homicide life on the street
In 'True Believers,' a music student, played by 'Medium' star Sofia Vassilieva, is raped in her own apartment. The detectives think they have a pretty solid case ... until Braugher's character becomes the suspect's attorney.
Below, check out the first meeting between Braugher's new character and Belzer's John Munch, plus a behind-the-scenes interview with Vassilieva.
The network announced that it has ordered a ten-episode period cop drama from Tom Fontana ('Oz') and Will Rokos ('Southland').
'Copper' is set in the notorious Five Points Irish neighborhood of New York City in the 1860s.
The executive producers include Fontana, Rokos, Barry Levinson ('Homicide: Life on the Street') and Christina Wayne ('Mad Men') of Canada's Cineflix Studios.
Sad news coming out of the New Orleans set of the new HBO series 'Treme': writer and producer David Mills collapsed Tuesday on the set and later passed away at a local hospital. According to the Times-Picayune site, Mills had a brain aneurysm.
Mills was head writer and producer on the show, which is about how a group of people of New Orleans rebuild their lives after Hurricane Katrina. Mills won two Emmys for his writing and producing on the HBO miniseries 'The Corner' and wrote for several other shows as well, including 'ER,' 'Homicide: Life on the Street,' 'Kingpin,' 'NYPD Blue,' and was a story editor on the CBS drama 'Picket Fences.' He also wrote for several newspapers, including The Wall Street Journal and The Washington Post.
'Treme' premieres on April 11.
David Simon, creator of The Wire, is shifting his lens from the mean streets of Baltimore to post-Katrina New Orleans with Treme. The HBO series is set in a Crescent City neighborhood rich in Créole and African American history. Unlike The Wire, Treme will tighten its scope to focus on the musicians and working class people living among the city's ongoing reconstruction efforts.
The Wire was a dense and sprawling tale, unearthing corruption and secrets everywhere from grimy back alleys to city hall. Treme's reportedly smaller scope recalls Simon's first series, Homicide: Life on the Street. The pioneering NBC drama centered on the tough and streetwise detectives sweating away at a Baltimore police precinct. Simply put, the show was a masterpiece that offered a rich, compelling and sometimes avant-garde micro-study of overworked cops.
To submit questions to the "Ask TV Squad" column, you can post them below in comments or email them to firstname.lastname@example.org.
This week, I follow up on the last "Ask TV Squad" about TV shows on DVD and answer a question about which TV DVDs you should own.
Well, I'm not alone in missing Saturday TV; Oscar-winner Barry Levinson feels the same. Levinson is also a TV producer -- he did Homicide: Life on the Street and The Philanthropist -- and he thinks the networks are making a big mistake by not seizing on Saturday primetime. He knows the business pretty well and he's confused by the networks' strategy.
"I don't think the answer is to retreat," he told the New York Daily News. "When you give up Saturday night, you open the door for people to go somewhere else. Basically, they're shrinking their own audience."
Perfect. Beautiful. That line was delivered by Carol Kane to Richard Belzer on last night's season finale of Law & Order: Special Victims Unit. A bit of history. Kane played Gwen Munch, the conspiracy-minded ex-wife of Belzer's Detective John Munch. The last time the two of them played those roles was more than a decade ago, not even on the same show.
When last Detective Munch fans saw the pairing, it was in 1997 on Homicide: Life on the Street. And they picked one hell of an episode to bring her back. Fans of Belzer know he was having fun with the black helicopter crowd before he brought that particular obsession to his character, and last night's episode was tailor-made for him, even if he wasn't really in the forefront of the plot.
But this isn't any old list – our Top 40 TV Shows of the '90s is just the first in a new series of countdowns in which we'll put our AOL Television seal of approval on the top 40 series of every decade.
Every other month we'll tackle another decade, going all the way back to the '50s, to recall the best comedies (hello 'Lucy'), the best prime-time soaps (do you remember who shot JR?), the best cop shows, animated series and groundbreaking TV shows.
So kick off 50 years of silver-screen bests with the greatest shows of the '90s, including everyone from 'Beavis,' 'Buffy' and 'Simpsons' to 'Freaks and Geeks' and teens on the 'Creek.'
(S02E04) Originally aired on January 6, 1994
It's been named one of the top 100 shows of all time by Time. You can't have a conversation about cop shows without mentioning it. Stacked up against other classics such as Hill Street Blues, NYPD Blue, the Law & Order franchise, The Shield, and The Wire, it often meets and sometimes exceeds. It's arguably one of the top three police dramas ever made. And this was the episode where people really started to talk about Homicide: Life on the Street.
My favorite cop television shows over the years often reflect those characters and it's sometimes a bit surprising how close they come to actual police I know ... or how far they stray from the reality of police work.
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