It's a fair question. I'm not going to knock the skills the boys obviously have, but in a way this is a reality all-star crew of hip-hop dancers. Three of their performers are former finalists of FOX's summer hit So You Think You Can Dance. Hell, even judge Shane Sparks choreographed and judged on SYTYCD before beginning his stint on Randy Jackson Presents: America's Best Dance Crew for MTV so the audience is already aware of a connection between the two shows. And you have to figure there's a pretty heavy crossover audience between the two. How many dancing competition shows are there that feature street dancing?

The question is whether or not its unfair that so much of America has already become familiar with and fallen in love with the dynamic style of Hok Konishi, Ryan Conferido and Dominic "D-Trix" Sandoval of Quest Crew. Where do you draw the line, or is there any need to? On SYTYCD the three each competed individually whereas here they're part of a larger group so it's not like they're getting a second chance. Still, I'm pretty sure I remember Quest Crew even performing on a results show of SYTYCD last summer.

"We can dance if we want to. We can leave your friends behind. 'Cause if your friends don't dance and if they don't dance then they're no friends of mine." --Men Without Hats

Yep, "Safety Dance" blared through several speakers in the courtyard of the Nokia Theatre yesterday. I was there for So You Think You Can Dance's record-setting event. I also got to talk to some ex-cast members of the show. Read about the event and see what Lauren, Hok, Dominic, and Lacey had to say about their experience on SYTYCD (and their lives since then) after the jump.

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(S03E15) It seems like the summer is just flying by. Here we are, already down to the top ten. The competition has been very tough up to this point. Still, considering the talent of the contestants left, and adding in the fact that all of the partnerships are out the window, it's only going to get tougher.

Jean-Marc Genereaux got the nod to choreograph the big opening number this week, to the tune of "Boogie Woogie Bugle Boy." It was my favorite of the opening numbers so far. Lots of energy, and the period costumes were great. It's pretty impressive that, after all of the work that goes in to the weekly routine, the group is still able to come together and deliver these big numbers each week. As fun as they are though, we do tune in for the results. All the details are after the jump.

(S03E14)This week we will lose two more dancers and that will bring us to the top ten. It's not winning, but making the top ten is a bit of a feather in the cap, and it also means that you get to go on the tour. So there is a lot on the line for the dancers. In addition, beginning next week the teams will be paired up randomly each week.

Wade Robson is the guest judge this week, joining Nigel and Mary. Wade talked about what he was looking for in the dance. He thinks that given the audience for the show, the dancers have a responsibility to tell a human story. I didn't actually follow all of that, but he's Wade Robson. I give him a lot of leeway on things like that. Anyway, with the pressure as high as it has been so far this season, on with the dances after the jump.

(S03E13) Cat opened up the show looking absolutely lovely with her hair up and her blue dress. She said that after last night's performances this might be the hardest elimination yet. I didn't really think it was that tough a decision, but considering that my picks for elimination didn't pan out, maybe it was more difficult than I thought.

That led right into the big group performance, choreographed by Adam Shankman, which I'll call a modern take on the sock hop. It had a very Happy Days feel to it, if Ralph Malph had occasionally paused to do a little break dancing before telling someone to sit on it. It was a very fun performance all around.

(S03E12) After a week off for the 4th of July holiday, Nigel, Mary, and Cat are back with the top 14. Along for the ride is guest judge Adam Shankman. He is the director and choreographer of the upcoming Hairspray. The show started off by sending a small percentage of the audience into epileptic seizures as they got a look at Cat's dress, and then moved on to Nigel defending the decision to cut Jessi.

Really, I think they should have just let it go. He's not going to change any minds no matter how well thought out he thinks his explanation was. All this served to do was remind the people that didn't agree with the decision that the last results show was, as they saw it, a travesty. It's not changing, so to be fair to the other dancers, get on with it. As we should do now. Rundowns of all the performances after the jump.