independent lens
Independent Lens profiles author John Fante
Author John Fante grew up in Denver in the early 20th century, the son of immigrant parents. His books were largely ignored at the time, and it wasn't until writer Charles Bukowski helped republish Fante's works that he became recognized as a master writer. While his books, including Ask the Dust, Wait Until Spring and Bandini were all hailed by critics, the public never caught on and most of his books went out of print soon after being published.
Like most writers, Fante had to make ends meet by writing things he didn't especially enjoy, and that meant penning screenplays for many films that never got made.
On December 12 at 10pm, the PBS documentary series Independent Lens will air "A Sad Flower in the Sand," a look at the late author featuring interview with his wife, Joyce Smart, his biographer Stephen Cooper and filmmaker Robert Towne.
Independent Lens: Democracy on Deadline - an early look
I've written for newspapers and magazines, but I've always been apprehensive about calling myself a journalist because it was never my major in college. In fact, my college didn't even have that as a major. I've always been fascinated by the career itself, however, and learning about all the obstacles that go along with getting a story.
If you share my interest in anything having to do with the media, and independent media especially, you'll probably enjoy Democracy on Deadline, which appears as part of the PBS series Independent Lens on November 21 at 10 pm. The documentary looks at independent journalists in several parts of the world, from right here in the United States to places like Russia and the Middle East. In the US, the problem for journalists is breaking through the wall of secrecy put up by the Bush White House during the days leading up to the Iraq war, and during the war itself. The documentary does not, however, place all blame on the government, it also points out how shoddy journalistic standards and a disinterested public have played a significant role in slowing down the flow of information.
Paul Conrad: Drawing Fire - an early look
The PBS series Independent Lens will feature the documentary Paul Conrad: Drawing Fire on November 7 at 10 pm as part of the documentary series' salute to politics and journalism during the month of November.Paul Conrad is now a freelance political cartoonist, but spent the majority of his career as a political cartoonist for the Los Angeles Times. Before joining the Times he drew for the Denver Post after graduating from the University of Iowa where he started drawing political cartoons for the school newspaper, The Daily Iowan. Conrad drew his scathing cartoons through eleven presidencies, starting with Harry S. Truman and continuing to the present day. Ostensibly a liberal, he had no desire to adhere to the party line, and, while his favorite targets were the likes of Richard Nixon and Ronald Reagan, he would also occasionally upset people on the left with his opinionated drawings, and attacked Clinton for what he considered selling out the Democratic party.
The special mixes interviews with the Pulitzer prize-winning Conrad, his friends, family and colleagues with a surfeit of his cartoons that covered some of the most tumultuous times in recent history, from Vietnam and Watergate to 9/11 and the current conflict in Iraq. It's a wonderful piece of film making about an outspoken man who does what every artist strives to do: create images that convey what is impossible to express in words.
The World According to Sesame Street -- an early look
The PBS series Independent Lens kicks off its fifth season on October 24 at 9 p.m. with The World According to Sesame Street, an in-depth look at how productions of the long-running children's series are created in other parts of the world. The special looks specifically at productions in Bangladesh, Kosovo and South Africa where the simple moral lessons of Sesame Street must somehow permeate cultures rife with political conflict, genocide, disease and starvation. This seems like a wild leap from the American version, and it is, but it's also worth pointing out that the original Sesame Street was subtly geared towards the poor and disenfranchised, taking place on an actual urban inner city street rather than some mystical far away land. The guiding ethos of Sesame Street has never been complete escapism, but rather making children better understand the world around them, and changing the scope of the series as time goes on in order to remain relevant. When the South African version of Sesame Street introduced a character with AIDS, some groups found it distasteful, but in a country where the number of people with HIV and AIDS has reached epidemic levels, it would make less sense not to bring in such a character.
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