(S03E03) "Tonight's been educational." - Patty

Educational it was, both for Patty Hewes and viewers alike, as last night's 'Damages' proved that it can tell one helluva narrative without any of those pesky "six months from now" flashes. 'Flight's at 11:08' isn't the first episode to put the back and forth, past/present/future jumps on the back-burner, but it is the earliest it's happened in a season. Normally, those narrative devices don't fade away until the climactic moment later in the season when everything collides. What we got instead was a bit of different angle for 'Damages' as last night's episode was driven by the characters and not the over-arching plot.

(S03E02) "Yeah, sure. That's Tommy. He's a good egg. I helped him, he helped me." - The Homeless Man

The questions kept flying tonight on 'Damages' as details from last week's stunning revelation continued to unfold -- in six months time, Tom Shayes is a dead man and now we have a better idea as to why. The only problem with that? There are still eleven episodes left, and assuming this season plays out like the first two, we're gonna have to wait until the last possible second for answers. Fortunately for us, there's plenty of other plots playing out as well.

(S03E01) "Do you think this could have been done to you on purpose?" - Det. Vic Huntley

Patty Hewes for the people? No way. In tonight's season three premiere of Damages, Patty (Glenn Close) may have been appointed by the government to recover billions of stolen assets from scheming financier Louis Tobin (Len Cariou), but let's be honest here -- this is Patty Hewes.

When her name is on the line, you better believe that's all that matters. She's set on finding all that money, but it's to make her look good and has nothing to do with the welfare of Tobin's thousands of victims. With a stellar record as of late (Frobisher and UNR), losing this battle would be a huge blow to Patty's public image. So, knowing all that, what do you think about Det. Huntley's question now? Could someone have tried to kill Patty on purpose?

When Damages burst on to the TV scene in the summer of 2007, it turned everything upside down. Creators Glenn and Todd A. Kessler and Daniel Zelman took a tired television genre and re-invented it so well that it became hard to pigeonhole Damages in the very category that spawned it. It was so much more than a legal thriller and the drama's tense plotting and unique time shifting storytelling technique made the show worthy of scholarly debate -- blink and you'll miss something important.

Now entering its third season, Damages is prepped to turn the legal world on its head again when FX's superb thriller returns this Monday night, January 25, at 10 p.m. ET. Based on the first two episodes, Glenn Close and the rest of the top-notch cast make the same case that they did the previous two seasons -- this is must see, can't miss television.

Canterbury's Law didn't last too long (be honest, you barely remember it), but Juliana Margulies is donning the power suit and getting back into the courtroom in CBS' new drama The Good Wife. This show is "ripped from the headlines" in every way. Her husband is a politician who goes to jail after a money/sex scandal, she's all over YouTube, and even her boss has her picture taken with Hilary Clinton and looks a little like Gloria Allred (it's Christine Baranski). Margulies' character could probably get a few million for writing a tell-all, but she decides to practice law again.

(S02E13) "I've been having one helluva shitty month and someone is gonna pay." - Patty

Another great ending to another great season of television. The general consensus seems to be that season two of Damages far outpaced season one. They were pretty tied up for me - that was, until last night's finale. Just like the first season, by the time we got to the end, we'd already seen most of the episode because of all the flashbacks. Same goes this time around - season two's flash-forwards provided us with a pretty solid sense of what to expect. The beauty of Damages is that there was still about 20 minutes worth of plot holes that needed filling. Seeing it all play out, in order, was phenomenal.

Damages has lived up to the hype. After a jaw-dropping debut season that garnered Glenn Close an Emmy and a Golden Globe for her turn as Patty Hewes, the FX legal drama roared back in January amid speculation regarding whether or not the unique storytelling techniques used in season one could be re-created again. The result? Eight episodes into the new season and Damages is as thrilling as ever.

However, after learning that Patty is indeed the person being held at gunpoint in last week's final moments, it proved one thing - Patty isn't the only one in the hot seat. The creative team behind Damages should be sweating too.

(S02E01) "Actually, I take that back. You should be scared. You should be terrified." - Ellen

Payback's a bitch, ain't it? Not if you're Ellen Parsons - then it's a slow, methodical, patience-testing process where it apparently takes six months before you get to shoot a gun. And thus begins the second chapter in the twisted law legacy of Ellen Parsons. After one episode, David Connor's killer is no longer the issue at the top of everyone's mind.

The law/crime genre is a tired and used television landscape. In an era where almost every channel has been saturated with no less than four Law & Order's, three CSI's, and countless other attempts - some good, some bad - it reached a point where it seemed as though we'd seen it all. Then FX premiered Damages back in July 2007 and everything changed. Fast-forward over a year later, add in three history-making Emmy wins, a Golden Globe, and one lingering question remains - how can they possibly re-create the tense past-meets-present plot device that made season one so unique and memorable?

It's looking like David E. Kelley's plan is to have at least one of his legal shows on the air at all times.

The producer/writer is now pitching a new legal drama series to the networks. CBS and NBC are particularly interested. No word on whether or not ABC is interested in the new show, which would be odd since they've had some success with one of Kelley's other legal shows, Boston Legal, which is ending after this season.

To refresh your memory, here are the other legal shows that Kelley has created, written, and/or produced over the years: Ally McBeal, The Practice, The Law Firm, Girls Club, and L.A. Law. Actually, even some of his non-law shows have had strong law elements, including Picket Fences.

Kelley was working on the American version of Life On Mars, which premieres on ABC later this month, but left after the pilot. The show is getting good buzz so far.

Here's the gist of the story:

Alex White Plume of the Pine Ridge Reservation in South Dakota had been trying to grow various crops on his land, but none of what he planted could sustain. Finally, after a bit of research, he decided to grow industrial hemp, a close relative of marijuana but with a much lower amount of THC. While it is not illegal to sell hemp products, it is illegal to grow it, but Plume assumed he could grow and sell the hemp due to tribal sovereignty.

Back in July, Richard gave you the scoop on comedian Brian Froud's theater show Swiss Family Guy Robinson. Froud's one-man act is essentially a staged mash-up of Johann Rudolf Wyss' 1812 novel and Seth MacFarlane's animated series. Froud's show was a hit at Toronto's Fringe Festival, but his chances of ever staging the show again are slim to none. Fox has slapped Froud with a cease-and-desist order for unauthorized use of Family Guy characters.

On February 6 at 9 p.m., the National Geographic Channel will air Moonshine, a one-hour documentary about the history of moonshine and how the outlawed liquor led to one of the most popular sports franchises of all time, NASCAR.

The special will feature the last interview ever conducted with racing legend and NASCAR announcer Benny Parsons, who passed away last month. Also featured in the documentary is Junior Johnson, who almost faced jail time for transporting moonshine when he was younger.

When prohibition struck in the '20s, skilled drivers were recruited to transport moonshine, a corn-based concoction introduced to the South by Scots-Irish immigrants. What was once a way to evade the law soon evolved into the sport of stock car racing, and later into the phenomenon known as NASCAR. Let that be a lesson to anyone currently breaking the law: your unlawful exploits just might be the next big thing in sports.

You can watch a preview clip of Moonshine here.

I think I've mentioned here before that I'm a big fan of Demetri Martin. Some people don't seem to like him for some reason (not sure why, he's funny and doesn't have any annoying qualities). It's probably just a knee-jerk reaction, to appear hip to dislike someone who has suddenly become hip. But I have no scientific data to back up this claim.

Martin talks to The Onion about how he got started in comedy, what it was like to be an intern on The Daily Show and then an on-air correspondent, how hard standup can be, and how comedy has changed since he started (since he started? What, seven or eight years ago?)

He also updates fans on the status of not one but two pilots he wrote for NBC. Hint: the news is not good. Or maybe it's very good, depending on what you want to see from Martin. He has a new CD out, These Are Jokes, and will film a special for Comedy Central.

On the heels of news that both 7th Heaven and The Game were given full season orders comes news that CBS' Shark, with James Woods as a hotshot lawyer, has been given a full season as well. The most recent episode got the series best ratings yet.

This reminded me that CBS only put four new shows on their lineup this fall. Jericho and Shark have gotten full season orders, nothing has been said about The Class yet, and Smith was canceled only after a few episodes.

[via TV Tattle]