Because it stinks.

That's what I'd like to say in my post about why I'm not reviewing The Class anymore, but since I get paid to actually render more thoughtful (and longer) opinions than that, I'll give you folks a little more insight.

I had faith in this show when it first started; after all, the comedic pedigree behind it -- James Burrows, David Crane, Jeffrey Klarik -- was stellar. And, while the pilot was a bit of a jumbled mess, the next two episodes had some laugh-out-loud moments. But after that, it crashed and burned, and really hasn't made me laugh since.

The Critic, while it was on television, aired on ABC, FOX, and Comedy Central, though not at the same time. The show, created by Simpsons vets Mike Reiss and Al Jean, started off on ABC where it wallowed in obscurity, and then moved to FOX for its second season. Actually, it didn't fare much better on FOX, either, and after two seasons the plug was pulled. It did, however, manage to find an audience when Comedy Central began airing reruns. Also, a "third" season of shorts was created for Shockwave.com. Not counting the Shockwave mini-episodes, the series only ran for a total of 23 episodes.

The titular character, voiced by Jon Lovitz, was a critic living in New York City who essentially hated every movie he saw. Of course, every movie he saw was incredibly bad, so you couldn't really blame him. The series premiered in 1994, and as anyone who has tried to get an animated show on primetime in the wake of The Simpsons knows, it can be an uphill battle, even if you happened to work on The Simpsons yourself. In fact, a crossover episode of The Simpsons featuring Jay Sherman (the Critic) was made ("A Star is Burns"). That episode, however, perhaps inadvertently zeroed in on why The Critic didn't last. While it was a great show, it seemed to wither under the shadow of a much bigger and much more popular series. Even I never gave it much of a chance when it first aired, seeing it as a lesser version of what The Simpsons was offering. It wasn't until I watched it on its own merit that I realized it was actually very unique, very well-written, and had carved out its own little universe separate from The Simpsons. The lesson, I suppose, is never jump to conclusions.