A six-episode commitment is in place for The Baby Borrowers, a new reality series for NBC in which teenage couples are taken through the gauntlet of parenthood in just one month, during which they must care for a baby, then a toddler, then a pre-teen, and finally, grandparents. The new series is based on the popular British series of the same name, and the five couples featured on the show will be supervised at all times. Otherwise, the show would be called something like, Abandoned Babies, which doesn't exactly sell commercial time.
(S18E13) I didn't love it, and I didn't hate it -- for the most part, this week's episode was "just okay" in my opinion. It was nice to see Eric Idle return as the snooty muck-raking journalist Declan Desmond (first seen in the episode "Scuse Me While I Miss the Sky"), but the episode felt like two different episodes battling for the same thirty-minute space.
I always enjoy it when the writers come up with ways to incorporate all the secondary and tertiary characters into an episode ("22 Short Films About A Springfield" is a good example), but this one tried to tack on the bit about Homer being depressed with what he's become in life, leading he and his family to take over Burns' summer home and pretend it's their own.
(S01E22) The season finale of Everybody Hates Chris wasn't exactly a laugh riot, and it may have even relied on a few sitcom cliches, but nevertheless I thought it was a good way to end the season. A nice and poignant tribute to fathers and Father's Day.
All Chris' father Julius wants is to be left alone for Father's Day. As the elder Rock explains in the beginning, Mother's Day has always outranked Father's Day in order of importance. Of course, most dads really don't mind that at all. If they can have one day when they're not being asked for money or to fix things around the house, they're content. In fact, that's exactly what Julius wants, to have the house all to himself for one day.
(S01E18) If you bail Chris out every time he doesn't like something, that means he's going to run to you every time he has a problem, which means he'll never learn how to be a man. And if you can't teach him to be a man that means you're a bad father. And if you're a bad father, that means I picked the wrong husband. And if you think I'm about to let people run around here talking about "I just marry anybody" you must be out your damn mind. -- Chris' mom
Last night's episode was directed by creator and narrator Chris Rock. This is the first time he's helmed an episode since the show debuted last year.
We've known since the first episode that Chris doesn't get along with anyone at his school, including the faculty, save for his friend Greg and one teacher who mistakenly sees Chris as an endless font of information on black history and culture. After being duped into an ambush in which he's bombarded with water balloons filled with white paint, Chris asks his parents to let him transfer to a new school. His mother wants Chris to tough it out, but she eventually caves in. Of course, once Chris realizes he could actually be stabbed to death at his new school rather than just punched out on occasion, he decides to go with the lesser of two evils and returns to his old school.
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