick is to get advertisers to trust whatever new system they adopt).
It's also a sign that, unlike myself, some sci-fi fans actually go out on Friday nights and can wait until later to watch their favorite Friday night shows. Good for them.
These are the times that try a Whedon-fan's soul. Most of us knew in advance that Friday nights are the exact opposite of a ratings powerhouse. These are the circumstances in which we learn whether Fox was sincere in its agreement with Joss Whedon to try and let the show grow an audience.
On a more upbeat note, the decline in ratings for Dollhouse is consistent with the second episode of any new show. The network probably knows this and hopefully has factored this sort of slip into their plans for the show. I refuse to give up hope two weeks in.
Did anybody expect otherwise? Given the timeslot and the relative lack of publicity (no matter how cool the trailers actually are), the shows still did pretty well. Hopefully the additional views from DVRs that are watched during the week will increase the ratings enough so Fox doesn't cancel within three episodes.
I can only hope that Joss Whedon's statements about Fox are true and they were expecting low initial ratings for the series and that they hope to make up for it in DVD sales and increased ratings over time. If this sort of programming succeeds over time, then folks like me will have a legitimate excuse to stay in on Friday nights.
Let us not forget that success stories such as The X-Files started on Fox on Friday nights. I'm not giving up hope yet.
This Friday's show will be the end of the run. The four remaining shows in the can may be run off some time in the future, but more than likely they won't. For the immediate future, reruns of NCIS will fill the Friday 9 p.m. slot.
The Ex List is the first hour-long drama to be dumped this season. It's a sad commentary on CBS that they are so challenged when it comes to developing TV dramas that don't involve criminal activities.
Okay, show of hands. How many of you are going to the upcoming San Diego Comic-Con to see all of the panels being held by the many television studios and shows? Uh-huh, a good amount. Now, how many of you are going to be perusing the booths and dealers down at the exhibit hall? Ahhh, not so fast!
If you're a fan of all things television and you think you'll have some time to see what else is going on during this, the world's largest science fiction and comic book convention, you may want to re-think your plans. This isn't your grandfather's, father's, or even older brother's comic book convention.
Starting last year this convention has become the biggest television event between the TCA's the week before (which we are covering, by the way) and the Emmy's at the end of the summer. This year is no exception as the days are packed with shows varying from Stargate Atlantis and Battlestar Galactica to Big Bang Theory and Bones.
This version is going to be a new take on the old story of a man who sets sail from England, his ship is wrecked in a storm and he's thrown overboard winding up alone on a deserted island where he has to fen for himself. In time, he is joined by an escaped slave whom he names Friday. Ben Silverman, NBC's head honcho, described the proposed series in this way: "It's part MacGyver, part contemporary morality tale about race and personal discovery, part comedy and part Castaway meets Survivor." As envisioned, this Robinson Crusoe will need to be clever indeed. It's going to keep the time period 1650's, but when Crusoe finds Friday, he'll presumably be treating him as if it were today with regard to race relations.
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