(S05E10) "A twelve-year-old Ben Linus brought me a chicken salad sandwich. How do you think I'm doing?" - Sayid
Hands down, no doubt about it - best episode of the season. "He's Our You" was much more of a traditional Lost episode, in the sense that we had regular ol' flashbacks. There's been a lot of questions about Sayid (we haven't seen too much of him this season), and this was probably the most sensible way to do it - lay out his current predicament while flashing to all the moments that got him there. Who likes sandwiches?
Am I crazy, or is this the first time they've ever done this for Lost?!? Nine episodes into the show's fifth season and ABC has released an updated cast photo. The only cast member killed off so far this season is Rebecca Mader's Charlotte (she finally succumbed to time-travelitis four episodes back in "This Place is Death") and as such, she's the only one omitted from the new photo while Daniel Dae Kim, who was MIA at the beginning of the season, has been added. I'm as big a Lost fanatic as the next guy and I love new stuff like this to analyze the hell out of, but was this really necessary?
(S05E09) "Dude, your English is awesome." - Hurley
We've had two weeks to stew on the events of "LaFleur" and maybe that's why I went into "Namaste" expecting so much more. That isn't to say that I was disappointed with the Oceanic Six/Left Behinders reunion. The simplest way to put it is that the nature of the narrative on Lost has forced the show to change so that these are the types of stories that are most organic to the plot now.
The flashbacks from the first few seasons are a distant memory at this point, and it's exciting because for a while now, we've been watching stuff that didn't already happen. Well ... technically it did since they're all in 1977 now, but you get what I mean. One thing is for certain - no matter how you slice it, three years is a long time.
(S05E08) "Yeah, thanks anyway Plato." - Sawyer
I think the best way to describe this episode was safe. Nothing crazy or out of place happened and you knew how it was going to end the second it began. Think of it this way - when we first started watching Lost, it was like dumping a giant puzzle onto the floor. At this point, the entire puzzle is assembled, and for the most part, we can almost see the big picture, save for a bunch of pieces that are still missing. "LaFleur" was one of those pieces.
(S05E07) "I remember dying." - Locke
I was really excited for this episode. However, and it wasn't bad, but it turns out that the whole mystery surrounding John's alter ego Jeremy Bentham wasn't much of a mystery after all. The entire hour played out as a laundry list of confirmations - things that we either kind-of-sort-of knew based on past episodes or things that most avid fans of Lost assumed to be true anyway. If anything, it was a nice pat of the back because it's always a good feeling to think every now and then, "Hey, I do get this show!"
(S05E06) "We're not going to Guam, are we?" - Lapidus
Whether you've been prepared for it or not, Lost is becoming a very different show. I'm not bringing that up as a negative. I'm not bringing it up as a positive either. This is just the natural progression of what has become the most densely written sci-fi drama ever. Eventually, we were going to reach a point that just seemed utterly ridiculous even by Lost's standards.
Let me put it this way - for as far-fetched a show as Lost is (that isn't a bad thing), I've never really felt like I had to suspend my disbelief to buy into it. With this episode, I did.
(S05E05) "Um... he's Korean. I'm from Encino." - Miles
The beautiful thing about Lost is that there's never two bad episodes in a row. That's not to say that "The Little Prince" wasn't good, but it certainly wasn't what we've come to expect. It was just too slow. Not the case this week - "This Place is Death" roared back and didn't let up once during its 60 minutes of perfection.
After last week's revelation that Jin was indeed still alive (Was anyone actually surprised by this?), the attention immediately shifted from him to the people who rescued him - Danielle Rousseau's research team. Fans (myself included) were furious when Danielle was killed so nonchalantly last season, mainly because we still had so many questions about her backstory and history on the island. Wish granted.
(S05E04) "I have to make them come back... even if it kills me." - Locke
And so begins the quest of Jeremy Bentham. That's been one of the real treats this season - seeing the Oceanic Six in the present while having their plot juxtaposed against the real-time (well... as "real-time" as real-time can get when you're time traveling) plight of those still on the island three years ago. The fact that we only saw Locke lay the foundation for his plan involving the Orchid to get everyone back was still mesmerizing. I love knowing what happens to him but not knowing the circumstances of his "suicide" and how he ended up in that coffin at Hoffs Drawler. Despite the lack of any more development on Locke's plan beyond what we got, this episode was still phenomenal - mainly because two people we've all been missing finally showed up again.
(S05E03) "Because... he's one of my people." - Locke
I really need to get in the habit of taping my mouth shut while watching Lost because my jaw is always on the floor by the end of every episode. Time-traveling has added an entirely new dimension (literally) to the story-telling techniques of this show and the first three hours of this season have been some of Lost's best. The flash-backs always lacked a certain amount of tension because they already happened. On the flip side of the same coin, the same can be said about the flash-forwards because you know they're going to happen. But time-traveling has created this new ripple where nothing has permanence anymore, whether it happened, is happening, or will happen. This is mesmerizing stuff to watch unfold because everything becomes new the second Faraday, Locke, and Co. make a new jump. They may not be altering the ultimate outcome, but they are altering the moment.
(S05E02) "There's no calling my father off." - Penny
Everybody lies. Some people enjoy the thrill of getting away with it ... and then there's Hurley. While this wasn't a traditional flash-back/flash-forward episode with one character as the focus (hard to say if those will ever be feasible again), this was pretty much a Hurley-centric hour anyway.
As the plot progresses this season, it's going to be interesting to see who becomes important (and who becomes irrelevant) to the ultimate endgame. That being said, we learned one pretty important fact in this episode:
Without Hugo in the mix, "then God help us all."
(S05E01) "You're gonna have to die, John." - Richard Alpert
Time travel! The future is
now! later! here! gone! beginning! ending! OK, I give up. Lost is back and the future is... well, we don't know what the future is. Or the past. Or the present. All we know is what they were, because now they're just one big time travelin' mess.
As with seasons past of Lost, the fifth chapter of TV's favorite mindf*ck opens by presenting an entirely new storytelling technique - one that demands equal parts patience, attention, and imagination. More than anything, it's a test for true fans because the casual Lost viewer (do they exist?) probably had a hard time moving from A to Z (worst metaphor ever - I know) in tonight's season premiere. That being said, this whole hour gave me my own bloody nose.
As amazing as Lost is, I still hate it for one tiny reason - every time a new season begins, I get terrified that I won't "get it." If that happened, it would completely deflate my enjoyment of the show. While Lost has had its fair share of WTF episodes, most of them are decipherable after repeat viewings; season five's first two installments definitely fall into that category. It's like playing the sequel of your favorite video game - for the most part, the controls and game-play are the same, but there are enough changes that it still takes you a few hours to get a handle on it.
And Season Four gave us such pivotal moments. The introduction of the freighties, including some really good and interesting characters. The return of Michael. The identities of the Oceanic Six. An in-depth examination of what happened to them after the island in more flash forwards. The man in the cabin. Ben moves the island. And the identity of the man in the casket. So much happened in fourteen short episodes, but still that's not enough. To fill out the set, we've got two full discs of extras.
You know what that would mean? It would mean that the ending we've been promised - after the sixth season - really won't be the complete ending. We'll get a lot of answers but not all of them. They'll save that for the movie that we'll have to pay $10 to see. At least the X-Files movie came in the middle of the series run, and the sequel was a stand-alone story, so you didn't feel you were getting ripped off or teased. A stand-alone Lost movie wouldn't make much sense.
As the Academy of Television Arts & Sciences tries to whittle the submissions down to actual nominees, it's interesting to take a look at who has made it to the semifinals. It's not a nomination, but it's one step away. Today comes word of the finalists for best comedy actress and best supporting drama actor. There are some surprises.
Chief among those for me is Sarah Silverman. I honestly hadn't even considered her in the running. I'm not much of a fan, but I do like that she is being considered for the simple fact that the base the nominees are drawn from can always use some expansion. And if she is the most surprising inclusion, the most surprising snub just might be Teri Hatcher. Eva Longoria, Marcia Cross, and Felicity Huffman all made the cut, but not Hatcher. Ouch. The rest of the finalists, and the supporting actors from a drama, after the jump.
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