Officially, the suit covers even more than those two charges. There are seven in all: wrongful termination, assault and battery, gender violence, discrimination based on sex, sexual orientation and age, and intentional infliction of emotional distress. Sheridan is seeking $20 million in compensation.
Violence against women -- or men for that matter -- is a serious charge, and it would be naive to think that this could not have happened. That said, it does seem like something right out of a 'Desperate Housewives' script. Would Marc Cherry have been so upset with Sheridan to strike her? Wouldn't it have been witnessed by other people on the set? Perhaps that will come out in the case.
It's too bad that Jason can't find a way to fit into your new life, but maybe it's just not meant to be. And if it is, you'll find your way back to each other. Is this helping at all? Ok, we'll just shut up and hand you a tissue.
For more tears and breakups and makeup sex, watch 'The Deep End' (Thu., 8PM ET on ABC).
Watch the video after the jump.
(S03E03) "Tonight's been educational." - Patty
Educational it was, both for Patty Hewes and viewers alike, as last night's 'Damages' proved that it can tell one helluva narrative without any of those pesky "six months from now" flashes. 'Flight's at 11:08' isn't the first episode to put the back and forth, past/present/future jumps on the back-burner, but it is the earliest it's happened in a season. Normally, those narrative devices don't fade away until the climactic moment later in the season when everything collides. What we got instead was a bit of different angle for 'Damages' as last night's episode was driven by the characters and not the over-arching plot.
(S03E02) "Yeah, sure. That's Tommy. He's a good egg. I helped him, he helped me." - The Homeless Man
The questions kept flying tonight on 'Damages' as details from last week's stunning revelation continued to unfold -- in six months time, Tom Shayes is a dead man and now we have a better idea as to why. The only problem with that? There are still eleven episodes left, and assuming this season plays out like the first two, we're gonna have to wait until the last possible second for answers. Fortunately for us, there's plenty of other plots playing out as well.
(S03E01) "Do you think this could have been done to you on purpose?" - Det. Vic Huntley
Patty Hewes for the people? No way. In tonight's season three premiere of Damages, Patty (Glenn Close) may have been appointed by the government to recover billions of stolen assets from scheming financier Louis Tobin (Len Cariou), but let's be honest here -- this is Patty Hewes.
When her name is on the line, you better believe that's all that matters. She's set on finding all that money, but it's to make her look good and has nothing to do with the welfare of Tobin's thousands of victims. With a stellar record as of late (Frobisher and UNR), losing this battle would be a huge blow to Patty's public image. So, knowing all that, what do you think about Det. Huntley's question now? Could someone have tried to kill Patty on purpose?
When Damages burst on to the TV scene in the summer of 2007, it turned everything upside down. Creators Glenn and Todd A. Kessler and Daniel Zelman took a tired television genre and re-invented it so well that it became hard to pigeonhole Damages in the very category that spawned it. It was so much more than a legal thriller and the drama's tense plotting and unique time shifting storytelling technique made the show worthy of scholarly debate -- blink and you'll miss something important.
Now entering its third season, Damages is prepped to turn the legal world on its head again when FX's superb thriller returns this Monday night, January 25, at 10 p.m. ET. Based on the first two episodes, Glenn Close and the rest of the top-notch cast make the same case that they did the previous two seasons -- this is must see, can't miss television.
(S02E13) "I've been having one helluva shitty month and someone is gonna pay." - Patty
Another great ending to another great season of television. The general consensus seems to be that season two of Damages far outpaced season one. They were pretty tied up for me - that was, until last night's finale. Just like the first season, by the time we got to the end, we'd already seen most of the episode because of all the flashbacks. Same goes this time around - season two's flash-forwards provided us with a pretty solid sense of what to expect. The beauty of Damages is that there was still about 20 minutes worth of plot holes that needed filling. Seeing it all play out, in order, was phenomenal.
Damages has lived up to the hype. After a jaw-dropping debut season that garnered Glenn Close an Emmy and a Golden Globe for her turn as Patty Hewes, the FX legal drama roared back in January amid speculation regarding whether or not the unique storytelling techniques used in season one could be re-created again. The result? Eight episodes into the new season and Damages is as thrilling as ever.
However, after learning that Patty is indeed the person being held at gunpoint in last week's final moments, it proved one thing - Patty isn't the only one in the hot seat. The creative team behind Damages should be sweating too.
(S02E01) "Actually, I take that back. You should be scared. You should be terrified." - Ellen
Payback's a bitch, ain't it? Not if you're Ellen Parsons - then it's a slow, methodical, patience-testing process where it apparently takes six months before you get to shoot a gun. And thus begins the second chapter in the twisted law legacy of Ellen Parsons. After one episode, David Connor's killer is no longer the issue at the top of everyone's mind.
The law/crime genre is a tired and used television landscape. In an era where almost every channel has been saturated with no less than four Law & Order's, three CSI's, and countless other attempts - some good, some bad - it reached a point where it seemed as though we'd seen it all. Then FX premiered Damages back in July 2007 and everything changed. Fast-forward over a year later, add in three history-making Emmy wins, a Golden Globe, and one lingering question remains - how can they possibly re-create the tense past-meets-present plot device that made season one so unique and memorable?
The producer/writer is now pitching a new legal drama series to the networks. CBS and NBC are particularly interested. No word on whether or not ABC is interested in the new show, which would be odd since they've had some success with one of Kelley's other legal shows, Boston Legal, which is ending after this season.
To refresh your memory, here are the other legal shows that Kelley has created, written, and/or produced over the years: Ally McBeal, The Practice, The Law Firm, Girls Club, and L.A. Law. Actually, even some of his non-law shows have had strong law elements, including Picket Fences.
Kelley was working on the American version of Life On Mars, which premieres on ABC later this month, but left after the pilot. The show is getting good buzz so far.
Actors Donal Logue and Eliza Dushku, along with writer/producer David Hemingson, recently signed on for new network projects.
Logue stars in FOX's Barry Sonnefeld-directed comedy pilot, Hackett, as a "bad-boy literary luminary" who goes from teaching at Yale to teaching at a public school in Ohio. The pilot also stars Rachel Boston (American Dreams) and Morgan Murphy. Logue was last seen on ABC's short-lived The Knights of Prosperity. Sonnefeld will work on Hackett, as well as direct episodes of Pushing Daisies, a new series for ABC premiering Wednesdays this fall.
Back in January I mentioned a little animated short that meshed the Simpsons together with O.J. Simpson to create, naturally, The O.J. Simpsons. It's cute, though not especially hilarious.
Well, now FOX lawyers are asking Broadcaster.com, the video site that hosts the clips, to have the clips removed.
FOX wanted the clips removed due to to "copyright infringement," so I assume the music was changed for that reason. Without the music, I would say the clips fall under the category of "parody," which I think makes them legitimate. This is based on my delusion that I actually know anything about copyright law.
If you haven't heard, Catherine Crier's show has not been renewed by Court TV, so she is leaving the network. But not before getting in a few digs.
In a speech to lawyers in Florida, Crier says she is sad to hear that Court TV (which is changing its name, by the way) is no longer going to cover trials on TV. It will be a web-only feature. Instead, the network is changing its entire lineup, and Crier says it will be "a lot of explosions, a lot of car chases, a lot of cops, a lot of beach babes."
I'm surprised that the network is getting rid of their trial coverage, since it was one of the features that really made their network stand out from anyone else.
But, since NBC struck a deal with Fox to create a video site designed to be a "YouTube killer," NBC's lawyers have been going after all YT clips of the show that weren't uploaded by NBC to the channel it maintains on the site. Michaels discusses the issue with the New York Observer and makes no bones about how he feels about the site: "YouTube has been great for us," he told writer Felix Gillette.
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