kenanthompson

(S35E09) Hello, Twilight fans. I know you're only here because of your screaming hearts, thudding so hard that every beat is a case for internal bruising. I'm going to be upfront: I don't like Twilight. I tried reading it before it was a "thing" because my friends recommended it to me and I found myself struggling to get through it because, well, even then I knew it was embarrassing. I also watched the film, which I thought was very funny, though I realize that was probably not the intended effect.

That said, I thought Taylor Lautner did a great job. See? I'm not just swimming in haterade. Obviously, I wasn't prepared to like him, but just like Blake Lively from last week, Lautner delivered a strong performance. He seemed really comfortable throughout the entire episode and was surprisingly natural, more natural than some of the actual cast members at some points, at least in terms of blatantly looking at cue cards.

And thanks for keeping your shirt on for all 90 minutes, Sharkboy.

In what critics are describing as a supreme act of insensitivity, given that Rihanna was scheduled as musical guest, 'Saturday Night Live' parodied Tiger Woods' recent headline-making troubles with a sketch portraying him as the victim of domestic abuse at the hands of wife Elin Nordegren.

In the sketch, which included Kenan Thompson as Woods and host Blake Lively as Nordegren, the wife of the pro-golfer strikes him with a golf club off-camera, and Woods appeals for help by holding a sign that read "Help me."
Rumors have been circulating that a domestic spat between Woods and his wife may have led up to his late-night crash into the tree of a neighbor's home on Nov. 27. Woods has denied such rumors.

Watch the video after the jump.

(S35E08) I will be perfectly honest: I was not at all looking forward to this episode. A few months ago, I had forced myself to watch two seasons of Gossip Girl for blogging purposes (okay, it was also an excuse to stare at their fantastic costuming), and I couldn't bring myself to continue. One of the reasons why I disliked the show so much was Serena, Blake Lively's character.

However, I'm happy to say I was pleasantly surprised by this episode. Lively was minimally awkward and brought great enthusiasm through the entire evening (though not an exhausting amount of zeal Joseph Gordon-Levitt style). I liked how it didn't seem Lively went on the show with a mission (apart from showing off her crazy legs); she didn't try to show off her musical side, cling to strictly "pretty girl" skits, or get controversial. She was just there, having a good time.

Also, for the most part, the writing was solid this week. Probably the most consistently funny installment in quite a while. Even the strange treatment of the Cold Open (with the Obama party crashers) was adorable.

(S35E07) I imagine it played out like this: Joseph Gordon-Levitt was at home last week, trying to mentally prepare for his first go as Saturday Night Live host by watching January Jones. Her performance turned out to be wooden and incredibly low energy and, consequently, the laughs were minimal. This struck fear into Mr. Gordon-Levitt's heart, and, terrified, he dropped the pint of Phish Food that he was eating in my imagination. "I won't let this happen to me," I bet he said. "I'm going to eat two fistfuls of Pixi Stix at 11:25 p.m. Saturday night and have someone inject me with a near lethal dose of adrenaline. I'll also wear a lot of vests."

And that's how Joseph Gordon-Levitt managed to exhaust a seated audience through sheer enthusiasm and volume alone. Maybe.

(S35E06) There was a strange moment of nodding recognition at the end of the night, as I watched Jason Sudeikis and January Jones in the cloud-gazing sketch. Throughout, the man pauses to consider the woman's weird behavior and then concedes, "Ohh, you're a very pretty, pretty woman." Yup. That's pretty much how I reacted the entire night, especially during really bad sketches like the farting Grace Kelly (take a moment to think about that: Farting. Grace. Kelly.)

Jones was kind of a stiff host with not particularly daring material, but, goodness gracious, her real-life 50s Barbie prettiness was mesmerizing. Her performances in the mid-century instructional video and the aforementioned cloud-gazing sketch were the best of the evening, but that's not saying much since the rest of her appearances were strange and wooden. Even her good night felt like it had been programmed in and auto-tuned for maximum polite insincerity.

(S35E05) I had to talk myself through being allowed to criticize Taylor Swift. Ever since Kanye West VMA outburst turned everyone in America into Swift's over-protective mom, she's been shown even more as an innocent country-inspired sweetheart. Every time she messed up in this episode, I felt the need to hold back any not-super-great remarks because, well, she's a teeny-bopper! Teeny-boppers are just kids goofin' around!

And then I have to pause and remind myself that she's almost 20-years-old, around the same age as Shia LaBeouf and Ellen Page when they first hosted and Abby Elliiott when she initially joined the featured players. Screw it, there's no need to hold back. Swift is a musician, so we can't expect her acting skills to be super-good, but the fact I keep thinking she's only 14 shouldn't affect anything else.

(S35E04) I remember sitting down and staring at Gerard Butler as he made funny, smarmy faces at the camera. And then I blinked, only to see Butler was thanking the cast and viewers for a wonderful show. I looked on the computer screen. There were half-remembered notes haphazardly tapped out at some point.

Somehow, I had jumped forward ninety minutes. Had I finally mastered short-term time travel? Or did I just watch an incredibly forgettable episode of Saturday Night Live? Probably the latter. However, I vaguely recall a destructive robot adorably struggling through a wall. If that was actually a dream and not real life, please don't tell me.

(S35E03) Drew Barrymore is energy. Pure, almost-scary energy. It's disorienting to watch when one is bleary-eyed and staring at a tiny TV in the wee hours of the morning, but this trademark makes for consistent television-viewing. While the quality of Saturday Night Live's writing may waver from episode to episode, every time Drew Barrymore returns, one can safely expect absolute enthusiasm and a palpable willingness to step back and laugh at herself.

All right, little Ms. "I Extra-Love Female Empowerment," prepare for me to work that ego.... Especially when one compares her to the typical "hot girl" host (see: Megan Fox's SNL premiere), Barrymore doesn't box herself in and offers a lot more opportunity for fun characters. Would someone like Fox ever be willing to bolo it up to play Nina Wilkes Booth? I doubt it.

(S35E02) After that Jenny Slate f-bomb nonsense and Megan Fox's not terribly original hot girl material from the season premiere, it was exciting to see a really solid episode (and a star-studded one, at that). Ryan Reynolds did a fantastic job as host (snaps for his wavering voice during the porcelain fountains sketch and accent in SYTYCD), though he didn't have any major stand-out roles. Did I miss the memo that Lady Gaga wasn't just musical guest but co-host as well? Such a role is normally left up to Ryan Reynolds' giant biceps.

It's been a while since we've seen such consistently enjoyable writing in an episode. Usually, there's a distinct lull during the course of the 90 minutes, but I didn't feel it this time. Hopefully, this is a good indication of the rest of the season.

This installment of Sketch Comedy Saturday holds a very specific goal. On one hand, it's to serve as a minor aid in the quest to overcome Saturday Night Live withdrawal. It's also a very effective excuse to feel nostalgic for the 90s. Believe it or not, the 90s were almost 20 years ago. Take a moment and let that sink in to your old, old brain, dinosaur.

This week, we will be touching upon a little show called All That, which some of you may remember as Nickelodeon's attempt at a kid version of SNL. Also, the theme song is by TLC, so you know it's 90s-crazy.

(S34E23) Wow. Way to go, Will Ferrell. Maybe they should just bring back Saturday Night Live alumni for season finales from now on, because this episode was spectacular. Ferrell brought back some old favorites and a slew of famous faces, from the familiar to the inexplicable, including Amy Poehler, Tom Hanks, Anne Hathaway and Artie Lange. Here are some video highlights from the evening (Hulu vids are US only. Sorry, kids... you can also watch these videos at NBC's website).

(S34E22) Justin Timberlake returned for his third turn as host and it was tough not to keep expectations pretty high. I mean, if an vengeful warlock were to suddenly put a crippling curse on his music career (like they do), Timberlake could definitely fall back on being a professional SNL host. Yes, this would become a real profession, just for him.

As usual, some sketches fell a bit flat, but Timberlake's over-confident, hammy swagger made things a little more interesting. This particular episode also gave us another legendary musical Digital Short with Timberlake and Andy Samberg and a couple of all-around MILFs. It's tough to top a surprise appearance by Leonard effin' Nimoy, but "Motherlover" was certainly the highlight of the evening. Here are some other notable video moments!

(S01E01) I still stand behind the early look of Sit Down, Shut Up I did a few days ago: the pilot was underwhelming. For everything that works about it, there seem to be at least two things that don't. However, before I did this review, I decided to watch the pilot again, so it would be fresh in my mind. What I found is that the show definitely grows on you.

While I didn't really laugh at all the first time through, re-watching it allowed me to pick up on some of the more subtle things that I missed. That, combined with the fact that I've seen the second episode, which is much better, really made me appreciate this episode more.

(S34E21) When it came to everything unrelated to jazz hands, my expectations for Zac Efron were pretty low. Then again, there was part of me that kept thinking back to Justin Timberlake's first time hosting; he was just another song-and-dance good guy but the enthusiasm and craziness he brought to his performances blew everyone away. Okay, so Efron didn't do as well as Timberlake, but as the evening progressed, Efron seemed to get a little more comfortable and delivered a not-too-cingeworthy performance. Consider that a massive victory.

Here are some video highlights from the evening.

(S34E20) Seth Rogen returned to host for the second time to promote his new mall cop movie (yeah, I know). Unlike last time, when there were one or two stand-out sketches, this episode didn't have any particularly memorable moments. However, there were Muppets, Mogwai and a thinner Seth Rogen involved, so maybe things weren't too horrible.